Making Culture Into Nature; or, Who Put the "Special" into "Special Effects"?
- Published in:
- Science Fiction Studies, 1980, v. 7, n. 3, p. 263, doi. 10.1525/sfs.7.3.0263
- By:
- Publication type:
- Article
Works matching DE "AESTHETICS of motion pictures"
Results: 159
1
2
On Science Fiction as Symbolic Communication.
- Published in:
- 1980
- By:
- Publication type:
- Literary Criticism
3
Unsophisticated Lady:The Vicissitudes of the Maternal Melodrama in Hollywood.
- Published in:
- Modernism/Modernity, 2009, v. 16, n. 1, p. 123, doi. 10.1353/mod.0.0054
- By:
- Publication type:
- Article
4
The Heart Machine: "Rhythm" and Body in Weimar Film and Fritz Lang's "Metropolis."
- Published in:
- Modernism/Modernity, 2007, v. 14, n. 2, p. 225, doi. 10.1353/mod.2007.0030
- By:
- Publication type:
- Article
5
"A New Form of True Beauty": Aesthetics and Early Film Criticism.
- Published in:
- Modernism/Modernity, 2006, v. 13, n. 2, p. 267, doi. 10.1353/mod.2006.0046
- By:
- Publication type:
- Article
6
IS CINEMA ART?
- Published in:
- Modern Age, 2015, v. 57, n. 1, p. 7
- By:
- Publication type:
- Article
7
Fundamentos para una iconología audiovisual.
- Published in:
- Comunicación y Sociedad, 1988, v. 1, n. 1, p. 15
- By:
- Publication type:
- Article
8
Kleine Geschichte filmischer Zwischentitel: Zum Gebrauch von Schrift im stummen Schriftfilm.
- Published in:
- Internationales Archiv für Sozialgeschichte der deutschen Literatur, 2017, v. 42, n. 2, p. 469, doi. 10.1515/iasl-2017-0023
- By:
- Publication type:
- Article
9
FACT OR FICTION: A CONVERSATION WITH OLAF NICOLAI.
- Published in:
- 2012
- By:
- Publication type:
- Interview
10
‘Untold stories’.
- Published in:
- Rethinking History, 2015, v. 19, n. 3, p. 463, doi. 10.1080/13642529.2015.1006863
- By:
- Publication type:
- Article
11
KISA FİLMDE RİTM.
- Published in:
- Selcuk University Social Sciences Institute Journal, 2008, v. 19, p. 153
- By:
- Publication type:
- Article
12
Frustrated Climaxes: On Maya Deren's Meshes of the Afternoon and Witch's Cradle.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
13
Reading the Title Sequence (Vorspann, Générique).
- Published in:
- Cinema Journal, 2009, v. 48, n. 4, p. 44, doi. 10.1353/cj.0.0142
- By:
- Publication type:
- Article
14
Signifyin' and Intertextuality: Killer of Sheep and Black Independent Film.
- Published in:
- Socialism & Democracy, 2007, v. 21, n. 2, p. 133, doi. 10.1080/08854300701388195
- By:
- Publication type:
- Article
15
Manipulated Surface and Time: Digital Video and the “Film-Video Hybrid” in Bill Viola's 21st Century Work.
- Published in:
- 2013
- By:
- Publication type:
- Essay
16
Far from the Bengal Lights: The Fate of the Film Artist at the Beginning of the Twenty-First Century.
- Published in:
- Quarterly Review of Film & Video, 2002, v. 19, n. 4, p. 299, doi. 10.1080/10509200214851
- By:
- Publication type:
- Article
17
American Society for Aesthetics.
- Published in:
- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 117, doi. 10.1080/10509208909361307
- By:
- Publication type:
- Article
18
Third Cinema.
- Published in:
- Quarterly Review of Film & Video, 1989, v. 11, n. 2, p. 109, doi. 10.1080/10509208909361305
- By:
- Publication type:
- Article
19
Spremembe v recepciji filmskih adaptacij literarnih del v slovenski kinematografiji.
- Published in:
- Comparative Literature / Primerjalna Književnost, 2014, v. 37, n. 2, p. 181
- By:
- Publication type:
- Article
20
The "Rebound Effect": Formal and Structural Influences of Cinema on Italian Literature.
- Published in:
- Comparative Literature / Primerjalna Književnost, 2014, v. 37, n. 2, p. 165
- By:
- Publication type:
- Article
21
The Aestheticism of Posthuman Body in Science Fiction Movies.
- Published in:
- Journal of Comparative Literature & Aesthetics, 2022, v. 45, n. 4, p. 41
- By:
- Publication type:
- Article
22
Haunting and the Aesthetics of Trauma in A Woman in Berlin and For Those Who Can Tell No Tales: Redefining Cultural Memory.
- Published in:
- Slavonica, 2018, v. 23, n. 2, p. 75, doi. 10.1080/13617427.2018.1555923
- By:
- Publication type:
- Article
23
The Multisensory Film Experience: A Cognitive Model of Experiential Film Aesthetics.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
24
Between Authors and Agents: Gender and Affirmative Culture in Das Leben der Anderen.
