Works matching Christopher Nolan

Results: 341

CHRISTOPHER NOLAN SİNEMASININ ARKETİPSEL ANALİZİ.

Published in:

Istanbul Commerce University Journal of Social Sciences / İstanbul Ticaret Üniversitesi Sosyal Bilimler Dergisi, 2023, v. 22, n. 46, p. 474, doi. 10.46928/iticusbe.1218412

By:

Sunal, Gözde;
Keleş, Berkan Şahin

Publication type:

Article

Christopher Nolan Sinemasında Klasik Anlatı Tekniklerinin Kullanımı: Inception Filmi Örneği.

Published in:

Journal of Akdeniz University Faculty of Communication / Akdeniz Iletişim, 2019, n. 32, p. 568, doi. 10.31123/akil.617615

By:

DEMİR, ÖZCAN

Publication type:

Article

Espacio, tiempo e identidad en el cine de Christopher Nolan: una aproximación filosófica a las claves narrativas de su puesta en escena.

Published in:

Revista de Comunicación, 2020, v. 19, n. 1, p. 7, doi. 10.26441/RC19.1-2020-A1

By:

Álvarez Gómez, R.

Publication type:

Article

An extended interview with Christopher Nolan, director of Oppenheimer.

Published in:

Bulletin of the Atomic Scientists, 2023, v. 79, n. 4, p. 203, doi. 10.1080/00963402.2023.2223070

By:

Mecklin, John

Publication type:

Article

Christopher Nolan'ın "Batman Üçlemesi' Üzerine İdeolojik Bir İnceleme.

Published in:

Yedi, 2013, n. 9, p. 1

By:

BÖLÜKBA I., Mustafa

Publication type:

Article

Backwards into the Future: Melodramatic Affect and the Vicissitudes of Time in Christopher Nolan's Dunkirk (2017).

Published in:

Journal of War & Culture Studies, 2023, v. 16, n. 4, p. 412, doi. 10.1080/17526272.2023.2215555

By:

Eagle, Jonna

Publication type:

Article

Salvation from Illusion, Salvation by Illusion: The Gospel According to Christopher Nolan.

Published in:

Implicit Religion, 2014, v. 17, n. 4, p. 405, doi. 10.1558/imre.v17i4.405

By:

FAITHFUL, GEORGE

Publication type:

Article

CREATING CLAUSTROPHOBIA IN CHRISTOPHER NOLAN'S DUNKIRK.

Published in:

Creativity Studies, 2023, v. 16, n. 1, p. 79, doi. 10.3846/cs.2023.15598

By:

LANKAUSKAITĖ, Viktorija

Publication type:

Article

Cyber(psycho-punk)analysis Interpreting a scene in Christopher Nolan's Inception.

Published in:

Caietele Echinox, 2011, v. 20, p. 206

By:

Pop, Doru

Publication type:

Article

Christopher Nolan’s The Dark Knight: An Unacknowledged Adaptation of Joseph Conrad’s The Secret Agent?

Published in:

Adaptation, 2013, v. 6, n. 1, p. 43, doi. 10.1093/adaptation/aps017

By:

Waddell, Nathan

Publication type:

Article

The Grey Area in a Black and White World - Duality in Christopher Nolan's Films.

Published in:

Pertanika Journal of Social Sciences & Humanities, 2020, v. 28, n. 1, p. 589

By:

Phil, Edwin Tan Leng

Publication type:

Article

Christopher Nolan visto desde Gerard Genette: análisis narratológico de Memento.

Published in:

Zer: Journal of Communication Studies / Revista de Estudios de Comunicacion / Komunikazio Ikasketen Aldizkaria, 2005, n. 18, p. 183

By:

Cuevas, Efrén

Publication type:

Article

Christopher Nolan's Joker as a Consistent Naturalist (And That's Still a Bad Thing).

Published in:

Religions, 2023, v. 14, n. 12, p. 1535, doi. 10.3390/rel14121535

By:

Barkman, Adam;
Korvemaker, Aaron

Publication type:

Article

Michel Serres, Topology and Folded Time in Christopher Nolan’s Dunkirk.

Published in:

Film-Philosophy, 2022, v. 26, n. 3, p. 308, doi. 10.3366/film.2022.0203

By:

Hunt, Kevin

Publication type:

Article

‘Brilliant, bright, boiling words’: literary disability, language and the writing body in the work of Christopher Nolan.

Published in:

Disability & Society, 2012, v. 27, n. 2, p. 277, doi. 10.1080/09687599.2011.644936

By:

Coogan, Tom

Publication type:

Article

Christopher Nolan’s Temporal Tenets.

