The Politics of Recognition and Constructing Socialist Subjectivity: reexamining the national minority film (1949–1966).
- Published in:
- 2014
- By:
- Publication type:
- Essay
Works matching Communism %26 motion pictures
Results: 54
1
2
Identity Signifiers in Contemporary Russian Films: A Lacanian Analysis.
- Published in:
- American Imago, 2000, v. 57, n. 1, p. 95, doi. 10.1353/aim.2000.0008
- By:
- Publication type:
- Article
3
The Specter of Communism: A Communist Structure of Feeling within Romanian New Wave Cinema.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
4
Style, Affect and Subjectivity: An Introduction to "Readings of The Romanian New Wave".
- Published in:
- Film Criticism, 2017, v. 41, n. 2, p. 1, doi. 10.3998/fc.13761232.0041.201
- By:
- Publication type:
- Article
5
A New Wave of Romanian Documentary?
- Published in:
- Film Criticism, 2017, v. 41, n. 2, p. 1, doi. 10.3998/fc.13761232.0041.205
- By:
- Publication type:
- Article
6
Soviet Politics and the Mezhrabpom Studio in the Soviet Union during the 1920s and 1930s.
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 4, p. 521, doi. 10.1080/01439685.2012.727340
- By:
- Publication type:
- Article
7
No place for Peace-Mongers: Charlie Chaplin, Monsieur Verdoux (1947) and Czechoslovak Communist Propaganda.
- Published in:
- Historical Journal of Film, Radio & Television, 2009, v. 29, n. 3, p. 321, doi. 10.1080/01439680903145546
- By:
- Publication type:
- Article
8
Cultural Studies Approaches in the Study of Eastern European Cinema: Spaces, Bodies, Memories.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
9
Anti-communism in Mid-Twentieth-Century Ireland*.
- Published in:
- English Historical Review, 2011, v. 126, n. 521, p. 878, doi. 10.1093/ehr/cer202
- By:
- Publication type:
- Article
10
'ONCE YOU GO BLACK ...': A counter-response to Nebojša Jovanovi?'s 'Breaking the wave'.
- Published in:
- Studies in Eastern European Cinema, 2012, v. 3, n. 1, p. 81, doi. 10.1386/seec.3.1.81_7
- By:
- Publication type:
- Article
11
Heroism, Raison d'état, and National Communism: Red Nationalism in the Cinema of People's Poland.
- Published in:
- Contemporary European History, 2012, v. 21, n. 2, p. 235, doi. 10.1017/S0960777312000136
- By:
- Publication type:
- Article
12
The Myth of Enver Hoxha in the Albanian Cinema of Socialist Realism: An Inquiry into the Psychoanalytical Features of the Myth.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
13
Subversions in Dovzhenko's Earth.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
14
Personen, Großstadt, blinde Flecken.
- Published in:
- Vierteljahrshefte für Zeitgeschichte, 2015, v. 63, n. 1, p. 93, doi. 10.1515/vfzg-2015-0004
- By:
- Publication type:
- Article
15
Brassbound G-Men and celluloid reds: the FBI's search for communist propaganda in wartime Hollywood.
- Published in:
- Film History, 2008, v. 20, n. 4, p. 412, doi. 10.2979/FIL.2008.20.4.412
- By:
- Publication type:
- Article
16
The Order of Point of Order.
- Published in:
- Film History, 2001, v. 13, n. 2, p. 200, doi. 10.2979/FIL.2001.13.2.200
- By:
- Publication type:
- Article
17
Filmando la Historia: Billy Wilder y la Guerra Fría.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
18
El cine bajo la presión del mercado libre. Las estrategias del autor en el filme de largo metraje polaco después del año 1989.
- Published in:
- Comunicación y Sociedad, 2004, v. 17, n. 1, p. 145
- By:
- Publication type:
- Article
19
El cine bajo presión política: Polonia, 1945-1989.
- Published in:
- Comunicación y Sociedad, 1998, v. 11, n. 2, p. 105
- Publication type:
- Article
20
Gorycz zatrzymanego czasu. Mirra, kadzidło i złoto.
- Published in:
- Slavia Meridionalis, 2014, v. 14, p. 406, doi. 10.11649/sm.2014.019
- By:
- Publication type:
- Article
21
Understanding Defeat by Means of Jan Patocka: A Close Examination of Vera Chytilova's Daisies.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
22
BALANTA/THE OAK (1992) - THE HISTORY OF A RECEPTION -.
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2009, v. 54, n. 2, p. 107
- By:
- Publication type:
- Article
23
Hollywood Party (Book).
- Published in:
- 2000
- Publication type:
- Book Review
24
This Is Not a Pipe: Soviet Historical Reality and Spectatorial Belief in Perestroika and Post-Soviet Cinema.
- Published in:
- Slavonica, 2011, v. 17, n. 2, p. 145, doi. 10.1179/136174211X13122749974320
- By:
- Publication type:
- Article
25
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long '68.
- Published in:
- Screen, 2022, v. 63, n. 2, p. 139, doi. 10.1093/screen/hjac020
- By:
- Publication type:
- Article
26
Introduction.
