Works matching Cartier-Bresson, Henri, 1908-2004
2
- History of Photography, 2016, v. 40, n. 2, p. 146, doi. 10.1080/03087298.2016.1146445
- Article
3
- History of Photography, 2008, v. 32, n. 1, p. 59, doi. 10.1080/03087290701723279
- Article
4
- History of Photography, 2005, v. 29, n. 4, p. 331, doi. 10.1080/03087298.2005.10442815
- Article
5
- Salmagundi, 2018, n. 197/198, p. 37
- Article
6
- History & Theory, 2009, v. 48, n. 4, p. 59, doi. 10.1111/j.1468-2303.2009.00518.x
- Article
7
- Critical Photography Series, 2014, p. 33
- Article
8
- Critical Photography Series, 2014, p. 13
- Article
9
- Critical Photography Series, 2013, p. 35
- Article
10
- Technical Gazette / Tehnički Vjesnik, 2023, v. 30, n. 4, p. 1347, doi. 10.17559/TV-20221014154132
- ŠTAMPFL, Veronika;
- TOMC, Helena GABRIJELČIČ;
- AHTIK, Jure
- Article
11
- Journal of War & Culture Studies, 2021, v. 14, n. 4, p. 429, doi. 10.1080/17526272.2021.1950962
- Article
12
- Image, 1971, v. 14, n. 2, p. 1
- Article
16
- Afterimage, 2002, v. 30, n. 3/4, p. 15, doi. 10.1525/aft.2002.30.3-4.15
- Article
17
- Afterimage, 1999, v. 26, n. 5, p. 6, doi. 10.1525/aft.1999.26.5.6
- Article
18
- Exposure (00988863), 2003, v. 36, n. 2, p. 45
- Article
19
- Visual Studies, 2009, v. 24, n. 2, p. 143, doi. 10.1080/14725860903106146
- Article
20
- ArtAsiaPacific, 2007, n. 54, p. 64
- Article
22
- History of Photography, 2016, v. 40, n. 2, p. 105, doi. 10.1080/03087298.2016.1195944
- Article
23
- History of Photography, 2006, v. 30, n. 3, p. 286
- Article
24
- History of Photography, 1998, v. 22, n. 2, p. 199, doi. 10.1080/03087298.1998.10443876
- Article
26
- 2014
- Art Exhibition Review
27
- 2018
- Art Exhibition Review
28
- Photographies, 2009, v. 2, n. 1, p. 59, doi. 10.1080/17540760802696997
- Article
29
- Southern Cultures, 2020, v. 26, n. 1, p. 142, doi. 10.1353/scu.2020.0006
- Article
30
- Journalism History, 1998, v. 24, n. 1, p. 2, doi. 10.1080/00947679.1998.12062485
- Article
31
- Filozofski Vestnik, 2014, v. 35, n. 2, p. 219
- Article
32
- Social Alternatives, 2015, v. 34, n. 2, p. 71
- Article
33
- Modern Fiction Studies, 1994, v. 40, n. 3, p. 631, doi. 10.1353/mfs.1994.0009
- Article
35
- Revista Fronteiras, 2013, v. 15, n. 1, p. 13, doi. 10.4013/fem.2013.151.02
- Article
36
- Revista Fronteiras, 2010, v. 12, n. 3, p. 166, doi. 10.4013/fem.2010.123.04
- Santos, Ana Carolina Lima;
- Picado, Benjamim
- Article
37
- Études Françaises, 2015, v. 51, n. 2, p. 47, doi. 10.7202/1031228ar
- Article
38
- Études Françaises, 2013, v. 49, n. 2, p. 103, doi. 10.7202/1019494ar
- Article
39
- American Imago, 2018, v. 75, n. 2, p. 153, doi. 10.1353/aim.2018.0009
- Article
40
- Zivot Umjetnosti, 2021, v. 109, p. 113, doi. 10.31664/zu.2021.109.07
- Metlić, Dijana;
- Kronja, Ivana
- Article
41
- Art / Umění, 2014, v. 62, n. 1, p. 36
- Article
42
- Film International (16516826), 2015, v. 13, n. 3, p. 161, doi. 10.1386/fiin.13.3.161_7
- Article
43
- Kriminologisches Journal, 2020, v. 52, n. 1, p. 61, doi. 10.3262/kj2001061
- Article
45
- International Journal of Applied Psychoanalytic Studies, 2012, v. 9, n. 4, p. 372, doi. 10.1002/aps.1334
- Article