Works matching Cinéma vérité

Results: 99

Cinema-Verite in America, Part I.

Published in:

Screen, 1972, v. 13, n. 2, p. 79, doi. 10.1093/screen/13.2.79

By:

Mamber, Stephen

Publication type:

Article

Hansjürgen Pohland's Tobby (1961/62): Jazz, cinéma-vérité and the beginnings of Young German Cinema.

Published in:

Studies in European Cinema, 2010, v. 7, n. 3, p. 193, doi. 10.1386/seci.7.3.193_1

By:

Hurley, Andrew W.

Publication type:

Article

Indicting Truth: Jean-Luc Godard's Sympathy for the Devil and 1960s documentary cinema.

Published in:

2013

By:

Inouye, Shaun

Publication type:

Film/TV Criticism and Review

Silence in Frederick Wiseman's documentaries.

Published in:

2013

By:

Smith, Michael T.

Publication type:

Film/TV Criticism and Review

Selling Direct Cinema: Robert Drew and the Rhetoric of Reality.

Published in:

Film History, 2018, v. 30, n. 3, p. 32, doi. 10.2979/filmhistory.30.3.02

By:

Resha, David

Publication type:

Article

Barthes et le cinéma-vérité dans le film « La Lutte ».

Published in:

Modern & Contemporary France, 2023, v. 31, n. 4, p. 451, doi. 10.1080/09639489.2023.2170338

By:

Coppola, Antoine

Publication type:

Article

How Much Does It Cost for Cinema to Tell the Truth of Sex? Cinéma Vérité and Sexography.

Published in:

Sexualities, 2007, v. 10, n. 3, p. 341, doi. 10.1177/1363460707078336

By:

Villiers, Nicholas de

Publication type:

Article

LAST TANGO IN BELLE ISLE: WALKER PERCY, CINÉMA VÉRITÉ, AND NEW LANGUAGE.

Published in:

Religion & Literature, 2022, v. 54, n. 3, p. 121, doi. 10.1353/rel.2022.a908576

By:

Burke, Jordan

Publication type:

Article

THE OMNISCIENT NARRATOR AND THE UNRELIABLE NARRATOR: THE CASE OF ATOMIC CAFÉ.

Published in:

Film & History (03603695), 2007, v. 37, n. 1, p. 73, doi. 10.1353/flm.2007.0037

By:

Wiener, Jon

Publication type:

Article

Cinema Verite: Defining the Moment.

Published in:

2001

By:

Alkana, Linda

Publication type:

Arts/Entertainment Review

Just Images: The Spectacle of Judicial Systems in Documentary Cinema.

Published in:

Film Matters, 2020, v. 11, n. 2, p. 42, doi. 10.1386/fm_00075_1

By:

Turner, George

Publication type:

Article

TWO FIGHTERS ON FILM.

Published in:

African American Review, 2017, v. 50, n. 4, p. 587, doi. 10.1353/afa.2017.0103

By:

GREAVES, WILLIAM

Publication type:

Article

COMMANDO RAIDS ON THE NATURE OF REALITY.

Published in:

Mailer Review, 2009, v. 3, n. 1, p. 570

By:

RHODES, GARY D.

Publication type:

Article

Parental Dreams, Dilemmas, and Decision-Making In Cinéma Vérité.

Published in:

Journal of Perinatology, 1999, v. 19, n. 3, p. 194, doi. 10.1038/sj.jp.7200163

By:

Little, George A;
Kahn, Richard;
Green, Ronald M

Publication type:

Article

Cinéma Vérité.

Published in:

2009

By:

Blanchard, John

Publication type:

Short Story

Cinéma Vérité: Defining the Moment (Film).

Published in:

2003

By:

Chychota, Julie

Publication type:

Film/TV Criticism and Review

CINEMA VERITÉ: SCENES FROM THE CITY a PechaKucha in prose.

Published in:

2017

By:

FARAI MATAMBO, BERNARD

Publication type:

Poem

Energizing Project-Based Inquiry: Middle-Grade Students Read, Write, and Create Videos.

