Works matching DE "19TH century music -- History %26 criticism"
1
- Early Music, 2012, v. 40, n. 2, p. 297, doi. 10.1093/em/cas048
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2
- Early Music, 2012, v. 40, n. 1, p. 111, doi. 10.1093/em/car120
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4
- BMGN: Low Countries Historical Review, 2014, v. 129, n. 4, p. 4, doi. 10.18352/bmgn-lchr.9855
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5
- Journal of Victorian Culture, 2010, v. 15, n. 1, p. 119, doi. 10.1080/13555501003607735
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6
- Nineteenth Century Studies, 2009, v. 23, p. 57, doi. 10.2307/ninecentstud.23.2009.0057
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7
- British Postgraduate Musicology, 2009, v. 10, p. 1
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8
- PER MUSI: Revista Academica de Musica, 2012, n. 25, p. 39, doi. 10.1590/S1517-75992012000100004
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11
- Journal of Modern Greek Studies, 2014, v. 32, n. 1, p. 133, doi. 10.1353/mgs.2014.0001
- Article
12
- 2014
- Goertzen, Valerie Woodring
- Book Review
13
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 132, doi. 10.1080/01411896.2013.791802
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14
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 248, doi. 10.1080/01411896.2013.791801
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15
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 83, doi. 10.1080/01411896.2013.791800
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16
- Journal of Musicological Research, 2013, v. 32, n. 4, p. 269, doi. 10.1080/01411896.2013.836438
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17
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 183, doi. 10.1080/01411896.2013.792038
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18
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 116, doi. 10.1080/01411896.2013.792036
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19
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 199, doi. 10.1080/01411896.2013.791961
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20
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 69, doi. 10.1080/01411896.2013.791959
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21
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 233, doi. 10.1080/01411896.2013.791806
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22
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 225, doi. 10.1080/01411896.2013.791805
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23
- Journal of Musicological Research, 2013, v. 32, n. 2-3, p. 150, doi. 10.1080/01411896.2013.791804
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24
- Journal of Musicological Research, 2012, v. 31, n. 4, p. 231, doi. 10.1080/01411896.2012.721334
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25
- Journal of Musicological Research, 2012, v. 31, n. 2-3, p. 97, doi. 10.1080/01411896.2012.682887
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26
- Journal of Musicological Research, 2012, v. 31, n. 2-3, p. 147, doi. 10.1080/01411896.2012.680880
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27
- Journal of Musicological Research, 2011, v. 30, n. 4, p. 297, doi. 10.1080/01411896.2011.611726
- Edgecombe, RodneyStenning
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29
- Hungarian Quarterly, 2011, v. 52, n. 201, p. 75
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31
- Notes, 2012, v. 68, n. 4, p. 751, doi. 10.1353/not.2012.0079
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35
- Music & Letters, 2010, v. 91, n. 2, p. 171, doi. 10.1093/ml/gcp103
- Sheinberg, Esti;
- Ritzarev, Marina
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36
- Music & Letters, 2002, v. 83, n. 2, p. 237, doi. 10.1093/ml/83.2.237
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38
- Music Analysis, 2014, v. 33, n. 2, p. 214, doi. 10.1111/musa.12032
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39
- Journal of the History of Medicine & Allied Sciences, 2010, v. 65, n. 3, p. 396, doi. 10.1093/jhmas/jrq004
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41
- American Imago, 2015, v. 72, n. 4, p. 335, doi. 10.1353/aim.2015.0024
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42
- Modern Intellectual History, 2008, v. 5, n. 2, p. 309, doi. 10.1017/S1479244308001662
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43
- Melbourne Historical Journal, 1964, v. 4, p. 17
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