The Jamesian Metanarrative in Ethan Coen's Drive-Away Dolls, aka Henry James' Drive-away Dykes.
- Published in:
- Henry James Review, 2025, v. 46, n. 2, p. 174, doi. 10.1353/hjr.2025.a959414
- By:
- Publication type:
- Article
Works matching Coen, Ethan, 1957-
Results: 64
1
2
'Songs of Salvation to Salve the Soul': Kleos in O Brother Where Art Thou.
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
3
Exploring the Political Dimensions of Information Literacy through Popular Film.
- Published in:
- Portal: Libraries & the Academy, 2010, v. 10, n. 3, p. 265, doi. 10.1353/pla.0.0110
- By:
- Publication type:
- Article
4
Love Is Never Simple: The Influence of Film Noir and Screwball Comedy on the Coen Brothers Through Analysis of Love Triangles in Blood Simple.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
5
The Dismal Tide: Shoring Up the Fragments in Joel and Ethan Coen's No Country for Old Men.
- Published in:
- IUP Journal of American Literature, 2009, p. 73
- By:
- Publication type:
- Article
6
Review of No Country for Old Men.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
7
The Catabasis of Mattie Ross in the Coens' True Grit.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
8
"Why Do You Think I am Paying You if Not to Have My Way?" Genre Complications in the Free-Market Critiques of Fictional and Filmed Versions of True Grit.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2015, v. 48, n. 2, p. 355, doi. 10.1111/jpcu.12262
- By:
- Publication type:
- Article
9
'New Shit Has Come to Light': Information Seeking Behavior in The Big Lebowski.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
10
They were Threatening Castration, Man: Germans in The Big Lebowski.
- Published in:
- Journal of Popular Culture (John Wiley & Sons, Inc.), 2010, v. 43, n. 5, p. 1048, doi. 10.1111/j.1540-5931.2010.00786.x
- By:
- Publication type:
- Article
11
Zurück in die Zukunft via Ithaca, Mississippi: Technik und Funktion der Homer-Rezeption in O Brother, Where Art Thou?
- Published in:
- International Journal of the Classical Tradition, 2005, v. 11, n. 4, p. 571, doi. 10.1007/s12138-005-0019-y
- By:
- Publication type:
- Article
12
Reflections on Faith and Film in Hail, Caesar!
- Published in:
- Perspectives on Political Science, 2016, v. 45, n. 3, p. 163, doi. 10.1080/10457097.2016.1182349
- By:
- Publication type:
- Article
13
The Dream Abides: The Big Lebowski, Film Noir, and the American Dream.
- Published in:
- Rocky Mountain Review of Language & Literature (1948-2833), 2012, v. 66, n. 2, p. 176, doi. 10.1353/rmr.2012.0029
- By:
- Publication type:
- Article
14
"Just call it": Identifying Competing Narratives in the Coens' "No Country for Old Men."
- Published in:
- Literature Film Quarterly, 2013, v. 41, n. 1, p. 6
- By:
- Publication type:
- Article
15
Soft-Boiled Cinema: Joel and Ethan Coens' Neo-Classical Neo-Noirs.
- Published in:
- Literature Film Quarterly, 2009, v. 37, n. 3, p. 212
- By:
- Publication type:
- Article
16
Barton Fink, Intertextuality, and the (Almost) Unbearable Richness of Viewing.
- Published in:
- Literature Film Quarterly, 2000, v. 28, n. 4, p. 303
- By:
- Publication type:
- Article
17
'This is a [...] Story;'' the Refusal of a Master Text in Noah Hawley's Fargo.
- Published in:
- Linguaculture, 2016, v. 2016, n. 1, p. 16, doi. 10.1515/lincu-2016-0003
- By:
- Publication type:
- Article
18
Philosophical Films.
- Published in:
- 2012
- By:
- Publication type:
- Arts/Entertainment Review
19
Homer in Tishomingo: Eclecticism and cultural transformation in the Coen Brothers' "O Brother Where Art Thou?"
- Published in:
- Comparative American Studies, 2007, v. 5, n. 1, p. 63, doi. 10.1179/147757007X204114
- By:
- Publication type:
- Article
20
Homer Meets the Coen Brothers: Memory as Artistic Pastiche in O Brother, Where Art Thou?
- Published in:
- Film & History (03603695), 2009, v. 39, n. 2, p. 49, doi. 10.1353/flm.0.0125
- By:
- Publication type:
- Article
21
Hail, Caesar!
