A Political Economy of Lifestyle and Aesthetics: Yorùbá Artists Produce and Transform Popular Culture.Published in:Research in African Literatures, 2012, v. 43, n. 4, p. 128, doi. 10.2979/reseafrilite.43.4.128By:KLEIN, DEBRAPublication type:Article
Suzanne McClelland's Fugitives.Published in:Gulf Coast: A Journal of Literature & Fine Arts, 2017, v. 29, n. 1, p. 114By:Stackhouse, ChristopherPublication type:Article
A Bridge between Science and Art? The Artistic Reception of On Growth and Form in Interwar Britain, c. 1930-42.Published in:Interdisciplinary Science Reviews, 2013, v. 38, n. 1, p. 35, doi. 10.1179/0308018813Z.00000000031By:Juler, EdwardPublication type:Article
NIYAZ NAJAFOV: Fighting Man.Published in:ArtAsiaPacific, 2018, n. 108, p. 56By:CARTER MILES, NEDPublication type:Article
Baptism of Blood: Bodies Performing for the Law.Published in:Journal for Cultural Research, 2011, v. 15, n. 4, p. 409, doi. 10.1080/14797585.2011.574055By:Stephanou, AspasiaPublication type:Article