"I'm Your Girl": Queering Gender Affiliation in Megan Abbott's Queenpin.Published in:2012By:Betz, Phyllis M.Publication type:Literary Criticism
"A Terribly Incomplete Thing": "No-No Boy" and the Ugly Feelings of Noir.Published in:2010By:Entin, JosephPublication type:Literary Criticism
Sun, sea and sexual deviance: the British noir thriller of the long 1930s.Published in:Critical Quarterly, 2015, v. 57, n. 3, p. 22, doi. 10.1111/criq.12210By:Charteris, CharlottePublication type:Article
Realigning Literary Noir: Dorothy B. Hughes's Ride the Pink Horse and The Expendable Man.Published in:2021Publication type:Literary Criticism
The Dynamism of Violent Death: Double Indemnity and the American Roman Noir During the Depression.Published in:2021By:Welton, BenjaminPublication type:Literary Criticism
America Is Elsewhere: The Noir Tradition in the Age of Consumer Culture.Published in:2016By:Photinos, ChristinePublication type:Book Review
Interview with Dominique Manotti<sup>1</sup>.Published in:2010By:Beihadjin, Anissa;Golsan, Lucy;Fleury, SonaiPublication type:Interview
Everybody's Noir Humanism: Chester Himes, "Lonely Crusade," and The Quality of Hurt.Published in:2009By:Nieland, JustusPublication type:Literary Criticism
Late Modernist Noirs: Béla Tarr's Damnation/Kárhozat and György Fehér's Passion/Szenvedély.Published in:Caietele Echinox, 2022, v. 43, p. 104, doi. 10.24193/cechinox.2022.43.06By:Toderici, RaduPublication type:Article