From Margin to Centre? Images of African-American Women in Film.
- Published in:
- Social Alternatives, 1998, v. 17, n. 4, p. 35
- By:
- Publication type:
- Article
Works matching DE "AFRICAN American women in motion pictures"
Results: 19
1
2
Women of Blaxploitation: How the Black Action Film Heroine Changed American Popular Culture.
- Published in:
- 2009
- Publication type:
- Book Review
3
'Rock-a-Bye, Baby!': Black Women Disrupting Gangs and Constructing Hip-Hop Gangsta Films.
- Published in:
- Cinema Journal, 2003, v. 42, n. 2, p. 25, doi. 10.1353/cj.2003.0004
- By:
- Publication type:
- Article
4
Equal Access to Exploitation and Joy: Women of Color and Hollywood Stereotype.
- Published in:
- Quarterly Review of Film & Video, 2016, v. 33, n. 4, p. 303, doi. 10.1080/10509208.2016.1144021
- By:
- Publication type:
- Article
5
Feminist Initiatives and Actions in Contemporary Brazilian Audiovisual.
- Published in:
- Revista Estudos Feministas, 2017, v. 25, n. 3, p. 1373, doi. 10.1590/1806-9584.2017v25n3p1373
- By:
- Publication type:
- Article
6
Black skin, black mask: the subaltern's quest for transformation in Jean-Paul Civeyrac's Mon amie Victoria.
- Published in:
- French Screen Studies, 2020, v. 20, n. 1, p. 67, doi. 10.1080/14715880.2018.1556512
- By:
- Publication type:
- Article
7
12 Years a Slave as a Neo-Slave Narrative.
- Published in:
- American Literary History, 2014, v. 26, n. 2, p. 326
- By:
- Publication type:
- Article
8
“Our Struggles Are Unequal”.
- Published in:
- Journal of Communication Inquiry, 2016, v. 40, n. 4, p. 351, doi. 10.1177/0196859916664082
- By:
- Publication type:
- Article
9
Documents: Statement by African Women Professionals of Cinema, Television and Video, presented at FEPACI (Fédération panafricaine des cinéastes), Ouagadougou, Burkina Faso, 1991.
- Published in:
- Black Camera: The New Series, 2015, v. 7, n. 1, p. 262, doi. 10.2979/blackcamera.7.1.262
- Publication type:
- Article
10
African Woman in Cinema Dossier: Teaching African Women in Cinema, Part One.
- Published in:
- Black Camera: The New Series, 2015, v. 7, n. 1, p. 251, doi. 10.2979/blackcamera.7.1.251
- By:
- Publication type:
- Article
11
''Woman Thou Art Bound'': Critical Spectatorship, Black Masculine Gazes, and Gender Problems in Tyler Perry's Movies.
- Published in:
- Black Camera: The New Series, 2011, v. 3, n. 1, p. 9, doi. 10.2979/blackcamera.3.1.9
- By:
- Publication type:
- Article
12
Construction of the Crack Mother Icon.
- Published in:
- Western Journal of Black Studies, 2012, v. 36, n. 4, p. 264
- By:
- Publication type:
- Article
13
"Baad Bitches" and Sassy Supermamas: Black Power Action Films.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
14
Caught Between a Thot and a Hard Place.
- Published in:
- Black Scholar, 2018, v. 48, n. 1, p. 56, doi. 10.1080/00064246.2018.1402256
- By:
- Publication type:
- Article
15
Black Women Having It All.
- Published in:
- Black Scholar, 2018, v. 48, n. 1, p. 20, doi. 10.1080/00064246.2018.1402253
- By:
- Publication type:
- Article
16
"BAAD BITCHES" AND SASSY SUPERMAMAS: BLACK POWER ACTION FILMS.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
17
Are You as Colored as That Negro? The Politics of Being Seen in Julie Dash's Illusions.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
18
Encounters: The Film Odyssey of Camille Billops.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
19
Black Movement Impolitic: Soundies, Regulation, and Black Pleasure.
- Published in:
- African American Review, 2016, v. 49, n. 3, p. 205, doi. 10.1353/afa.2016.0034
- By:
- Publication type:
- Article