- Published in:
- German Quarterly, 2009, v. 82, n. 2, p. 231, doi. 10.1111/j.1756-1183.2009.00047.x
- By:
- Publication type:
- Article
25
Ealing's Colour Aesthetic: Saraband for Dead Lovers.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 21, doi. 10.3366/E1743452109001319
- By:
- Publication type:
- Article
26
Green Apples and Red Prawns: The Colour of Time in Peter Greenaway's A Zed & Two Noughts ( Z.0.0.).
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 82, doi. 10.3366/E1743452109001356
- By:
- Publication type:
- Article
27
Chromatic Borders, Cosmetic Bodies: Colour in the Films of Nicolas Roeg.
- Published in:
- Journal of British Cinema & Television, 2010, v. 7, n. 1, p. 69, doi. 10.3366/E1743452109001344
- By:
- Publication type:
- Article
28
Orphans, a Work of Minor Cinema from Post-Devolutionary Scotland.
- Published in:
- Journal of British Cinema & Television, 2004, v. 1, n. 2, p. 226, doi. 10.3366/JBCTV.2004.1.2.226
- By:
- Publication type:
- Article
29
Sublime aesthetics in Philippe Grandrieux's Un lac.
- Published in:
- 2025
- By:
- Publication type:
- Journal Article
30
Beyond the Black Box: The Lettrist Cinema of Disjunction.
- Published in:
- October, 2011, n. 135, p. 21, doi. 10.1162/OCTO_a_00019
- By:
- Publication type:
- Article
31
Berlin Remix - A Computationally Generative "City Film" Artwork.
- Published in:
- Digital Studies / Champ Numérique, 2020, v. 10, p. 1, doi. 10.16995/dscn.376
- By:
- Publication type:
- Article
32
Bamboleho: The aesthetics and significance of the moment.
- Published in:
- Short Film Studies, 2018, v. 8, n. 2, p. 135, doi. 10.1386/sfs.8.2.135_1
- By:
- Publication type:
- Article
33
On fairy tales and the materiality of sand.
- Published in:
- Short Film Studies, 2018, v. 8, n. 1, p. 41, doi. 10.1386/sfs.8.1.41_1
- By:
- Publication type:
- Article
34
Russian Leviathan: Power, Landscape, Memory.
- Published in:
- Film Criticism, 2018, v. 42, n. 1, p. 32, doi. 10.3998/fc.13761232.0042.101
- By:
- Publication type:
- Article
35
In the Name of "The Ambiguity of the Real": Romanian Cinematic Realism after the 2000s.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
36
Amateurism and the Aesthetics of Lego Stop-Motion on YouTube.
- Published in:
- Film Criticism, 2016, v. 40, n. 2, p. 1, doi. 10.3998/fc.13761232.0040.204
- By:
- Publication type:
- Article
37
Abbas Kiarostami's Shirin and the Aesthetics of Ethical Intimacy.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
38
The Country of the Mind in Kubrick's Fear and Desire.
- Published in:
- Film Criticism, 2004, v. 29, n. 1, p. 23
- By:
- Publication type:
- Article
39
Spaces, Gaps, and Levels.
- Published in:
- Music, Sound & the Moving Image, 2012, v. 6, n. 1, p. 21, doi. 10.3828/msmi.2012.4
- By:
- Publication type:
- Article
40
THE ITALIAN ECONOMIC MIRACLE IN COEVAL CINEMA. A CASE STUDY ON THE INTELLECTUAL REACTION TO ITALY'S SOCIAL AND ECONOMIC CHANGE.
- Published in:
- Italian Quarterly, 2013, v. 50, n. 195-198, p. 45
- By:
- Publication type:
- Article
41
A DIGITAL HUMANITIES APPROACH TO FILM COLORS.
- Published in:
- Moving Image (15323978), 2017, v. 17, n. 2, p. 71, doi. 10.5749/movingimage.17.2.0071
- By:
- Publication type:
- Article
42
THEORIZING AMATEUR CINEMA.
- Published in:
- Moving Image (15323978), 2008, v. 8, n. 2, p. 36, doi. 10.1353/mov.0.0017
- Publication type:
- Article
43
James Tweedie, Moving Pictures, Still Lives: Film, New Media and the Late Twentieth Century.
- Published in:
- 2021
- By:
- Publication type:
- Book Review
44
ISAAC JULIEN.
- Published in:
- 2015
- Publication type:
- Proceeding
45
Serious immobilities: Andy Warhol, Erik Satie and the furniture film.
- Published in:
- 2014
- By:
- Publication type:
- Essay
46
Life driven by death: animation aesthetics and the comic uncanny.
- Published in:
- 2013
- By:
- Publication type:
- Essay
47
Addressing the dialectics of sexual difference in Eisenstein's Que viva México!
- Published in:
- 2007
- By:
- Publication type:
- Essay
48
Early, classical and modern cinema: absorption and theatricality.
- Published in:
- Screen, 2004, v. 45, n. 3, p. 226, doi. 10.1093/screen/45.3.226
- By:
- Publication type:
- Article
49
On Interpretation: Bill Viola's The Passing.
- Published in:
- Screen, 1995, v. 36, n. 2, p. 113, doi. 10.1093/screen/36.2.113
- By:
- Publication type:
- Article
50
ELECTRIC SHADOWS IN ITALY.
- Published in:
- Screen, 1982, v. 23, n. 2, p. 79, doi. 10.1093/screen/23.2.79
- By:
- Publication type:
- Article