Absolute Music: The History of an Idea by Mark Evan Bonds.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
Works matching DE "ABSOLUTE music"
Results: 31
1
2
Non-Standard Sound Synthesis with L-Systems.
- Published in:
- Leonardo Music Journal, 2009, v. 19, n. 1, p. 85, doi. 10.1162/lmj.2009.19.85
- By:
- Publication type:
- Article
3
Music and the Union of Love: Illustrating "Yingying Listens to Zither" in the 1616 He Bi Edition of Xixiang ji.
- Published in:
- Southeast Review of Asian Studies, 2015, v. 37, p. 20
- By:
- Publication type:
- Article
4
EDUARD HANSLICK: "THE BEAUTIFUL IN MUSIC" - AN AESTHETICS OF THE ABSOLUTE MUSIC.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2011, v. 56, n. 2, p. 29
- By:
- Publication type:
- Article
5
Christophorus, oder "Die Vision einer Oper": Franz Schreker's Opera as a Metareferential Work [2010].
- Published in:
- 2015
- Publication type:
- Essay
6
Emergent Sound: Labor, Materiality, and Nonrepresentational Music.
- Published in:
- Popular Music & Society, 2016, v. 39, n. 3, p. 317, doi. 10.1080/03007766.2016.1141520
- By:
- Publication type:
- Article
7
EDITORIAL.
- Published in:
- Philosophy of Music Education Review, 2013, v. 21, n. 2, p. 99, doi. 10.2979/philmusieducrevi.21.2.99
- By:
- Publication type:
- Article
8
Swinburne, Wagner, Eliot, and the Musical Legacy of Poems and Ballads.
- Published in:
- Journal of Victorian Culture, 2018, v. 23, n. 4, p. 542, doi. 10.1093/jvcult/vcy035
- By:
- Publication type:
- Article
9
Absolute Music: The History of an Idea.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
10
Further seductions: 'Mrs. Robinson', post-Graduate.
- Published in:
- Soundtrack, 2014, v. 7, n. 2, p. 133, doi. 10.1386/st.7.2.133_1
- By:
- Publication type:
- Article
11
On the correctness of imprecision and the existential fallacy of absolute music.
- Published in:
- Journal of Mathematics & Music, 2012, v. 6, n. 2, p. 93, doi. 10.1080/17459737.2012.697274
- By:
- Publication type:
- Article
12
The Property Theory of Musical Works.
- Published in:
- Journal of Aesthetics & Art Criticism, 2018, v. 76, n. 1, p. 57, doi. 10.1111/jaac.12435
- By:
- Publication type:
- Article
13
Absolute Music: The History of an Idea.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
14
Moods in the Music and the Man: A Response to Kivy and Carroll.
- Published in:
- Journal of Aesthetics & Art Criticism, 2007, v. 65, n. 3, p. 307, doi. 10.1111/j.1540-594X.2007.00261.x
- By:
- Publication type:
- Article
15
Moodology: A Response to Laura Sizer.
- Published in:
- 2007
- By:
- Publication type:
- Letter
16
Book Reviews.
- Published in:
- 2002
- By:
- Publication type:
- Book Review
17
FRIEDRICH SCHLEGEL'S ROMANTICIZATION OF MUSIC.
- Published in:
- 2009
- By:
- Publication type:
- Literary Criticism
18
Musical Quotations and Shostakovich's Secret: A Response to Kivy.
- Published in:
- British Journal of Aesthetics, 2017, v. 57, n. 1, p. 37, doi. 10.1093/aesthj/ayw085
- By:
- Publication type:
- Article
19
Absolute Music as Ontology or Experience.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
20
Replies to My Critics.
- Published in:
- British Journal of Aesthetics, 2017, v. 57, n. 1, p. 97, doi. 10.1093/aesthj/ayw062
- By:
- Publication type:
- Article
21
Absolute Music: The History of an Idea.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
22
Absolute Programme Music.
- Published in:
- British Journal of Aesthetics, 2017, v. 57, n. 1, p. 71, doi. 10.1093/aesthj/ayw057
- By:
- Publication type:
- Article
23
Two Debates about Absolute Music.
- Published in:
- British Journal of Aesthetics, 2017, v. 57, n. 1, p. 77, doi. 10.1093/aesthj/ayw055
- By:
- Publication type:
- Article
24
Yet Again, 'Between Absolute and Programme Music'.
- Published in:
- British Journal of Aesthetics, 2015, v. 55, n. 1, p. 19, doi. 10.1093/aesthj/ayu096
- By:
- Publication type:
- Article
25
Constitution and Qua Objects in the Ontology of Music.
- Published in:
- British Journal of Aesthetics, 2009, v. 49, n. 3, p. 203, doi. 10.1093/aesthj/ayp015
- By:
- Publication type:
- Article
26
DEFENDING MUSICAL PERDURANTISM.
- Published in:
- British Journal of Aesthetics, 2006, v. 46, n. 1, p. 59, doi. 10.1093/aesthj/ayj004
- By:
- Publication type:
- Article
27
ANOTHER GO AT MUSICAL PROFUNDITY: STEPHEN DAVIES AND THE GAME OF CHESS.
- Published in:
- British Journal of Aesthetics, 2003, v. 43, n. 4, p. 401, doi. 10.1093/bjaesthetics/43.4.401
- By:
- Publication type:
- Article
28
Listening, Touching, Meaning: On Translating Musical Experience, Answering the Call of Art, and Aesthetic Subjectivity in Baudelaire and Proust.
- Published in:
- Music & Letters, 2019, v. 100, n. 4, p. 597, doi. 10.1093/ml/gcz032
- By:
- Publication type:
- Article
29
DEFINING THE TERM 'ABSOLUTE MUSIC' HISTORICALLY.
- Published in:
- Music & Letters, 2009, v. 90, n. 2, p. 240, doi. 10.1093/ml/gcp009
- By:
- Publication type:
- Article
30
Ernst Bloch's Utopian Ton of Hope.
- Published in:
- Contemporary Music Review, 2012, v. 31, n. 5/6, p. 371, doi. 10.1080/07494467.2012.758940
- By:
- Publication type:
- Article
31
FAMOUS LAST WORKS: MORTALITY AND MUSIC IN THE FINAL CHORALES JOHANNES BRAHMS UND DIE ELF CHORALE VORSPIELE.
- Published in:
- Review of Management Innovation & Creativity, 2011, v. 4, n. 11, p. 40
- By:
- Publication type:
- Article