Published in:

Journal of Adolescent & Adult Literacy, 2012, v. 55, n. 6, p. 483, doi. 10.1002/JAAL.00058

By:

Spires, Hiller A.;
Hervey, Lisa G.;
Morris, Gwynn;
Stelpflug, Catherine

Publication type:

Article

Borne Out Of Darkness: The Documentaries of Werner Herzog.

Published in:

Film Criticism, 1980, v. 5, n. 1, p. 10

By:

Davidson, David

Publication type:

Article

Adventures in Reporting: John Kennedy and the Cinema Verité Television Documentaries of Drew Associates.

Published in:

Film & History (03603695), 1989, v. 19, n. 2, p. 26, doi. 10.1353/flm.1989.a400415

By:

Watson, Mary Ann

Publication type:

Article

Cinematic perspectives on the ‘war on terror’: The Road to Guantánamo (2006) and activist cinema.

Published in:

New Cinemas: Journal of Contemporary Film, 2008, v. 6, n. 2, p. 111, doi. 10.1386/ncin.6.2.111_1

By:

Bennett, Bruce

Publication type:

Article

What It Is, What It Does and What It Might Do: A Review of Michael Moore's Sicko, 113 Minutes, Dog Eat Dog Films, USA, 2007.

Published in:

2007

By:

Marmor, TheodoreR.;
Okma, KiekeG. H.;
Rojas, JosephR.

Publication type:

Film/TV Criticism and Review

Une semaine dans la vie de camarades (1976) : manifeste cinématographique de la contre-culture québécoise.

Published in:

Revue d'Histoire de l'Amérique Française, 2013, v. 67, n. 2, p. 193, doi. 10.7202/1027647ar

By:

ROBERT, MARC-ANDRÉ

Publication type:

Article

Cinema Verite.

Published in:

2017

By:

Santer, Rikki

Publication type:

Poem

Hatari Means Danger: Filmic Representations of Animal Welfare and Environmentalism at the Zoo.

Published in:

2014

By:

Murray, Robin L.;
Heumann, Joseph K.

Publication type:

Film/TV Criticism and Review

CINEMA VéRITé AND THE CRIMINAL ELEMENT: A Perspective.

Published in:

ETC: A Review of General Semantics, 1993, v. 50, n. 4, p. 501

By:

Murphy, John W.

Publication type:

Article

The worker's voice in post-1968 Argentine political documentary.

Published in:

2013

By:

Mestman, Mariano

Publication type:

Essay

Chronicle of a summer and the editing of cinema‐verite.

Published in:

Visual Anthropology, 1989, v. 2, n. 3/4, p. 317, doi. 10.1080/08949468.1989.9966516

By:

Dornfeld, Barry

Publication type:

Article

Cinema Verite (Book Review).

Published in:

1983

By:

Short, K.R.M.

Publication type:

Book Review

TOO FAR NORTH: The Self-serving Cinema Vérité of Atlantis, Iceland.

Published in:

2018

By:

Maslen, Kylie

Publication type:

Film/TV Criticism and Review

Bio-cinema verité?

Published in:: Nature Methods, 2012, v. 9, n. 12, p. 1127, doi. 10.1038/nmeth.2284
Publication type:: Article

"LOS LÍMITES DE LO ETNOGRÁFICO SON LOS LÍMITES DE LA IMAGINACIÓN". EL LEGADO FÍLMICO DE JEAN ROUCH.

Published in:

AIBR. Revista de Antropología Iberoamericana, 2005, n. 41, p. 1

By:

Rebollo, Jorge Grau

Publication type:

Article

A "sort of psychodram a": Cinema verite and France's self-analysis.

Published in:

2016

By:

Margulies, Ivone

Publication type:

Essay

CORPORATE CINEMA VERITE.

Published in:

Management Review, 1986, v. 75, n. 4, p. 7

By:

Blank, Sally J.

Publication type:

Article

Book reviews: Cinema verite.

