Sylvia Plath: The Paintings in the Poems.Published in:Word & Image, 2004, v. 20, n. 2, p. 107, doi. 10.1080/02666286.2004.10444009By:Meyers, JeffreyPublication type:Article
Be(e)ing and `truth': Tar Baby's signifying on Sylvia Plath's bee poems.Published in:1996By:Pereira, Malin WaltherPublication type:Literary Criticism
"And I a smiling woman." Sylvia Plath's Unheimlich Domesticity.Published in:Plath Profiles, 2019, v. 11, n. 1, p. 75By:Wuehle, Candice L.Publication type:Article
A World Without Men: Matriarchal Landscapes in Sylvia Plath's "Stings," "Wintering," "Purdah," and "Letter in November".Published in:Plath Profiles, 2016, v. 9, p. 42By:CHAN, CONSTANCEPublication type:Article
Bald Glyphs & Psychic Maps: An Examination of Sylvia Plath's "Sheep in Fog".Published in:2013By:Qayoom, RehanPublication type:Poetry Review
As We Like It: Ariel's Forewords: Plath, and Hughes Pay a Mystic Debt to the Bard.Published in:2012By:Gordon-Bramer, JuliaPublication type:Essay
God's Lioness and God's Negress: The Feminine and the Figure of the African-American in Plath.Published in:Plath Profiles, 2012, v. 5, p. 169By:Ellison Murphy, JeromePublication type:Article
"Through the Beautiful Red": The Use of the Color Red as the Triple- Goddess in Sylvia Plath's Ariel.Published in:2010By:Wilkins, AllisonPublication type:Essay
'I NEED A MASTER': SYLVIA PLATH READS D. H. LAWRENCE.Published in:2008By:Bayley, SallyPublication type:Literary Criticism
From the Bottom of the Pool: Sylvia Plath's Last Poems.Published in:2000By:Kendall, TimPublication type:Poetry Review