A phylogenetic analysis of Orlando Gibbons’s Prelude in G.
- Published in:
- Early Music, 2014, v. 42, n. 4, p. 515, doi. 10.1093/em/cau100
- By:
- Publication type:
- Article
Works matching DE "17TH century music -- History %26 criticism"
Results: 34
1
2
The chameleon does not feed on air: a reply to Claudio Annibaldi.
- Published in:
- Early Music, 2013, v. 41, n. 2, p. 331, doi. 10.1093/em/cat047
- By:
- Publication type:
- Article
3
Dowland’s iPod: some possible models for John Dowland’s lute fantasias.
- Published in:
- Early Music, 2013, v. 41, n. 2, p. 306, doi. 10.1093/em/cat030
- By:
- Publication type:
- Article
4
Abstracts.
- Published in:
- 2013
- Publication type:
- Abstract
5
Byrd at home.
- Published in:
- 2012
- By:
- Publication type:
- Proceeding
6
‘Memento mori Froberger?’ Locating the self in the passage of time.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 45, doi. 10.1093/em/car121
- By:
- Publication type:
- Article
7
High clefs and down-to-earth transposition: a brief defence of Monteverdi.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 81, doi. 10.1093/em/cas028
- By:
- Publication type:
- Article
8
Was Frescobaldi a chameleonic scribe?
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 87, doi. 10.1093/em/cas029
- By:
- Publication type:
- Article
9
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
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- Publication type:
- Article
10
Instrumental fantasy in the Habsburg lands.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
11
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
- By:
- Publication type:
- Article
12
‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
- By:
- Publication type:
- Article
13
Sweet singing in three voices: a musical source from a South German convent?
- Published in:
- Early Music, 2011, v. 39, n. 3, p. 335, doi. 10.1093/em/car051
- By:
- Publication type:
- Article
14
Villancicos from Mexico City for the Virgin of Guadalupe.
- Published in:
- 2011
- By:
- Publication type:
- Essay
15
The chittarra atiorbata and the guittare theorbée: a reappraisal.
- Published in:
- Early Music, 2011, v. 39, n. 1, p. 25, doi. 10.1093/em/caq107
- By:
- Publication type:
- Article
16
The hidden world of Frescobaldi manuscripts.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
17
Collaborations between the Musique de la Chambre and the Musique de la Chapelle at the court of Louis XIII: Nicolas Formé's Missa Æternae Henrici Magni (1638) and the origins of the grand motet.
- Published in:
- Early Music, 2010, v. 38, n. 3, p. 369, doi. 10.1093/em/caq059
- By:
- Publication type:
- Article
18
Dancing with the German Lullists.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
19
Lully's use of recorder symbolism.
- Published in:
- Early Music, 2009, v. 37, n. 2, p. 217, doi. 10.1093/em/cap022
- By:
- Publication type:
- Article
20
Jose Zaragoza's box: Science and music in Charles II's Spain.
- Published in:
- Early Music, 1998, v. 26, n. 3, p. 391, doi. 10.1093/earlyj/XXVI.3.391
- By:
- Publication type:
- Article
21
From Barnard to Purcell: The copying activities of Stephen Bing.
- Published in:
- Early Music, 1995, v. 23, n. 4, p. 621, doi. 10.1093/earlyj/XXIII.4.620
- By:
- Publication type:
- Article
22
Doucement and legerement: Tempo in French Baroque music.
- Published in:
- Early Music, 1993, v. 21, n. 3, p. 365, doi. 10.1093/em/XXI.3.365
- By:
- Publication type:
- Article
23
Eroticism in Early Modern Music.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
24
Music in the Baroque.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
25
‘Brothers of the String’: Henry Purcell and the Letter-Books of Rowland Sherman.
- Published in:
- Music & Letters, 2011, v. 92, n. 4, p. 519, doi. 10.1093/ml/gcr116
- By:
- Publication type:
- Article
26
Revisiting ‘Le bon goût’: Observations on the Irregularities and Inconsistencies in French Harpsichord Music 1650–1730.
- Published in:
- Music & Letters, 2011, v. 92, n. 2, p. 183, doi. 10.1093/ml/gcq114
- By:
- Publication type:
- Article
27
Ancient Rome in Early Opera. By Robert C. Ketterer.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
28
BLURRING THE LINES: 'ELIZABETH ROGERS HIR VIRGINALL BOOK' IN CONTEXT.
- Published in:
- Music & Letters, 2008, v. 89, n. 4, p. 510, doi. 10.1093/ml/gcn046
- By:
- Publication type:
- Article
29
`La Furstemberg' and `St Martin's Lane': Purcell's French odyssey.
- Published in:
- Music & Letters, 1997, v. 78, n. 3, p. 337, doi. 10.1093/ml/78.3.337
- By:
- Publication type:
- Article
30
From Madrigal to Opera: Monteverdi's Staging of the Self.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
31
Canons énigmes et hiéroglyphes musicaux dans l'Italie du 17<sup>e</sup> siècle.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
32
Music in Seventeenth-Century Naples: Francesco Provenzale (1624-1704).
- Published in:
- 2007
- By:
- Publication type:
- Book Review
33
Crossing Confessional Boundaries: The Patronage of Italian Sacred Music in Seventeenth-Century Dresden.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
34
L'Estampe au Grand Siècle. Etudes offertes à Maxime Préaud.
- Published in:
- 2012
- By:
- Publication type:
- Book Review