Found: 13
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Women's Cinema and Contemporary Allegories of Violence in Mexico.
- Published in:
- Discourse: Journal for Theoretical Studies in Media & Culture, 2010, v. 32, n. 2, p. 170, doi. 10.1353/dis.2010.a426889
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- Publication type:
- Article
THE SIGNIFICANCE OF THE QUEER AND THE DOG IN ALEJANDRO GONZÁLEZ IÑÁRRITU'S AMORES PERROS (2000): A MASCULINITY AT WAR.
- Published in:
- Wide Screen, 2009, v. 1, n. 1, p. 1
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- Publication type:
- Article
"We Are All Uxbal": Narrative Complexity in the Urban Borderlands in Biutiful.
- Published in:
- 2015
- By:
- Publication type:
- Film/Television Criticism
Rehabilitating Neoliberalism: Disability Representation in the Films of Alejandro González Iñárritu and Guillermo Arriaga.
- Published in:
- 2015
- By:
- Publication type:
- Essay
The Monstrous-Masculine: Adolescence, Abjection, and the Screen Male in Denys Arcand's Les Invasions barbares (2003) and Alejandro González Iñárritu's Amores perros (2000).
- Published in:
- FIAR: Forum for Inter-American Research, 2008, v. 1, n. 1, p. 35
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- Publication type:
- Article
LA RECEPCIÓN DEL CINE MEXICANO Y LAS CONSTRUCCIONES DE GÉNERO. ¿FORMACIÓN DE UNA AUDIENCIA NACIONAL?
- Published in:
- Revista de Estudios de Género, La Ventana, 2008, v. 3, n. 27, p. 58
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- Publication type:
- Article
Affecting legacies: historical memory and contemporary structures of feeling in Madagascar and Amores perros.
- Published in:
- Screen, 2003, v. 44, n. 3, p. 277, doi. 10.1093/screen/44.3.277
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- Publication type:
- Article
Biutiful, by Alejandro González Iñárritu.
- Published in:
- Salmagundi, 2011, p. 41
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- Publication type:
- Article
Analyzing the Puzzle That is Amores Perros.
- Published in:
- 2011
- By:
- Publication type:
- Film/Television Criticism
The Cinergetic, Experimental Melodrama: Feminism and Neo-Machista National Consciousness in Mexican Film.
- Published in:
- Studies in Latin American Popular Culture, 2007, v. 26, p. 27
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- Publication type:
- Article
Alejandro González Iñárritu: director without borders.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2009, v. 7, n. 2, p. 101, doi. 10.1386/ncin.7.2.101/1
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- Publication type:
- Article
Amores perros and racialised masculinities in contemporary Mexico.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2007, v. 5, n. 3, p. 201, doi. 10.1386/ncin.5.3.201_1
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- Publication type:
- Article
Through the Looking Lens: Modernity and Identity in German, Spanish and Mexican Film.
- Published in:
- 2011
- By:
- Publication type:
- Film/Television Criticism