Approche narratologique à la transmodalisation de Carmen: du récit littéraire à l'opéra.
- Published in:
- Anales de Filología Francesa, 2020, v. 28, n. 1, p. 555, doi. 10.6018/analesff.401511
- By:
- Publication type:
- Article
Works matching Carmen (Opera)
Results: 67
1
2
THE "FATALITY" MOTIF - A DEFINING ELEMENT IN THE MUSICAL DRAMATURGY OF THE OPERA CARMEN BY GEORGES BIZET.
- Published in:
- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 297, doi. 10.24193/subbmusica.2021.2.21
- By:
- Publication type:
- Article
3
Carmen miserabile: La distruzione dell'Ungheria ad opera dei Tartari.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
4
Carmen po baskijsku, czyli uliczna opera w Pampelunie.
- Published in:
- Prace Etnograficzne, 2014, v. 42, n. 2, p. 109, doi. 10.4467/22999558.PE.14.008.2831
- By:
- Publication type:
- Article
5
The Opera Singer and the Silent Film/Carmen on Film: A Cultural History.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
6
'Opera Singing Interrupted': Simon Stephens's Carmen Disruption.
- Published in:
- Journal of Contemporary Drama in English, 2016, v. 4, n. 2, p. 385, doi. 10.1515/jcde-2016-0024
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- Publication type:
- Article
7
Bizet's Carmen Uncovered by Richard Langham Smith, and: Carmen and the Staging of Spain: Recasting Bizet's Opera in the Belle Epoque by Michael Christoforidis and Elizabeth Kertesz, and: Carmen Abroad: Bizet's Opera on the Global Stage ed. by Richard Langham Smith and Clair Rowden (review)
- Published in:
- Notes, 2022, v. 78, n. 3, p. 1, doi. 10.1353/not.2022.0007
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- Publication type:
- Article
8
L'evoluzione della coscienza femminile nella letteratura del secondo '900 in Spagna, attraverso l'opera di Carmen Martín Gaite.
- Published in:
- Confluenze. Rivista di Studi Iberoamericani, 2017, v. 9, n. 2, p. 151, doi. 10.6092/issn.2036-0967/7781
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- Publication type:
- Article
9
Hugh Ridley: Wagner and the Novel. Wagner's Operas and the European Realist Novel. An Exploration of Genre, Amsterdam: Rodopi 2012. Cormac Newark: Opera in the Novel from Balzac to Proust, Cambridge: Cambridge University Press 2011. Carmen Trammell Skaggs: Overtones of Opera in American Literature from Whitman to Wharton, Louisiana: Louisiana State University Press 2010.
- Published in:
- Arcadia -- International Journal for Literary Studies, 2013, v. 48, n. 1, p. 248, doi. 10.1515/arcadia-2013-0017
- By:
- Publication type:
- Article
10
Carmen, Nietzsche's Muse. Elements of Nietzsche's thinking in Bizet's Carmen.
- Published in:
- International Journal on Humanistic Ideology, 2011, v. 4, n. 1, p. 95
- By:
- Publication type:
- Article
11
Les racines littéraires du droit administratif.
- Published in:
- Revista de Administración Pública, 2022, n. 218, p. 346
- By:
- Publication type:
- Article
12
PALAVRA E MÚSICA NA ESTÉTICA FINAL DE NIETZSCHE.
- Published in:
- Revista Philósophos, 2015, v. 20, n. 1, p. 145
- By:
- Publication type:
- Article
13
Bizet in Khayelitsha: U-Carmen eKhayelitsha as audio-visual transculturation.
- Published in:
- Journal of African Media Studies, 2010, v. 2, n. 1, p. 39, doi. 10.1386/jams.2.1.39/1
- By:
- Publication type:
- Article
14
CARMEN.
- Published in:
- 2008
- By:
- Publication type:
- Arts/Entertainment Review
15
Teresa Berganza's re-appropriation of Carmen.
