BLACK SKIN, BLACK MASKS: THE CITATIONAL SELF IN THE WORK OF GLENN LIGON.Published in:Criticism, 2012, v. 54, n. 4, p. 507, doi. 10.1353/crt.2012.0035By:DeLand, LaurenPublication type:Article
Takedown Notice: A Conversation with Paolo Cirio.Published in:2015By:Flyntz, LizPublication type:Interview
Reimagining Resistance: Performing Transparency and Anonymity in Surveillance Art.Published in:Surveillance & Society, 2016, v. 14, n. 2, p. 227, doi. 10.24908/ss.v14i2.6005By:Kafer, GaryPublication type:Article
Anonymity and Doubt: Reading Picasso's Papiers Collés with Mallarmé.Published in:Art History, 2018, v. 41, n. 1, p. 104, doi. 10.1111/1467-8365.12327By:Stark, TrevorPublication type:Article
The Burial of the Sardine.Published in:Raritan, 2020, v. 40, n. 2, p. 85By:JOSIPOVICI, GABRIELPublication type:Article