- Published in:
- Religious Studies Review (John Wiley & Sons, Inc.), 2016, v. 42, n. 2, p. 99, doi. 10.1111/rsr.12394
- By:
- Publication type:
- Article
22
Acting for Real: Performing Characters in Miller's Crossing and Fargo.
- Published in:
- Journal of Popular Culture (Wiley-Blackwell), 2008, v. 41, n. 2, p. 224, doi. 10.1111/j.1540-5931.2008.00500.x
- By:
- Publication type:
- Article
23
A Serious Man.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
24
Rethinking Hollywood History.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
25
Inside Llewyn Davis.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
26
LOSER.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
27
The Jewish Question.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
28
Badlands.
- Published in:
- 2008
- By:
- Publication type:
- Film/TV Criticism and Review
29
How Many Lebowskis Are There? Genre, Spectatorial Authorship, and The Big Lebowski.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
30
"We're in a tight spot!": The Coen Brothers' Screwy Romantic Comedies.
- Published in:
- Journal of Popular Film & Television, 2008, v. 36, n. 3, p. 114, doi. 10.3200/JPFT.36.3.114-122
- By:
- Publication type:
- Article
31
'Isn't It Ironic': The films of the Coen Brothers.
- Published in:
- Comedy Studies, 2011, v. 2, n. 1, p. 55, doi. 10.1386/cost.2.1.55_1
- By:
- Publication type:
- Article
32
The Map is Not the Country: Cartography in Joel and Ethan Coen's No Country for Old Men.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
33
Cannes Film Festival, 2007.
- Published in:
- 2007
- By:
- Publication type:
- Arts/Entertainment Review
34
Screenplays.
- Published in:
- 2006
- Publication type:
- Book Review
35
MY NOIR: Blood Simple.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
36
"YOU'RE VERY BEAUTIFUL…ARE YOU IN PICTURES?": BARTON FINK, O BROTHER, WHERE ART THOU? AND THE PURPOSES OF ART.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 62
- By:
- Publication type:
- Article
37
MILLER'S CROSSING'S TOM REAGAN: "STRAIGHT AS A CORKSCREW, MR. INSIDE-OUTSKY".
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 48
- By:
- Publication type:
- Article
38
SCHIZOPHRENIA AND POSTMODERNISM: RAISING ARIZONA, BARTON FINK, AND "THE COEN BROTHERS".
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 23
- By:
- Publication type:
- Article
39
RAZING CAIN: EXCESS SIGNIFICATION IN BLOOD SIMPLE AND THE MAN WHO WASN'T THERE.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 8
- By:
- Publication type:
- Article
40
A SELECTED BIBLIOGRAPHY OF SECONDARY SOURCES ON THE FILMS OF JOEL AND ETHAN COEN.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 154
- By:
- Publication type:
- Article
41
"SECRET SHIT": THE UNCERTAINTY PRINCIPLE, LYING, DEVIATIONS, AND THE MOVIE CREATIVITY OF THE COEN BROTHERS.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 141
- By:
- Publication type:
- Article
42
ON LADIES, KILLING, AND THE ETHICS OF THE REMAKE: THE COEN BROTHERS DO THE LADYKILLERS.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 127
- By:
- Publication type:
- Article
43
THE PURLOINED LETTER AND THE MASSEY PRENUP: OF ETHICS, THE LACANIAN REAL, AND NUPTIAL BLISS IN INTOLERABLE CRUELTY.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 117
- By:
- Publication type:
- Article
44
"A REAL IMAGINARY PLACE": REALITY AND FANTASY FROM BLOOD SIMPLE TO THE MAN WHO WASN'T THERE.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 107
- By:
- Publication type:
- Article
45
O BROTHER, WHAT ART THOU?: POSTMODERN PRANKSTERISM, OR PARODY WITH A PURPOSE?
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 97
- By:
- Publication type:
- Article
46
"TRAPPED BY THEIR PASTS": NOIR AND NOSTALGIA IN THE BIG LEBOWSKI.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 84
- By:
- Publication type:
- Article
47
FROM THE HUDSUCKER PROXY TO FARGO: "A DIFFERENT CONCEPT, A DIFFERENT KIND OF FILM".
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 73
- By:
- Publication type:
- Article
48
INTRODUCTION: "IF YOU THINK WE'RE ALIVE, YOU OUGHT TO SPEAK".
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 3
- By:
- Publication type:
- Article
49
THE UNBEARABLE BLANDNESS OF BEING: THE EVERYDAY AND MUZAK IN BARTON FINK AND FARGO.
- Published in:
- Post Script, 2008, v. 27, n. 2, p. 38
- By:
- Publication type:
- Article
50
The Ballad of Buster Scruggs.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review