- Published in:
- Journal of Romance Studies, 2014, v. 14, n. 1, p. 19, doi. 10.3167/jrs.2014.140102
- By:
- Publication type:
- Article
16
'She Who Creates Havoc Is Here': A Queer Bisexual Reading of Sexuality, Dance, and Social Critique in Karmen Geï.
- Published in:
- Research in African Literatures, 2016, v. 47, n. 2, p. 84, doi. 10.2979/reseafrilite.47.2.06
- By:
- Publication type:
- Article
17
Traces to Nowhere, The Conductor Carlos Kleiber/Music is the Language of the Heart and Soul: A Portrait of Mariss Jansons/Georges Bizet.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
18
Death and the maiden: Does semiotics justify murder?
- Published in:
- Critical Quarterly, 1993, v. 35, n. 2, p. 38, doi. 10.1111/j.1467-8705.1993.tb00465.x
- By:
- Publication type:
- Article
19
Parody as "Countersong" in Saura and Godard.
- Published in:
- Quarterly Review of Film & Video, 1990, v. 12, n. 1/2, p. 105, doi. 10.1080/10509209009361342
- By:
- Publication type:
- Article
20
Opera as a Community Arts Project: Strategies for Engagement and Participation.
- Published in:
- International Journal of Social, Political & Community Agendas in the Arts, 2016, v. 11, n. 3, p. 57, doi. 10.18848/2326-9960/cgp/57-68
- By:
- Publication type:
- Article
21
La gran mentira de la muerte.
- Published in:
- 2024
- By:
- Publication type:
- Exhibition Review
22
the REALIZATION of the skeleton dancer.
- Published in:
- Theatre Design & Technology (TD&T), 2014, v. 50, n. 4, p. 13
- By:
- Publication type:
- Article
23
the REALIZATION of the skeleton dancer.
- Published in:
- Theatre Design & Technology (TD&T), 2014, v. 50, n. 4, p. 13
- By:
- Publication type:
- Article
24
from the editor.
- Published in:
- Theatre Design & Technology (TD&T), 2014, v. 50, n. 4, p. 4
- Publication type:
- Article
25
Carmen, Flamenco and the Spanish Gypsies: An Introduction.
- Published in:
- International Journal of Interdisciplinary Social Sciences, 2010, v. 5, n. 6, p. 193, doi. 10.18848/1833-1882/CGP/v05i06/51757
- By:
- Publication type:
- Article
26
RĪGAS TEHNISKĀS UNIVERSITĀTES 145 GADU JUBILEJAI VELTĪTIE SVĒTU PASĀKUMI.
- Published in:
- Humanities & Social Science (1407-9291), 2008, v. 8, n. 13, p. 116
- By:
- Publication type:
- Article
27
Affordance theory: a Rejoinder to "Musical events and perceptual ecologies" by Eric Clarke et al.
- Published in:
- Senses & Society, 2019, v. 14, n. 3, p. 346, doi. 10.1080/17458927.2019.1619319
- By:
- Publication type:
- Article
28
PROSPER MÉRİMÉE'NİN KALEMİNDE MİTLEŞEN VE "KARŞI KONULMAZ" BİR KADIN KARAKTER: CARMEN.
- Published in:
- International Journal of Filologia, 2022, p. 56, doi. 10.51540/ijof.1031901
- By:
- Publication type:
- Article
29
Untitled.
- Published in:
- History Today, 2018, v. 68, n. 3, p. 22
- Publication type:
- Article
30
Rita Hayworth's The Loves of Carmen as literary criticism.
- Published in:
- 1996
- By:
- Publication type:
- Literary Criticism
31
BIZET’S CARMEN. BETWEEN THE CULTURAL AGENDA OF THE 19TH CENTURY AND CONTEMPORARY POSTCOLONIAL, POST-ORIENTALIST OR FEMINIST READINGS.
