An embodiment of the cinematographer: emotional and perceptual responses to different camera movement techniques.
- Published in:
- Frontiers in Neuroscience, 2023, p. 1, doi. 10.3389/fnins.2023.1160843
- By:
- Publication type:
- Article
Works matching Cinematographer
Results: 426
1
2
Półka filmowa okiem kamery. Polscy operatorzy w Hollywood - artyści czy rzemieślnicy?
- Published in:
- Postscriptum Polonistyczne, 2024, v. 33, n. 1, p. 1, doi. 10.31261/PS_P.2024.33.17
- By:
- Publication type:
- Article
3
The Shape of light: Australin Cinematographers.
- Published in:
- Metro, 2007, n. 155, p. 134
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- Publication type:
- Article
4
The Shape of Light: Australian Cinematographers.
- Published in:
- Metro, 2007, n. 154, p. 148
- By:
- Publication type:
- Article
5
Analyzing Stylistic Patterning in Film to Establish the Cinematographer as a Coauthor: A Case Study of Gregg Toland.
- Published in:
- Projections: The Journal for Movies & Mind, 2017, v. 11, n. 1, p. 16, doi. 10.3167/proj.2017.110103
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- Publication type:
- Article
6
Jak autor zdjęć może pomóc aktorowi, czyli Joker od kuchni.
- Published in:
- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2023, v. 35, n. 44, p. 196, doi. 10.14746/i.2023.35.44.12
- By:
- Publication type:
- Article
7
What's the Use of Culture? Cinematographers and the Culture Film in Japan in the Early 1940s.
- Published in:
- Arts (2076-0752), 2019, v. 8, n. 2, p. 42, doi. 10.3390/arts8020042
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- Publication type:
- Article
8
Exploring the Soviet Ukrainian Cinematographer's Private Photo Archive: Issues of Popularization and Representation.
- Published in:
- Zivot Umjetnosti, 2022, v. 111, p. 160, doi. 10.31664/zu.2022.111.12
- By:
- Publication type:
- Article
9
Дейността на шотландския кинооператор Джон Маккензи в България през 1905 година.
- Published in:
- Art Studies Quarterly / Problemi Na Izkustvoto, 2024, n. 4, p. 38
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- Publication type:
- Article
10
SHOT IN NEW ZEALAND: THE ART AND CRAFT OF THE KIWI CINEMATOGRAPHER.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
11
CONTEMPORARY CINEMATOGRAPHERS ON THEIR ART (Book).
- Published in:
- 1998
- By:
- Publication type:
- Book Review
12
Shepherds in the Cave: Shepherds in the Cave. Anthony Grieco, dir.; Produced by Anthony Grieco and Ornella Sinigallia; Jon Thomas, cinematographer; 2017, color, 85 mins.
- Published in:
- Visual Anthropology, 2019, v. 32, n. 3/4, p. 374, doi. 10.1080/08949468.2019.1637690
- By:
- Publication type:
- Article
13
The British Cinematographer.
- Published in:
- 1997
- By:
- Publication type:
- Book Review
14
INTRODUCTION: VITTORIO STORARO, CINEMATOGRAPHER AS PAINTER WITH LIGHT AND MOTION.
- Published in:
- Post Script, 2010, v. 29, n. 2, p. 3
- By:
- Publication type:
- Article
15
The Cinematographers! a comic strip.
- Published in:
- 2012
- By:
- Publication type:
- Cartoon/Comic Strip
16
Conversations with Cinematographers,.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
17
American Cinematographers in the Great War, 1914–1918.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
18
PIONEER CINEMATOGRAPHERS OF BRASÍLIA: Home Movies and Newsreels during the Construction of the New Capital of Brazil.
- Published in:
- Moving Image (15323978), 2022, v. 22, n. 1, p. 1
- By:
- Publication type:
- Article
19
La formación de los directores de fotografía de cine en España (2010-2016).
- Published in:
- Área Abierta, 2021, v. 21, n. 1, p. 25, doi. 10.5209/arab.71976
- By:
- Publication type:
- Article
20
Między kosmopolityzmem a nazizmem -konteksty przestrzeni symbolicznych czterech filmów nakręconych przez niemieckiego operatora Franza Weihmayra.
- Published in:
- Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2020, v. 27, n. 36, p. 21, doi. 10.14746/i.2020.36.02
- By:
- Publication type:
- Article
21
A Changing Visual Landscape: British Cinematography in the 1960s.
- Published in:
- Journal of British Cinema & Television, 2018, v. 15, n. 2, p. 204, doi. 10.3366/jbctv.2018.0415
- By:
- Publication type:
- Article
22
The Masters' Viewfinders: Cinematography in 1930s and 40s John Ford Films.
- Published in:
- International Journal of the Image, 2024, v. 15, n. 2, p. 1, doi. 10.18848/2154-8560/CGP/v15i02/1-17
- By:
- Publication type:
- Article
23
Cineasta versus diretor de fotografia - a preparação da filmagem: entrevista a Teresa Villaverde.
- Published in:
- História Oral, 2016, v. 19, n. 2, p. 187
- By:
- Publication type:
- Article
24
A catalogue of the motion picture films of the Thylacine (Thylacinus cynocephalus).
- Published in:
- Australian Zoologist, 2021, v. 41, n. 4, p. 778, doi. 10.7882/AZ.2021.026
- By:
- Publication type:
- Article
25
António Campos, o insubmisso: uma veia do amador no registro documentário.
