Photographs of Public Domain Paintings: How, If at All, Should We Protect Them?
- Published in:
- Journal of Corporation Law, 2009, v. 34, n. 4, p. 1033
- By:
- Publication type:
- Article
Works matching DE "ARTS reproductions"
Results: 29
1
2
The Play's the Thing.
- Published in:
- Personnel & Guidance Journal, 1968, v. 47, n. 3, p. 256
- Publication type:
- Article
3
On the Ontology of Mechanically Reproduced Artworks.
- Published in:
- Popular Music & Society, 2015, v. 38, n. 5, p. 646, doi. 10.1080/03007766.2015.1027097
- By:
- Publication type:
- Article
4
Replicating Paintings.
- Published in:
- Contemporary Aesthetics, 2018, v. 16, p. 11
- By:
- Publication type:
- Article
5
GEORGES DE LA TOUR, COPIES AND STUDIO PAINTINGS.
- Published in:
- Studies in Conservation, 1998, v. 43, n. S2, p. 11, doi. 10.1179/sic.1998.Supplement-2.011
- By:
- Publication type:
- Article
6
Sophia Peabody Hawthorne and "The—What?": Creative Copies in Art and Literature.
- Published in:
- 2011
- By:
- Publication type:
- Essay
7
The American Agriculturist: Art and Agriculture in the United States' First Illustrated Farming Journal, 1842-78.
- Published in:
- Nineteenth-Century Art Worldwide, 2021, v. 20, n. 3, p. 3, doi. 10.29411/ncaw.2021.20.3.2
- By:
- Publication type:
- Article
8
Varying Impressions.
- Published in:
- Journal of Aesthetics & Art Criticism, 2015, v. 73, n. 1, p. 81, doi. 10.1111/jaac.12139
- By:
- Publication type:
- Article
9
Reproductive Prints as Aesthetic Surrogates.
- Published in:
- Journal of Aesthetics & Art Criticism, 2015, v. 73, n. 1, p. 11, doi. 10.1111/jaac.12140
- By:
- Publication type:
- Article
10
"Traditional Art Crafts (Dentō Kōgei)" in Japan: From Reproductions to Original Works.
- Published in:
- Journal of Modern Craft, 2010, v. 3, n. 1, p. 19, doi. 10.2752/174967810X12657245205107
- By:
- Publication type:
- Article
11
The Multiple Modalities of the Copy in Traditional Japanese Crafts.
- Published in:
- 2010
- By:
- Publication type:
- Essay
12
Pattern Walking: A Dimension of Visumotor Performance.
- Published in:
- Exceptional Children, 1968, v. 34, n. 8, p. 617, doi. 10.1177/001440296803400805
- By:
- Publication type:
- Article
13
Original Imitations for Sale: Dafen and Artistic Commodification.
- Published in:
- 2014
- By:
- Publication type:
- Essay
14
RECOVERING AUTHORS: THE MODERN COPY, EXHIBITIONS AND MATISSE.
- Published in:
- Art History, 1989, v. 12, n. 2, p. 176, doi. 10.1111/j.1467-8365.1989.tb00349.x
- By:
- Publication type:
- Article
15
COLOR PLATE J.
- Published in:
- 2017
- Publication type:
- Art Reproduction
16
Copying Power: Emulation, Appropriation, and Borrowing for Royal Political Purposes.
- Published in:
- Visual Resources: An International Journal of Documentation, 2004, v. 20, n. 2/3, p. 143, doi. 10.1080/0197376042000207534
- By:
- Publication type:
- Article
17
Exceptions to Krautheimer's Theory of Coping.
- Published in:
- Visual Resources: An International Journal of Documentation, 2004, v. 20, n. 2/3, p. 123, doi. 10.1080/0197376042000207525
- By:
- Publication type:
- Article
18
Krautheimer and the Marketplace: Vernacular Copies of Antwerp Compound Altarpieces in the Rhineland.
- Published in:
- Visual Resources: An International Journal of Documentation, 2004, v. 20, n. 2/3, p. 199, doi. 10.1080/0197376042000207561
- By:
- Publication type:
- Article
19
Copying Manuscript Illuminations: The Trees of Vices and Virtues.
- Published in:
- Visual Resources: An International Journal of Documentation, 2004, v. 20, n. 2/3, p. 179, doi. 10.1080/0197376042000207552
- By:
- Publication type:
- Article
20
The Significance of Sameness: An Overview of Standardization and Imitation in Medieval Art.
- Published in:
- Visual Resources: An International Journal of Documentation, 2004, v. 20, n. 2/3, p. 161, doi. 10.1080/0197376042000207543
- By:
- Publication type:
- Article
21
The Copy.
- Published in:
- Visual Resources: An International Journal of Documentation, 1999, v. 15, n. 2, p. 267, doi. 10.1080/01973762.1999.9658502
- By:
- Publication type:
- Article
22
Demythologizing the Copy: An Interview with ELIZ.
- Published in:
- 1999
- By:
- Publication type:
- Interview
23
The Allegorical Imperative (Or Why Paint When the Copy Store is Open Twenty-four/seven?).
- Published in:
- Visual Resources: An International Journal of Documentation, 1999, v. 15, n. 2, p. 253, doi. 10.1080/01973762.1999.9658501
- By:
- Publication type:
- Article
24
Repeatable Artworks as Created Types.
- Published in:
- British Journal of Aesthetics, 2013, v. 53, n. 4, p. 461, doi. 10.1093/aesthj/ayt026
- By:
- Publication type:
- Article
25
THE "DARING FOOL" FENG FANG (1500-1570) AND HIS INK RUBBING OF THE STONE-INSCRIBED GREAT LEARNING.
- Published in:
- Ming Studies, 1995, n. 35, p. 74, doi. 10.1179/014703795789004457
- By:
- Publication type:
- Article
26
Even Better than the Real Thing? Digital Copies and Digital Museums in a Digital Cultural Policy.
- Published in:
- Culture Unbound: Journal of Current Cultural Research, 2017, v. 9, n. 1, p. 62, doi. 10.3384/cu.2000.1525.179162
- By:
- Publication type:
- Article
27
Anachronic Renaissance.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
28
The Question of the Value of Doubles in Autographic Arts.
- Published in:
- 2013
- By:
- Publication type:
- Essay
29
The Center of Enamelling in Hungary.
- Published in:
- Glass on Metal, 2009, v. 28, n. 2, p. 38
- By:
- Publication type:
- Article