- Published in:
- 2017
- By:
- Publication type:
- Performance Review
32
Diamonds at the meeting of her thighs: Representations of gender and sexuality in U-Carmen eKhayelitsha.
- Published in:
- Journal of African Cinemas, 2016, v. 8, n. 2, p. 155, doi. 10.1386/jac.8.2.155_1
- By:
- Publication type:
- Article
33
INTERMIDIALIDADE E TRANSDISCIPLINARIDADE NA FORMAÇÃO DE UM LEITOR PROFICIENTE.
- Published in:
- Todas as Letras: Revista de Língua e Literatura, 2018, v. 20, n. 1, p. 80, doi. 10.5935/1980-6914/letras.v20n1p80-92
- By:
- Publication type:
- Article
34
Desire, Misogyny, and Official Power in Mark Dornford-May's U-Carmen eKhayelitsha.
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
35
Waiting.
- Published in:
- Journal of Singing, 2012, v. 69, n. 2, p. 125
- Publication type:
- Article
36
ЖАНРОВО- ИНТОНАЦИОННЫЕ ПРЕДВЕСТНИКИ ОБРАЗА КАРМЕН В M'ELODIES Ж. БИЗЕ.
- Published in:
- Central Asian Journal of Art Studies, 2019, v. 1, n. 2, p. 23
- By:
- Publication type:
- Article
37
War in Young Adult Literature: An Interview with Jen Bryant.
- Published in:
- SIGNAL Journal, 2010, v. 34, n. 1, p. 30
- By:
- Publication type:
- Article
38
HD Opera: A Love/Hate Story.
- Published in:
- Opera Quarterly, 2011, v. 27, n. 4, p. 443, doi. 10.1093/oq/kbs030
- By:
- Publication type:
- Article
39
Two Vintage Carmens. Georges Bizet.
- Published in:
- 2003
- By:
- Publication type:
- Music Review
40
The soldier and the exotic.
- Published in:
- Opera Quarterly, 1994, v. 10, n. 3, p. 43, doi. 10.1093/oq/10.3.43
- By:
- Publication type:
- Article
41
The soldier and the exotic.
- Published in:
- Opera Quarterly, 1993, v. 10, n. 2, p. 33, doi. 10.1093/oq/10.2.33
- By:
- Publication type:
- Article
42
Spanish Operatic Identity vis-à-vis Carmen.
- Published in:
- Opera Journal, 2013, v. 46, n. 2, p. 3
- By:
- Publication type:
- Article
43
Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire.
- Published in:
- Cambridge Opera Journal, 2021, v. 2, n. 3, p. 154, doi. 10.1017/S0954586721000033
- By:
- Publication type:
- Article
44
Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire.
- Published in:
- Cambridge Opera Journal, 2020, v. 32, n. 2/3, p. 154, doi. 10.1017/S0954586721000033
- By:
- Publication type:
- Article
45
Carmen, Communarde Bizet, ‘Habanera’ (Carmen), Carmen, Act I.
- Published in:
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 215, doi. 10.1017/S0954586716000288
- By:
- Publication type:
- Article
46
The Limits of Operatic Deadness Bizet, ‘Habanera’ (Carmen), Carmen, Act I.
- Published in:
- Cambridge Opera Journal, 2016, v. 28, n. 2, p. 221, doi. 10.1017/S0954586716000276
- By:
- Publication type:
- Article
47
Confronting Carmenbeyond the Pyrenees: Bizet?s opera in Madrid, 1887?1888.
- Published in:
- Cambridge Opera Journal, 2008, v. 20, n. 1, p. 79
- Publication type:
- Article
48
Can Carmen Be Truly Contemporary? | The Brooklyn Rail.
- Published in:
- Brooklyn Rail, 2025, p. N.PAG
- By:
- Publication type:
- Article
49
Rome.
- Published in:
- 2015
- By:
- Publication type:
- Performance Review
50
Maria Delgado in Barcelona.
- Published in:
- 2010
- Publication type:
- Arts/Entertainment Review