From Wilder's Our Town (1938) to Churchill's Escaped Alone (2016): Mediatization and the Collapse of the Large Into the Local.
- Published in:
- 2022
- By:
- Publication type:
- Literary Criticism
Works matching Churchill, Caryl, 1938-
Results: 108
1
2
Madness in Teleorman: Chaos and Order.
- Published in:
- Selçuk University Journal of Faculty of Letters, 2023, n. 49, p. 39, doi. 10.21497/sefad.1313169
- By:
- Publication type:
- Article
3
Masculinisation: The Gender Identity of a Professional Woman in Churchill's Top Girls.
- Published in:
- Literary Criterion, 2018, n. 1/2, p. 70
- By:
- Publication type:
- Article
4
Churchill's Cloud Nine.
- Published in:
- 1999
- By:
- Publication type:
- Literary Criticism
5
A BAKHTINIAN READING OF CARYL CHURCHILL'S FEMINIST DISCOURSE IN TOP GIRLS.
- Published in:
- Cogito (2066-7094), 2018, v. 10, n. 2, p. 105
- By:
- Publication type:
- Article
6
CLOUD NINE ON PAGE AND STAGE: A CASE STUDY OF INTERNATIONAL ADAPTABILITY.
- Published in:
- Eger Journal of English Studies, 2020, v. 20, p. 77, doi. 10.33035/EgerJES.2020.20.77
- By:
- Publication type:
- Article
7
The Future is Fey: Toward a Posthuman Dramaturgy with Caryl Churchill's The Skriker.
- Published in:
- Journal of the Fantastic in the Arts, 2019, v. 30, n. 1, p. 52
- By:
- Publication type:
- Article
8
Shapeshifting in Caryl Churchill's The Skriker.
- Published in:
- Journal of the Fantastic in the Arts, 2011, v. 22, n. 2, p. 234
- By:
- Publication type:
- Article
9
Framing War, Staging Precarity: Caryl Churchill's Seven Jewish Children and the Spectres of Vulnerability.
- Published in:
- Contemporary Theatre Review, 2013, v. 23, n. 3, p. 357, doi. 10.1080/10486801.2013.806317
- By:
- Publication type:
- Article
10
More Than a Number: Reproductive Technologies, Cloning and the Problematic of Fatherhood in Caryl Churchill's A Number.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
11
Gender and Politics: Interpreting Caryl Churchill.
- Published in:
- International Journal of the Humanities: Annual Review, 2015, v. 13, p. 33, doi. 10.18848/1447-9508/CGP/v13/43970
- By:
- Publication type:
- Article
12
A Comparative Analysis of Intersectional Feminist Identities in Caryl Churchill’s Vinegar Tom and Cloud Nine.
- Published in:
- Igdir University Journal of Social Sciences / Iğdır Üniversitesi Sosyal Bilimler Dergisi, 2024, n. 36, p. 134, doi. 10.54600/igdirsosbilder.1438539
- By:
- Publication type:
- Article
13
'Elsewhere' is here: The Politics of Space in Caryl Churchill's Seven Jewish Children.
- Published in:
- 2016
- By:
- Publication type:
- Literary Criticism
14
"A Missile to the Future": The Theatre Ecologies of Caryl Churchill's Far Away on Spike Island.
- Published in:
- Journal of Contemporary Drama in English, 2022, v. 10, n. 1, p. 133, doi. 10.1515/jcde-2022-0009
- By:
- Publication type:
- Article
15
More Future? Straight Ecologies in British Climate-Change Theatre.
- Published in:
- Journal of Contemporary Drama in English, 2021, v. 9, n. 1, p. 43, doi. 10.1515/jcde-2021-0003
- By:
- Publication type:
- Article
16
"Who's Going to Mobilise Darkness and Silence?": The Construction of Dystopian Spaces in Contemporary British Drama.
