Deromanticizing Dead Women: Vera Caspary's Laura and the Tradition of the Murderous Male Aesthete.Published in:Texas Studies in Literature & Language, 2018, v. 60, n. 3, p. 293, doi. 10.7560/TSLL60302By:Urda, Kathleen E.Publication type:Article
Criminally Fat: Reframing the homme fatal in Vera Caspary's Laura (1943).Published in:2024By:Davies, FfionPublication type:Literary Criticism
The Lady or the Dame: Class and Contradiction in Vera Caspary's Laura.Published in:Modern Fiction Studies, 2025, v. 71, n. 1, p. 120, doi. 10.1353/mfs.2025.a958569By:Rolens, ClarePublication type:Article
Hardboiled Feminism: Vera Caspary's Laura as a Revision of the Detective Genre.Published in:Journal of Popular Culture (John Wiley & Sons, Inc.), 2017, v. 50, n. 1, p. 109, doi. 10.1111/jpcu.12505By:MATZKE, BRIANPublication type:Article
Why Film Noir? Hollywood, Adaptation, and Women's Writing in the 1940s and 1950s.Published in:Adaptation, 2011, v. 4, n. 1, p. 1, doi. 10.1093/adaptation/apq001By:Sonnet, EstherPublication type:Article