Published in:

Image & Narrative, 2022, v. 23, n. 1, p. 86

By:

QUINN, MICHAEL

Publication type:

Article

Puzzles films: a narrativa não linear de Christopher Nolan no filme Dunkirk.

Published in:

Verso e Reverso, 2019, v. 33, n. 82, p. 33, doi. 10.4013/ver.2019.3382.04

By:

Kapp Trevisan, Michele;
Dalla Porta, Leonardo Oliveira

Publication type:

Article

La forja del psicópata, El caballero oscuro (2008) de Christopher Nolan.

Published in:

Revista de Medicina y Cine / Journal of Medicine & Movies, 2019, v. 15, n. 1, p. 17, doi. 10.14201/rmc.20238

By:

CASANOVA VARELA, Basilio

Publication type:

Article

Shadows of the Bat: Constructions of Good and Evil in the Batman Movies of Tim Burton and Christopher Nolan.

Published in:

Journal for Religion, Film & Media, 2017, v. 3, n. 1, p. 75

By:

Born, Simon Philipp

Publication type:

Article

A Review of The Dark Knight. (2008). Written by Christopher and Jonathan Nolan. Directed by Christopher Nolan.

Published in:

2009

By:

Porterfield, John

Publication type:

Film/TV Criticism and Review

Under the Eye of James Joyce: Christopher Nolan's Celebration of Influence.

Published in:

1997

By:

Cox, John D.

Publication type:

Literary Criticism

"It's Like Waking": Making Meaning in and of Christopher Nolan's Memento.

Published in:

2019

By:

NOVAK, PHILLIP

Publication type:

Film/TV Criticism and Review

"Accept Me for What I Am and I'll Accept You for What You're Accepted As": The Lack of Engagement with Christopher Nolan's Works.

Published in:

Journal of Literary & Cultural Disability Studies, 2025, v. 19, n. 1, p. 57, doi. 10.3828/jlcds.2025.5

By:

Wilders, David

Publication type:

Article

IDENTITY CONSTRUCTION AND AMBIGUITY IN CHRISTOPHER NOLAN'S FILMS.

Published in:

Wide Screen, 2011, v. 3, n. 1, p. 1

By:

HILL-PARKS, ERIN

Publication type:

Article

Shepard Tones and Production of Meaning in Recent Films: Lucrecia Martel's Zama and Christopher Nolan's Dunkirk.

Published in:

New Soundtrack, 2018, v. 8, n. 2, p. 135, doi. 10.3366/sound.2018.0126

By:

Rapan, Eleonora

Publication type:

Article

The only way you can dream: interfaces and intolerable spaces in Christopher Nolan's Inception.

Published in:

Continuum: Journal of Media & Cultural Studies, 2016, v. 30, n. 4, p. 408, doi. 10.1080/10304312.2016.1141869

By:

Tan, Elizabeth

Publication type:

Article

Billion Dollar Noir: Christopher Nolan and the Reconstruction of Film Noir in Hollywood.

Published in:

2012

By:

Labuza, Peter

Publication type:

Film/TV Criticism and Review

Of Time Loops and Derivatives: Christopher Nolan's Interstellar and the Logic of the Futures Market.

Published in:

CR: The New Centennial Review, 2019, v. 19, n. 1, p. 277, doi. 10.14321/crnewcentrevi.19.1.0277

By:

Klotz, Marcia

Publication type:

Article

A Foreshortened Future and the Trauma of a Dying Earth in Christopher Nolan's Tenet.

Published in:

Humanities (2076-0787), 2023, v. 12, n. 2, p. 22, doi. 10.3390/h12020022

By:

Singh, Amar

Publication type:

Article

Time, Ethics, and the Films of Christopher Nolan.

Published in:

Visual Communication Quarterly, 2016, v. 23, n. 4, p. 199, doi. 10.1080/15551393.2016.1252655

By:

Brislin, Tom

Publication type:

Article

A Western Wake: Difference and Doubt in Christopher Nolan's "Inception."

Published in:

2011

By:

Blouin, Michael J.

Publication type:

Essay

Biblical Narratives in INTERSTELLAR (Christopher Nolan, US/GB 2014).

Published in:

Journal for Religion, Film & Media, 2020, v. 6, n. 1, p. 53, doi. 10.25364/05.06:2020.1.4

By:

Nir, Bina

Publication type:

Article

The Fiendish Plots of Dr. Fu Manchu in the Twenty-First Century: The Yellow Peril in Christopher Nolan's Dark Knight Trilogy.