- Published in:
- Journal of Contemporary Drama in English, 2021, v. 9, n. 1, p. 20, doi. 10.1515/jcde-2021-0002
- By:
- Publication type:
- Article
17
Posthuman Dystopia: Animal Surrealism and Permanent Crisis in Contemporary British Theatre.
- Published in:
- Journal of Contemporary Drama in English, 2020, v. 8, n. 2, p. 295, doi. 10.1515/jcde-2020-0024
- By:
- Publication type:
- Article
18
Caryl Churchill's 21st Century Poetics: Theatre Form and Feminism from Far Away to Ding Dong the Wicked.
- Published in:
- Journal of Contemporary Drama in English, 2016, v. 4, n. 2, p. 367, doi. 10.1515/jcde-2016-0021
- By:
- Publication type:
- Article
19
"Up in the War Zone Ozone Zany Grey": Caryl Churchill's Theatrical Landscapes of Terror, Pain and Ecological Destruction.
- Published in:
- Gramma: Journal of Theory & Criticism, 2017, v. 24, p. 145
- By:
- Publication type:
- Article
20
Dramatizing the Burden of History in the Age of Globalization: Caryl Churchill's Drunk Enough to Say I Love You?, Howard Barker's The Dying of Today, and Charles L. Mee's The War to End War.
- Published in:
- Gramma: Journal of Theory & Criticism, 2017, v. 24, p. 39
- By:
- Publication type:
- Article
21
Caryl Churchill.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
22
From Great Women to Top Girls: Pageants of Sisterhood in British Feminist Theater.
- Published in:
- Comparative Drama, 2009, v. 43, n. 2, p. 143, doi. 10.1353/cdr.0.0063
- By:
- Publication type:
- Article
23
'Such a ceremonial perversion!' Baroque, Capitalism, and A Mouthful of Birds.
- Published in:
- 3L: Southeast Asian Journal of English Language Studies, 2013, v. 19, n. 2, p. 13
- By:
- Publication type:
- Article
24
Yale Repertory Theatre New Haven, Connecticut, 2013–14.
- Published in:
- 2014
- By:
- Publication type:
- Performance Review
25
Social Feminism and Critique of Thatcherism in Caryl Churchill's Top Girlsen.
- Published in:
- Journal of Tikrit University for Humanities, 2022, v. 29, n. 2, p. 1, doi. 10.25130/jtuh.29.2.2022.24
- By:
- Publication type:
- Article
26
Escritura femenina y cruce de culturas: aplicaciones en la dramaturgia de Caryl Churchill.
- Published in:
- Revista Estudos Feministas, 2012, v. 20, n. 3, p. 939
- By:
- Publication type:
- Article
27
Disrupting the Homoerotic Appeal of State Power in Caryl Churchill's Drunk Enough to Say I Love You?
- Published in:
- Journal of Modern Literature, 2020, v. 43, n. 3, p. 150, doi. 10.2979/jmodelite.43.3.09
- By:
- Publication type:
- Article
28
TRANSGRESSING GENDER ROLES IN CARYL CHURCHILL'S PLAY OWNERS.
- Published in:
- Pamukkale University Journal of Social Sciences Institute / Pamukkale Üniversitesi Sosyal Bilimler Enstitüsü Dergisi, 2018, n. 32, p. 59, doi. 10.30794/pausbed.414616
- By:
- Publication type:
- Article
29
Cloud 9 ,Metadrama,and the Post- semiotics of the Subject.
- Published in:
- 2003
- By:
- Publication type:
- Literary Criticism
30
THE MEMORIES OF WOMEN IN CARYL CHURCHILL'S TOP GIRLS.
- Published in:
- Electronic Turkish Studies, 2018, v. 13, n. 20, p. 161, doi. 10.7827/TurkishStudies.14191
- By:
- Publication type:
- Article
31
An 'interactive' approach to interpreting overlapping dialogue in Caryl Churchill's Top Girls (Act 1).
