Works matching DE "18TH century British art"
Results: 20
Super-size caricature: Thomas Rowlandson's Place des Victoires at the Society of Artists in 1783.
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- British Art Studies, 2016, n. 4, p. 142, doi. 10.17658/issn.2058-5462/issue-04/kgrandjouan
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- Article
Designs on the Landscape: Paul and Thomas Sandby in North Britain.
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- Oxford Art Journal, 2017, v. 40, n. 2, p. 223, doi. 10.1093/oxartj/kcx023
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- Publication type:
- Article
From Still Life to the Screen : Print Culture, Display, and the Materiality of the Image in Eighteenth-Century London.
- Published in:
- 2016
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- Publication type:
- Book Review
New Evidence on the Original Setup of the 'Tilbury Group', Formerly in the Tower of London.
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- Arms & Armour, 2014, v. 11, n. 1, p. 33, doi. 10.1179/1741612414Z.00000000030
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- Article
British Art and the Seven Years' War: Allegiance and Autonomy - By Douglas Fordham.
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- 2012
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- Publication type:
- Book Review
Soutbwark Fair by William Hogarth (1697-1764) really does show Southwark Fair.
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- British Art Journal, 2021, v. 22, n. 3, p. 80
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- Publication type:
- Article
Aspiration, display, and misfortune: The Old Bond Street townhouse of Tilly Kettle (1735-1786).
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- British Art Journal, 2021, v. 22, n. 3, p. 44
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- Publication type:
- Article
The shock of the new: William Hogarth (1697-1764) and the influence of Isaac Newton (1642-1727) and his followers.
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- British Art Journal, 2021, v. 22, n. 3, p. 8
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- Article
The Conversation Piece: making modern art in eighteenth century Britain.
- Published in:
- 2017
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- Publication type:
- Book Review
Samuel Wale (1714-1786), a Foundation Member of the Royal Academy.
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- British Art Journal, 2017, v. 18, n. 1, p. 60
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- Publication type:
- Article
Lord Hervey's choice.
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- British Art Journal, 2016, v. 17, n. 1, p. 8
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- Article
The true darkness of Hogarth's 'Night' And some thoughts on his quaternions.
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- British Art Journal, 2016, v. 17, n. 1, p. 3
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- Publication type:
- Article
William Hogarth (1697-1764), Hudibras and house decoration.
- Published in:
- 2016
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- Publication type:
- Essay
A zebra, a tigress and a cheetah: New light on George Stubbs’s exotic animal subjects.
- Published in:
- British Art Journal, 2014, v. 15, n. 1, p. 99
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- Article
The beginning of British art criticism in the 1760s.
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- British Art Journal, 2014, v. 15, n. 1, p. 82
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- Publication type:
- Article
ART HISTORY AND DOUBLE CONSCIOUSNESS: VISUAL CULTURE AND EIGHTEENTH-CENTURY MARITIME BRITAIN.
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- Eighteenth-Century Studies, 2014, v. 48, n. 1, p. 21, doi. 10.1353/ecs.2014.0041
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- Article
Curated Regions of the North: Art and Literature in the ‘Scottish Border’ and the ‘Transpennine Corridor’.
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- Visual Culture in Britain, 2014, v. 15, n. 2, p. 159, doi. 10.1080/14714787.2014.930278
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- Article
Sympathetic Spectators: Henry Fuseli's Nightmare and Emma Hamilton's Attitudes.
- Published in:
- 2011
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- Publication type:
- Essay
'A Fine Window at Price's': Sanderson Miller, William Price the younger and the uses of stained glass in the mid-eighteenth century.
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- Journal of Stained Glass, 2012, v. 36, p. 9
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- Publication type:
- Article
Painting the Bible: Representation and Belief in Mid-Victorian Britain.
- Published in:
- 2009
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- Publication type:
- Book Review