`I'm black an' I'm proud': Re-inventing Irishness in Roddy Doyle's The Commitments.Published in:1998By:Piroux, LorrainePublication type:Literary Criticism
Why Jimmy Wears a Suit: White, Black, and Working Class in "The Commitments."Published in:2004By:McGlynn, MaryPublication type:Literary Criticism
Living in a Postcolonial World: Class and Soul in The Commitments.Published in:Irish Studies Review, 1998, v. 6, n. 3, p. 291, doi. 10.1080/09670889808455614By:Taylor, Timothy D.Publication type:Article
Bringing It All Back Home? The Dynamics of Local Music-Making in The Commitments.Published in:2005By:Smyth, GerryPublication type:Essay
The rhythm of the city: Roddy Doyle on Dublin, the past, identity and the healing power of the city.Published in:2019By:Giambona, GenoveffaPublication type:Interview
Alan Parker's Adaptation of Roddy Doyle's "The Commitments."Published in:Literature Film Quarterly, 2001, v. 29, n. 1, p. 53By:Kunz, DonPublication type:Article