The Philosopher, the Playwright, and the Actor: Friedrich Nietzsche and the Modern Drama's Concept of Performance.Published in:Theatre Journal, 2012, v. 64, n. 1, p. 25, doi. 10.1353/tj.2012.0002By:Kornhaber, DavidPublication type:Article
The Fundamental Attribution Error in Attributing Fictional Figures' Characteristics to the Actors.Published in:Media Psychology, 2007, v. 9, n. 2, p. 331, doi. 10.1080/15213260701286049By:Tal-Or, Nurit;Papirman, YaelPublication type:Article
Acting and Autobiography: A W Iffland and the Uses of the Literary.Published in:Publications of the English Goethe Society, 2008, v. 77, n. 2, p. 125, doi. 10.1179/174962808X320389By:Sharpe, LesleyPublication type:Article
Joan Littlewood and Ariane Mnouchkine against the canon: developing the actors' social representations through clowning.Published in:Theatre, Dance & Performance Training, 2022, v. 13, n. 4, p. 519, doi. 10.1080/19443927.2021.1968026By:Stamatiou, EviPublication type:Article
Concluding Othello: Contrasting Endings by Shakespeare and Fred Wilson.Published in:2016By:ERICKSON, PETERPublication type:Essay