‘In grembo a Citherea’: the representation of ingenium and ars in Claudio Monteverdi’s Tempro la cetra.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 503, doi. 10.1093/em/car103
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- Publication type:
- Article
Works matching Claudio Monteverdi
Results: 171
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Концертність та її трансформація у мадригалах Клаудіо Монтеверді.
- Published in:
- Artistic Culture. Topical Issues, 2020, v. 16, n. 2, p. 75, doi. 10.31500/1992-5514.16(2).2020.217791
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- Publication type:
- Article
3
ANALYTICAL ASPECTS OF THE THREE VERSIONS OF CONFITEBOR TIBI, DOMINE BY CLAUDIO MONTEVERDI.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 297, doi. 10.24193/subbmusica.2023.2.22
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- Article
4
Representação da Morte Feminina em L`Orfeo e Il Combattimento di Tancredi et Clorinda de Claudio Monteverdi.
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- Revista Música Hodie, 2012, v. 12, n. 2, p. 24
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- Article
5
L'art Della Danza Ai Tempi Di Claudio Monteverdi A cura di Angelo Chiarle Atti dei convegno internazionale, 6-7, Settembre, 1993 tom. 2. Biblioteca dell'Instituto peri beni musicali in piemonte, 1966.
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- 1997
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- Publication type:
- Book Review
6
Claudio Monteverdi: The Combat of Tancred and Clorinda; Between Mannerism and the Baroque by Pavel Sýkora (review).
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- Notes, 2020, v. 77, n. 1, p. N.PAG, doi. 10.1353/not.2020.0081
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- Publication type:
- Article
7
CLAUDIO MONTEVERDI AND SACRED MUSIC IN THE HOUSEHOLD OF THE GONZAGA DUKES OF MANTUA, 1590-1612.
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- Music & Letters, 2009, v. 90, n. 3, p. 331, doi. 10.1093/ml/gcp050
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- Article
8
The Three Extant Masses of Claudio Monteverdi.
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- Choral Journal, 2012, v. 53, n. 1, p. 30
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- Article
9
L'ART DELLA DANZA TEMPI DI CLAUDIO MONTEVERDI.
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- 1997
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- Publication type:
- Book Review
10
Die venezianische Kirchenmusik von Claudio Monteverdi.
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- 2006
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- Publication type:
- Book Review
11
Claudio Monteverdi: Mass for Four Voices; Ninth Book of Madrigals.
- Published in:
- 2013
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- Publication type:
- Music Review
12
Концертність та її трансформація у мадригалах Клаудіо Монтеверді.
- Published in:
- Contemporary Art / Sučasne Mistectvo, 2020, n. 16, p. 75, doi. 10.31500/1992-5514.16(2).2020.217791
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- Publication type:
- Article
13
Payola posta in musica Claudio Monteverdi.
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- 2007
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- Publication type:
- Book Review
14
Claudio Monteverdi: Souboj Tankreda s Klorindou. Mezi manýrismem a barokem.
- Published in:
- Musicology / Hudební Věda, 2014, n. 1-2, p. 191
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- Publication type:
- Article
15
Michael Heinemann: Claudio Monteverdi. Die Entdeckung der Leidenschaft.
- Published in:
- Forum Kirchenmusik, 2017, v. 68, n. 5, p. 46
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- Article
16
POEZJA, MUZYKA I SUMIENIE. O LUKANIE W KORONACJI POPPEI GIOVANNIEGO FRANCESCO BUSENELLEGO I CLAUDIO MONTEVERDIEGO.
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- Annals of Arts / Roczniki Humanistyczne, 2019, v. 67, n. 1, p. 163, doi. 10.18290/rh.2019.67.1-11
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- Article
17
Eine Rose für Claudio Monteverdi.
- Published in:
- Italienisch: Zeitschrift für Italienische Sprache und Literatur, 2017, v. 39, n. 2, p. 1
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- Article
18
Claudio Monteverdi Selva Morale e Spirituale.
- Published in:
- 2009
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- Publication type:
- Music Review
19
'S' a questa d'Este valle': Claudio Monteverdi and a mascherata of 1607 in Mirandola.
- Published in:
- Early Music, 2003, v. 31, n. 4, p. 541, doi. 10.1093/earlyj/XXXI.4.541
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- Article
20
Claudio Monteverdi 'letterato' ou les métamorphoses du texte.
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- 2015
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- Publication type:
- Book Review
21
Il divino Claudio: Monteverdi and lyric nostalgia in fascist Italy.
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- Cambridge Opera Journal, 1996, v. 8, n. 3, p. 271, doi. 10.1017/S0954586700004754
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- Article
22
Poppea in space: The influence of theatre architecture on recent productions of Monteverdi's L'incoronazione di Poppea.
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- Scene (2044-3714), 2016, v. 4, n. 1, p. 5, doi. 10.1386/scene.4.1.5_1
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- Publication type:
- Article
23
THE ARSENAL OF MEANS USED BY A CONDUCTOR IN DECODING AN OPERA SCORE.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 257, doi. 10.24193/subbmusica.2023.2.18
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- Article
24
Winds, cupids, little zephyrs and sirens: Monteverdi and Le nozze di Tetide (1616–1617).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 489, doi. 10.1093/em/car081
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- Publication type:
- Article
25
‘The high and lowe keyes come both to one pitch’: reconciling inconsistent clef-systems in Monteverdi’s vocal music for Mantua.
