Beth Henley's Crimes of the Heart on the Turkish Stage: The Role Gender Plays in Theater Adaptations.Published in:Making Connections: Interdisciplinary Approaches to Cultural Diversity, 2013, v. 14, n. 1, p. 17By:Ucar-Özbirinci, PurnurPublication type:Article
"People Eat Their Dinner, Just Eat Their Dinner...": Food Discourse in Anton Chekhov's The Three Sisters and Beth Henley's Crimes of the Heart.Published in:East-West Cultural Passage, 2020, v. 20, n. 2, p. 35, doi. 10.2478/ewcp-2020-0010By:VYSOTSKA, NATALIAPublication type:Article
Criminality, desire, and community: A feminist Approach to Beth Henley's crimes of the heart.Published in:Women & Performance, 1986, v. 3, n. 1, p. 35, doi. 10.1080/07407708608571094By:Laughlin, Karen L.Publication type:Article
Ater Chekhov: The Three Sisters of Beth Henley, Wendy Wasserstein, Timberlake Wertenbaker, and Blake Morrison.Published in:Comparative Drama, 2013, v. 47, n. 4, p. 451, doi. 10.1353/cdr.2013.0048By:FOSTER, VERNA A.Publication type:Article
Beth Henley's Later Plays: A New Beginning.Published in:2009By:Andreach, Robert J.Publication type:Essay