- Published in:
- Doc On-Line: Revista Digital de Cinema Documentário, 2022, n. 32, p. 5, doi. 10.25768/1646-477x.n32.01
- By:
- Publication type:
- Article
26
Debates on sound in the 1970s and 1980s and the beginning of vocational training for sound editors at VGIK.
- Published in:
- Studies in Russian & Soviet Cinema, 2019, v. 13, n. 2, p. 199, doi. 10.1080/17503132.2019.1595377
- By:
- Publication type:
- Article
27
What a Long, Strange Trip It' Been: My Life in Film and TV.
- Published in:
- 2011
- By:
- Publication type:
- Speech
28
"I like it close" - Jolanta Dylewska's art of cinematography.
- Published in:
- Panoptikum, 2020, v. 30, n. 23, p. 77, doi. 10.26881/pan.2020.23.06
- By:
- Publication type:
- Article
29
Terra prometida: Os estrangeiros nos cinemas da Argentina e do Brasil (1932-1942).
- Published in:
- Alceu: Revista de Comunicação, Cultura e Política, 2019, v. 20, n. 38, p. 33
- By:
- Publication type:
- Article
30
THE SHAPE OF LIGHT: AUSTRALIAN CINEMA-TOGRAPHERS.
- Published in:
- Metro, 2007, n. 153, p. 96
- By:
- Publication type:
- Article
31
Achieving presence in film and psychotherapy.
- Published in:
- Journal of Clinical Psychology, 2020, v. 76, n. 8, p. 1520, doi. 10.1002/jclp.23004
- By:
- Publication type:
- Article
32
УТИСКИ УКРАЇНСЬКОГО КІНЕМАТОГРАФУ В РОКИ СТАЛІНІЗМУ
- Published in:
- National Academy of Managerial Staff of Culture & Arts Herald / Vìsnik Deržavnoï Akademìï Kerìvnih Kadrìv Kulʹturi ì Mistectv, 2023, n. 4, p. 9
- By:
- Publication type:
- Article
33
La intencionalidad de los directores de fotografía en la evolución de la luz cinematográfica. Desde The kiss in the tunnel hasta Avatar.
- Published in:
- Doxa Comunicación, 2014, n. 19, p. 109, doi. 10.31921/doxacom.n19a5
- By:
- Publication type:
- Article
34
From the Portrait to the Close-Up: Gender and Technology in Still Photography and Hollywood Cinematography.
- Published in:
- Cinema Journal, 2006, v. 45, n. 3, p. 90, doi. 10.1353/cj.2006.0034
- By:
- Publication type:
- Article
35
ALLEN DAVIAU.
- Published in:
- 2010
- By:
- Publication type:
- Interview
36
DANTE SPINOTTI.
- Published in:
- 2010
- By:
- Publication type:
- Interview
37
MICHAEL APTED.
- Published in:
- 2010
- By:
- Publication type:
- Interview
38
OWEN ROIZMAN.
- Published in:
- 2010
- By:
- Publication type:
- Interview
39
JOHN BAILEY.
- Published in:
- 2010
- By:
- Publication type:
- Interview
40
VILMOS ZSIGMOND.
- Published in:
- 2010
- Publication type:
- Interview
41
RAOUL COUTARD.
- Published in:
- 2010
- Publication type:
- Interview
42
STORARO WI TH LONGONI ON CARAVAGGIO (cont'd).
- Published in:
- Post Script, 2010, v. 29, n. 2, p. 38
- Publication type:
- Article
43
The Worst Location in the World: Herbert G. Ponting in the Antarctic, 1910-1912.
- Published in:
- Film History, 1989, v. 3, n. 4, p. 291
- By:
- Publication type:
- Article
44
Digital Britain and the Spectre/Spectacle of New Technologies.
- Published in:
- Journal of British Cinema & Television, 2012, v. 9, n. 3, p. 377, doi. 10.3366/jbctv.2012.0096
- By:
- Publication type:
- Article
45
"SOMEDAY THIS WILL ALL BE OURS": AUTOMOBILE CONSCIOUSNESS AND THE AMERICAN FILM.
- Published in:
- Film & History (03603695), 1976, v. 6, n. 2, p. 25
- By:
- Publication type:
- Article
46
Our Cinema.
- Published in:
- October, 2006, n. 118, p. 27, doi. 10.1162/octo.2006.118.1.27
- By:
- Publication type:
- Article
47
Stan Brakhage (1933-2003).
- Published in:
- October, 2004, n. 108, p. 112, doi. 10.1162/016228704774115744
- By:
- Publication type:
- Article
48
БАВНИОТ ФИЛМ И ЕСТЕТИКАТА НА ДОСАДАТА: ДОСАДАТА КАКО ЛАЈТМОТИВ ВО ФИЛМОТ БЕШЕ ЕДНАШ ВО АНАДОЛИЈА.
- Published in:
- Context / Kontekst, 2022, n. 25, p. 69
- By:
- Publication type:
- Article
49
The Art of the Frame: The Use of Framing, Montage, and Homage in The Red Balloon and The Flight of the Red Balloon.
- Published in:
- Film Matters, 2011, v. 2, n. 2, p. 13, doi. 10.1386/fm.2.2.13_1
- By:
- Publication type:
- Article
50
Plus Camerimage leaves Łódź.
- Published in:
- Studies in Eastern European Cinema, 2010, v. 1, n. 2, p. 247, doi. 10.1386/seec.1.2.247_7
- By:
- Publication type:
- Article