- Published in:
- Language & Literature, 2007, v. 16, n. 1, p. 74, doi. 10.1177/0963947007072846
- By:
- Publication type:
- Article
32
Of Women and Witches: Performing the Female Body in Caryl Churchill's Vinegar Tom.
- Published in:
- Theatre History Studies, 2021, v. 40, p. 1
- By:
- Publication type:
- Article
33
Political Sophistry and Logical Fallacies in the Discourse on Israeli occupation: an Analysis of Caryl Churchill's Seven Jewish Children (2009).
- Published in:
- Delta University Scientific Journal, 2024, v. 7, n. 2, p. 246, doi. 10.21608/dusj.2024.306254.1079
- By:
- Publication type:
- Article
34
The Unlisted Character: Representing War on Stage.
- Published in:
- At the Interface / Probing the Boundaries, 2010, v. 64, p. 167
- By:
- Publication type:
- Article
35
"From Bugger to Bragger": Caryl Churchill's Cloud 9 and the Redefinition of Queer Rhetoric.
- Published in:
- Pennsylvania Literary Journal (2151-3066), 2017, v. 9, n. 2, p. 60
- By:
- Publication type:
- Article
36
Taking sides: Palestinian advocacy and metropolitan theatre.
- Published in:
- Journal of Postcolonial Writing, 2014, v. 50, n. 2, p. 163, doi. 10.1080/17449855.2014.883174
- By:
- Publication type:
- Article
37
WEARABLE SOUND TECHNOLOGY.
- Published in:
- Theatre Design & Technology (TD&T), 2017, v. 53, n. 2, p. 10
- By:
- Publication type:
- Article
38
from the editor.
- Published in:
- Theatre Design & Technology (TD&T), 2017, v. 53, n. 2, p. 4
- Publication type:
- Article
39
Clamorous Voices: "Seven Jewish Children" and Its Proliferating Publics.
- Published in:
- TDR: The Drama Review (MIT Press), 2011, v. 55, n. 3, p. 156, doi. 10.1162/DRAM_a_00106
- By:
- Publication type:
- Article
40
"[Not] Talking 'bout my Generation": Historicizing Feminisms in Caryl Churchill's "Top Girls."
- Published in:
- 2006
- By:
- Publication type:
- Essay
41
The Intertextual Relationship Between Vinegar Tom and The Beauty Queen of Leenane.
- Published in:
- Turkish Studies - Language & Literature, 2022, v. 17, n. 4, p. 1145, doi. 10.7827/TurkishStudies.62330
- By:
- Publication type:
- Article
42
Creativity Has No Expiry Date: Directing Escaped Alone at Western Gold Theatre.
- Published in:
- Theatre Research in Canada, 2021, v. 42, n. 2, p. 309, doi. 10.3138/TRIC.42.2.F05
- By:
- Publication type:
- Article
43
Witches, Matriarchs, and Whores: Casting Intrasexual and Intersexual Oppression in Caryl Churchill's VINEGAR TOM.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
44
Here We Go.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
45
Escaped Alone.
- Published in:
- 2016
- Publication type:
- Book Review
46
Deconstructing Gender Stereotypes in Caryl Churchill's Top Girls.
- Published in:
- 2019
- By:
- Publication type:
- Literary Criticism
47
A Critical Review of Science: Caryl Churchill's A Number (2002), Individual Identity, and Human Cloning.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
48
Scripts to performances: a bibliographical essay on the production history of Cloud Nine.
- Published in:
- 2006
- By:
- Publication type:
- Essay
49
Carnivalesque and its All-Pervasive Influence in Caryl Churchill's Cloud Nine.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2020, v. 12, n. 2, p. 1, doi. 10.21659/rupkatha.v12n2.08
- By:
- Publication type:
- Article
50
TOP GIRLS.
- Published in:
- 2011
- Publication type:
- Arts/Entertainment Review