Published in:

1992

By:

Mason, Tony

Publication type:

Book Review

O mundo lá fora: O cinema direto e o novo jornalismo.

Published in:

Estudos em Jornalismo e Mídia, 2010, v. 7, n. 2, p. 424, doi. 10.5007/1984-6924.2010v7n2p424

By:

Bezerra, Julio

Publication type:

Article

The crisis of performance and performance of crisis: the powers of the false in Grey Gardens (1976).

Published in:

2015

By:

Backman Rogers, Anna

Publication type:

Film/TV Criticism and Review

Hellstrom Chronicle and Beetle Queen Conquers Tokyo: Anthropomorphizing nature for humans.

Published in:

Studies in Documentary Film, 2013, v. 7, n. 2, p. 179, doi. 10.1386/sdf.7.2.179_1

By:

Murray, Robin L.;
Heumann, Joseph K.

Publication type:

Article

Angels, Stones, Hunters: Murder, celebrity and direct cinema.

Published in:

2011

By:

Taylor, Aaron

Publication type:

Film/TV Criticism and Review

DAVID HOLZMAN'S DIARY: A CRITIQUE OF DIRECT CINEMA.

Published in:

Post Script, 2009, v. 28, n. 3, p. 31

By:

L. Zuber, Sharon

Publication type:

Article

LOST OBJECTS: A PERSONAL JOURNEY THROUGH FOUND FOOTAGE.

Published in:

Found Footage Magazine, 2018, n. 4, p. 68

By:

BEAUVAIS, YANN

Publication type:

Article

"Direct cinema is anything but a fly on the wall": a conversation with Albert Maysles.

Published in:

2016

By:

Verano, Frank

Publication type:

Interview

'Occupy without Counting': Furtive Urbanism in the Films of Jean-Pierre and Luc Dardenne.

Published in:

Film-Philosophy, 2009, v. 13, n. 1, p. 1, doi. 10.3366/film.2009.0001

By:

Crano, R. D.

Publication type:

Article

ROBERT MORIN : PAPA À LA CHASSE AUX LAGOPÈDES OU FILM ER L'ABSENCE.

Published in:

Canadian Journal of Film Studies, 2011, v. 20, n. 1, p. 79, doi. 10.3138/cjfs.20.1.79

By:

BINET, MARIE-JO

Publication type:

Article

Panoramas, parades and the picturesque: the aesthetics of British actuality films, 1895-1901.

Published in:

Film History, 2004, v. 16, n. 1, p. 9, doi. 10.2979/FIL.2004.16.1.9

By:

Turvey, Gerry

Publication type:

Article

Mish mabsoota: on teaching with a camera in revolutionary Cairo.

Published in:

Journal of Aesthetics & Culture, 2015, v. 7, p. 1, doi. 10.3402/jac.v7.28253

By:

Westmoreland, Mark R.

Publication type:

Article

Cinema and the Political: Deleuze and the Desire of Documentation in the Third World.

Published in:

Deleuze & Guattari Studies, 2018, v. 12, n. 1, p. 84, doi. 10.3366/dlgs.2018.0297

By:

Cybil, K. V.

Publication type:

Article

Image Pragmatics and Film as a Lived Practice in the Documentary Work of Hani Susumu and Tsuchimoto Noriaki.

Published in:

Arts (2076-0752), 2019, v. 8, n. 2, p. 41, doi. 10.3390/arts8020041

By:

Jesty, Justin

Publication type:

Article

Drawing‐Writing Culture: The Truth‐Fiction Spectrum of an Ethno‐Graphic Novel on the Sri Lankan Civil War and Migration.

Published in:

Visual Anthropology Review, 2019, v. 35, n. 1, p. 76, doi. 10.1111/var.12172

By:

Dix, Benjamin;
Kaur, Raminder

Publication type:

Article

THE REVISABILITY OF FILM HISTORY.

Published in:

Canadian Journal of Film Studies, 2023, v. 32, n. 1, p. 140, doi. 10.3138/CJFS-2022-0049

By:

WHITE, JERRY

Publication type:

Article