- Published in:
- Screen, 1972, v. 13, n. 4, p. 58
- By:
- Publication type:
- Article
27
The Cinema of the Popular Front in France (1934-38).
- Published in:
- Screen, 1972, v. 13, n. 4, p. 5, doi. 10.1093/screen/13.4.5
- By:
- Publication type:
- Article
28
Lef and Film.
- Published in:
- Screen, 1971, v. 12, n. 4, p. 74
- Publication type:
- Article
29
Show Trial: Hollywood, HUAC, and the Birth of the Blacklist.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
30
Communism in Hollywood: The Moral Paradoxes of Testimony, Silence, and Betrayal.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
31
Memory films and the politics of revisiting: on Amir Muhammad's films about the Communist Party of Malaya.
- Published in:
- Inter-Asia Cultural Studies, 2015, v. 16, n. 1, p. 128, doi. 10.1080/14649373.2015.1003125
- By:
- Publication type:
- Article
32
Boosting the image of a nation: the use of history in contemporary Serbian film.
- Published in:
- Northern Lights: Film & Media Studies Yearbook, 2009, v. 7, n. 1, p. 173, doi. 10.1386/nl.7.173_1
- By:
- Publication type:
- Article
33
A LAWLESS AGENCY: THE FBI AND THE "HOLLYWOOD TEN"
- Published in:
- Rhetoric & Public Affairs, 1999, v. 2, n. 3, p. 415, doi. 10.1353/rap.2010.0128
- By:
- Publication type:
- Article
34
Moviegoers' Experiences and Interpretations of Brands in Films Revisited.
- Published in:
- Journal of Advertising, 1999, v. 28, n. 2, p. 71, doi. 10.1080/00913367.1999.10673584
- By:
- Publication type:
- Article
35
A Dark Page in American History: Dalton Trumbo and the Hollywood Blacklist.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
36
Recycling and Confronting Ostalgie under the Romanian Transition. I'm an Old Communist Hag - an Unfaithful Adaptation.
- Published in:
- Ekphrasis (2067-631X), 2013, v. 10, n. 2, p. 63
- By:
- Publication type:
- Article
37
Lech Wałęsa and the Solidarity Era.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
38
Filming ideologies.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
39
Gender and ideological rivalry in Ninotchka and Circus: the capitalist and communist make-over.
- Published in:
- Studies in Russian & Soviet Cinema, 2014, v. 8, n. 1, p. 2, doi. 10.1080/17503132.2014.881614
- By:
- Publication type:
- Article
40
Cinema in Belarus under the pressure of censorship 1924-41.
- Published in:
- Studies in Russian & Soviet Cinema, 2011, v. 5, n. 2, p. 169, doi. 10.1386/srsc.5.2.169_1
- By:
- Publication type:
- Article
41
Foregrounding Public Cinema and Rural Audiences: The USDA Motion Picture Service as Cinematic Modernism, 1908–38.
- Published in:
- Journal of Popular Film & Television, 2009, v. 37, n. 3, p. 116, doi. 10.1080/01956050903218091
- By:
- Publication type:
- Article
42
Marxist Overtones in Three Films by James Cameron.
- Published in:
- Journal of Popular Film & Television, 1999, v. 27, n. 3, p. 36, doi. 10.1080/01956059909602807
- By:
- Publication type:
- Article
43
"There is no logic in this": Orson Welles's Transgressive Challenge to Cold War Paranoia in Mr. Arkadln (1955).
- Published in:
- Interdisciplinary Humanities, 2009, v. 26, n. 1, p. 6
- By:
- Publication type:
- Article
44
Birth of a cinema.
- Published in:
- Critical Quarterly, 2009, v. 51, n. 1, p. 126, doi. 10.1111/j.1467-8705.2009.01852.x
- By:
- Publication type:
- Article
45
Tomás Gutiérrez Alea and the Art of Revolutionary Cinema.
- Published in:
- Bulletin of Latin American Research, 2009, v. 28, n. 4, p. 512, doi. 10.1111/j.1470-9856.2009.00313.x
- By:
- Publication type:
- Article
46
Unorthodox Iconography: Russian Orthodox Icons in Battleship Potemkin.
- Published in:
- Film Criticism, 2009, v. 33, n. 3, p. 50
- By:
- Publication type:
- Article
47
An Unmappable System: The Collapse of Public Space in Late-Soviet Film.
- Published in:
- Film Criticism, 1996, v. 21, n. 2, p. 8
- By:
- Publication type:
- Article
48
Folklore as Political Rhetoric: Dovzhenko's Zuenigora.
- Published in:
- Film Criticism, 1982, v. 7, n. 1, p. 37
- By:
- Publication type:
- Article
49
EXILIO -- RESISTENCIA -- VANGUARDIA. LA PELÍCULA ORG (1969/1978) DE FERNANDO BIRRI.
- Published in:
- Revista de Critica Literaria Latinoamericana, 2011, v. 37, n. 73, p. 117
- By:
- Publication type:
- Article
50
The Production Dynamics of Western Films Connected with 'The Soviet/Russian Topic'.
- Published in:
- Film International (16516826), 2012, v. 10, n. 2, p. 53, doi. 10.1386/fiin.10.2.53_1
- By:
- Publication type:
- Article