Le savant et le général: Les goûts musicaux en France au XVIII<sup>e</sup> siècle.
- Published in:
- Actes de la Recherche en Sciences Sociales, 2010, n. 181/182, p. 18, doi. 10.3917/arss.181.0018
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- Publication type:
- Article
Works matching DE "18TH century music -- History %26 criticism"
Results: 36
1
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Supernatural music.
- Published in:
- 2013
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- Publication type:
- Book Review
3
More on Vivaldi in Switzerland.
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- Early Music, 2011, v. 39, n. 4, p. 597, doi. 10.1093/em/car102
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- Publication type:
- Article
4
J. S. Bach’s Trauer-Music for Prince Leopold: clarification and reconstruction.
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- Early Music, 2011, v. 39, n. 4, p. 587, doi. 10.1093/em/car104
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- Publication type:
- Article
5
Significance and effect of the stile antico in Handel's oratorios.
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- Early Music, 2011, v. 39, n. 4, p. 563, doi. 10.1093/em/car071
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- Publication type:
- Article
6
‘The ripienists must also be at least eight, namely two for each part’: The Leipzig line of 1730—some observations.
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- Early Music, 2011, v. 39, n. 4, p. 575, doi. 10.1093/em/car101
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- Publication type:
- Article
7
Further thoughts on Bach's 1722 temperament.
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- Early Music, 2011, v. 39, n. 3, p. 401, doi. 10.1093/em/car041
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- Publication type:
- Article
8
Thomas Wright's innovative method for expressing tempos, as shown in his Concerto for harpsichord or piano forte (1797).
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- Early Music, 2011, v. 39, n. 3, p. 409, doi. 10.1093/em/car052
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- Publication type:
- Article
9
Analysis and plain speaking.
- Published in:
- 2011
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- Publication type:
- Book Review
10
New findings on the possible copyists and owners of the Scarlatti sonata manuscripts in Münster: the role of Antonino Reggio.
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- Early Music, 2011, v. 39, n. 1, p. 57, doi. 10.1093/em/caq109
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- Publication type:
- Article
11
Playing with metre.
- Published in:
- 2010
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- Publication type:
- Book Review
12
Bach's chorus: the Leipzig line A response to Andreas Glöckner.
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- Early Music, 2010, v. 38, n. 2, p. 223, doi. 10.1093/em/caq038
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- Article
13
Editorial.
- Published in:
- 2010
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- Publication type:
- Proceeding
14
‘… so beautiful that I was almost beside myself’: Vivaldi and the Basel Collegium Musicum.
- Published in:
- Early Music, 2010, v. 38, n. 1, p. 113, doi. 10.1093/em/cap101
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- Publication type:
- Article
15
On the performing forces of Johann Sebastian Bach's Leipzig church music.
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- Early Music, 2010, v. 38, n. 2, p. 215, doi. 10.1093/em/caq022
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- Publication type:
- Article
16
Bach's chorus revisited: historically informed performance practice as ‘bounded creativity’.
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- Early Music, 2010, v. 38, n. 2, p. 205, doi. 10.1093/em/caq021
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- Publication type:
- Article
17
Upstaging the voice: diegetic sound and instrumental interventions in the French Baroque cantata.
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- Early Music, 2010, v. 38, n. 1, p. 73, doi. 10.1093/em/caq004
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- Article
18
Early music's dramatic significance in Handel's Saul.
- Published in:
- Early Music, 2007, v. 35, n. 2, p. 173, doi. 10.1093/em/cam030
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- Publication type:
- Article
19
Rätsel um Bach-Kantate BWV 143 gelöst? -Aufführung der neu edierten Fassung beim Bachfest Leipzig.
- Published in:
- Forum Kirchenmusik, 2012, v. 63, n. 4, p. 24
- Publication type:
- Article
20
Kemençe ile Eser İcralarından Hareketle Tanburi Cemil Bey'in Tavır Özellikleri.
- Published in:
- Journal of International Social Research, 2010, v. 3, n. 11, p. 283
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- Article
21
Mozart, Haydn and Early Beethoven, 1781-1802.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
22
ARNE, HANDEL, THE BEAUTIFUL, AND THE SUBLIME.
- Published in:
- Eighteenth-Century Studies, 2009, v. 42, n. 4, p. 529, doi. 10.1353/ecs.0.0075
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- Publication type:
- Article
23
The “Greek Project” of Catherine the Great and Giuseppe Sarti.
- Published in:
- Journal of Musicological Research, 2013, v. 32, n. 1, p. 28, doi. 10.1080/01411896.2013.752246
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- Publication type:
- Article
24
Ongherese , Fandango, and Polonaise: National Dance as Classical-Era Topic.
- Published in:
- Journal of Musicological Research, 2012, v. 31, n. 2-3, p. 70, doi. 10.1080/01411896.2012.680879
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- Publication type:
- Article
25
Giacinto e Vincenzo Calderara e la musica tastieristica sabauda del XVIII secolo.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
26
The Secular Commedia: Comic Mimesis in Late Eighteenth-Century Music.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
27
Mozart, Haydn and Early Beethoven 1781–1802. By Daniel Heartz.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
28
Counterpoint: From the Bees or for the Birds? Telemann and Early Eighteenth-Century Quarrels with Tradition.
- Published in:
- Music & Letters, 2011, v. 92, n. 3, p. 377, doi. 10.1093/ml/gcr036
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- Publication type:
- Article
29
Revisiting ‘Le bon goût’: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650–1730.
- Published in:
- Music & Letters, 2011, v. 92, n. 2, p. 183, doi. 10.1093/ml/gcq114
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- Publication type:
- Article
30
Metric Manipulations in Haydn and Mozart: Chamber Music for Strings, 1787–1791. By Danuta Mirka.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
31
Frederick the Great and his Musicians: The Viola da Gamba Music of the Berlin School. By Michael O’Loghlin.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
32
An Unknown Autograph of Harpsichord Music by William Croft.
- Published in:
- Music & Letters, 2010, v. 91, n. 2, p. 149, doi. 10.1093/ml/gcq015
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- Publication type:
- Article
33
William Crotch on `The Creation'.
- Published in:
- Music & Letters, 1994, v. 75, n. 4, p. 548, doi. 10.1093/ml/75.4.548
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- Publication type:
- Article
34
Reviews of music.
- Published in:
- 1993
- By:
- Publication type:
- Arts/Entertainment Review
35
Music.
- Published in:
- Early American Studies, An Interdisciplinary Journal, 2018, v. 16, n. 4, p. 714
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- Publication type:
- Article
36
From Sensibility to Pathology: The Origins of the Idea of Nervous Music around 1800.
- Published in:
- Journal of the History of Medicine & Allied Sciences, 2010, v. 65, n. 3, p. 396, doi. 10.1093/jhmas/jrq004
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- Publication type:
- Article