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 531, doi. 10.1093/em/car087
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- Article
26
Conditional Asymmetry and Spontaneous Asymmetry of Harmonic Progressions: The Changing Status of the Directional Tendency of Root Progressions in Madrigal Cycles from Verdelot to Monteverdi (c. 1530-1638).
- Published in:
- Music Theory Online, 2018, v. 21, n. 4, p. 119, doi. 10.30535/mto.24.4.8
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- Article
27
THE EVOLUTION OF OPERA PERFORMANCE FROM SCENOGRAPHIC MIRACLES TO THE OPERA PRODUCTIONS OF THE NINETEENTH CENTURY.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 213, doi. 10.24193/subbmusica.2021.2.14
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- Publication type:
- Article
28
Echo's Fluid (Im)materiality across Text and Performance.
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- Arts (2076-0752), 2023, v. 12, n. 6, p. 249, doi. 10.3390/arts12060249
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- Article
29
Licks, polemics, and the viola bastarda: unity and defiance in Monteverdi's Fifth Book.
- Published in:
- 2019
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- Publication type:
- Literary Criticism
30
Monteverdi's 'Zefiro torna e 'l bel tempo rimena' as hypertext.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 393, doi. 10.1093/em/cax055
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- Article
31
Rescuing Ariadne.
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- Early Music, 2017, v. 45, n. 3, p. 377, doi. 10.1093/em/cax049
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- Publication type:
- Article
32
Monteverdi's Confitebor primo from the Selva morale et spirituale of 1641: context, text and structure.
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- Early Music, 2017, v. 45, n. 3, p. 403, doi. 10.1093/em/cax048
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- Publication type:
- Article
33
Monteverdi, Marino and the aesthetic of meraviglia.
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- Early Music, 2017, v. 45, n. 3, p. 415, doi. 10.1093/em/cax045
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- Article
34
Monteverdi's 'daily bread': the economic life of a professional musician.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 353, doi. 10.1093/em/cax043
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- Article
35
Monteverdi at the crossroads.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 347, doi. 10.1093/em/cax042
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- Article
36
Monteverdi in Venice: new documents and perspectives.
- Published in:
- Early Music, 2017, v. 45, n. 3, p. 365, doi. 10.1093/em/cax041
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- Publication type:
- Article
37
High clefs and down-to-earth transposition: a brief defence of Monteverdi.
- Published in:
- Early Music, 2012, v. 40, n. 1, p. 81, doi. 10.1093/em/cas028
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- Publication type:
- Article
38
An emblem of modern music: temporal symmetry in the prologue of L’Orfeo (1607).
- Published in:
- Early Music, 2011, v. 39, n. 4, p. 519, doi. 10.1093/em/car082
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- Publication type:
- Article
39
Monteverdi's Orfeo - Shakespeare's Hamlet: Polycentric composition as the effort to find order in the uncertain times.
- Published in:
- Musicological Annual / Muzikoloski Zbornik, 2019, v. 55, n. 1, p. 27, doi. 10.4312/mz.55.1.27-41
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- Publication type:
- Article
40
Allegory, noise, and history: the Arcades Project looks back at the Trauerspielbuch.
- Published in:
- New Writing: The International Journal for the Practice & Theory of Creative Writing, 2019, v. 16, n. 4, p. 429, doi. 10.1080/14790726.2019.1567795
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- Publication type:
- Article
41
REŽIJNĚ-SCÉNOGRAFICKÁ POJETÍ JEVIŠTNÍHO DÍLA CLAUDIA MONTEVERDIHO V BRNĚNSKÝCH INSCENACÍCH.
- Published in:
- Slovak Theatre / Slovenské Divadlo, 2022, v. 70, n. 2, p. 203, doi. 10.31577/sd-2022-0014
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- Publication type:
- Article
42
GEHEIMNISUMWITTERT UND GENIAL.
- Published in:
- Gottesdienst und Kirchenmusik, 2010, v. 10, n. 2, p. 16
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- Publication type:
- Article
43
Monteverdi circles.
- Published in:
- 1994
- By:
- Publication type:
- Music Review
44
More Monteverdi (and more).
- Published in:
- Early Music, 2018, v. 46, n. 4, p. 697, doi. 10.1093/em/cay071
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- Publication type:
- Article
45
Giovanni Rovetta, ⪡uno spirito quasi divino, tutto lume in nere et acute note espresso⪢.
- Published in:
- Recercare, 2016, v. 28, n. 1/2, p. 121
- By:
- Publication type:
- Article
46
Giovanni Rovetta's «Missa brevis»: a symbol of musical longevity.
- Published in:
- Recercare, 2010, v. 22, n. 1/2, p. 111
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- Publication type:
- Article
47
L'ORFEO.
- Published in:
- 2003
- By:
- Publication type:
- Arts/Entertainment Review
48
"Tempus Fugit": Voice, Intentionality, and Formal Invention in Augustine and Monteverdi.
- Published in:
- Journal of Aesthetics & Art Criticism, 2008, v. 66, n. 2, p. 129, doi. 10.1111/j.1540-594X.2008.00294.x
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- Publication type:
- Article
49
The musical libretto and the "accompaniment" functions subsumed to it. The Hourglass opera The last days, the last hours ... by Anatol Vieru.
- Published in:
- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. S2, p. 95
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- Publication type:
- Article
50
Speaking In (and Out of) Mode: Structure and Rhetoric in Marenzio's O Mirtillo, Mirtillo anima mia (1595).
- Published in:
- Music Theory Spectrum, 2015, v. 37, n. 2, p. 253, doi. 10.1093/mts/mtv021
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- Publication type:
- Article