Published in:

2013

By:

Cha, Julian

Publication type:

Book Review

Vengeance, the powers of the false, and the time-image in christopher nolan's memento.

Published in:

Angelaki: Journal of the Theoretical Humanities, 2006, v. 11, n. 1, p. 127, doi. 10.1080/09697250600798003

By:

Lyons, Diran

Publication type:

Article

Christopher Nolan's Inception: spectacular speculations.

Published in:

Screen, 2017, v. 58, n. 2, p. 229, doi. 10.1093/screen/hjx020

By:

BERNARD, CATHERINE

Publication type:

Article

Christopher Nolan's The Dark Knight Trilogy as a Noir View of American Social Tensions.

Published in:

2016

By:

Russell, Patrick Kent

Publication type:

Film/TV Criticism and Review

Akord à rebours. O muzyce i „duchowej inteligencji" w filmie Interstellar Christophera Nolana.

Published in:

Images. The International Journal of European Film, Performing Arts & Audiovisual Communication, 2020, v. 28, n. 37, p. 177, doi. 10.14746/i.2020.37.11

By:

LISIECKA, KATARZYNA

Publication type:

Article

Kicks and Tricks in Christopher Nolan's Inception.

Published in:

Journal of Religion & Film, 2010, v. 14, n. 1, p. 1

By:

Detweiler, Craig

Publication type:

Article

The Look on Their Faces: Transcending Lack in Christopher Nolan' The Prestige.

Published in:

2015

By:

Joy, Stuart

Publication type:

Essay

Capitalism and Schizophrenia in Gotham City - The Fragile Masculinities of Christopher Nolan's The Dark Knight Trilogy.

Published in:

Gender Forum, 2017, n. 62, p. 3

By:

Schimmelpfennig, Annette

Publication type:

Article

Czy patrzysz uważnie? Autotematyzm w Prestiżu Christophera Nolana.

Published in:

Film Quarterly / Kwartalnik Filmowy, 2017, n. 99, p. 181

By:

Michno, Adrianna

Publication type:

Article

Legendary Caesar and the Architect Ariadne: Narrative, Myth and Psychology in Christopher Nolan's Batman Begins, The Dark Knight and Inception.

Published in:

2013

By:

Vukovic, Kresimir;
Petkovic, Rajko

Publication type:

Film/TV Criticism and Review

Beyond the limits of the law: a Christological reading of Christopher Nolan's The Dark Knight.

Published in:

Griffith Law Review, 2015, v. 24, n. 3, p. 418, doi. 10.1080/10383441.2015.1096985

By:

Peters, Timothy D

Publication type:

Article

Multimodal narrative construction in Christopher Nolan’s Memento a description of analytic method.

Published in:

Visual Communication, 2012, v. 11, n. 1, p. 91, doi. 10.1177/1470357211424691

By:

Tseng, Chiaoi;
Bateman, John A.

Publication type:

Article

Christopher Nolan's Dunkirk as Film and History.

Published in:

2018

By:

KINNEY, TRACEY J.

Publication type:

Film/TV Criticism and Review

Post-Anthropocentric Futures: Rootlessness and Liquid Identities in George Miller's Mad Max: Fury Road, Steven Soderbergh's Solaris, and Christopher Nolan's Interstellar.

Published in:

Quarterly Review of Film & Video, 2025, v. 42, n. 5, p. 1369, doi. 10.1080/10509208.2023.2265778

By:

Nandi, Arindam

Publication type:

Article

프로이트적 해석을 적용한 영화콘텐츠 분석연구 - 크리스토퍼 놀란 감독의 영화 <인셉션>을 중심으로

Published in:

Journal of Digital Convergence, 2017, v. 15, n. 11, p. 407, doi. 10.14400/JDC.2017.15.11.407

By:

이태훈;
임걸

Publication type:

Article

Re-packaging Disaster Post 9/11 and Christopher Nolan’s: The Dark Knight Trilogy.

Published in:

Journal of Creative Communications, 2012, v. 7, n. 1/2, p. 87, doi. 10.1177/0973258613501059

By:

Bordoloi, Mridul

Publication type:

Article

CHAPTER 14: A Rough Sketch on The Real of Terrorism--Thoughts on Christopher Nolan's Dark Knight Trilogy.

Published in:

2021

By:

Rösener, Ringo

Publication type:

Book Review

Paternalism, performative masculinity and the post-9/11 cowboy in Christopher Nolan's Dark Knight trilogy.

Published in:

Australasian Journal of Popular Culture, 2023, v. 12, n. 1, p. 65, doi. 10.1386/ajpc_00069_1

By:

Avery, Cathrine

Publication type:

Article