'I Bid Thee Arise!': Reverse-Editing and Reversal Miracles in Carl Theodor Dreyer's Ordet.
- Published in:
- 2012
- By:
- Publication type:
- Essay
Works matching Carl Theodor Dreyer
Results: 55
1
2
short subject: Carl Theodor Dreyer and the revelation of high definition.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 217, doi. 10.1386/jsca.5.3.217_1
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- Publication type:
- Article
3
Para Carl Theodor Dreyer, com carinho: intertextualidade e representações cinematográficas em Medeia de Lars Von Trier.
- Published in:
- Ágora: Estudos Clássicos em Debate, 2023, n. 25, p. 283, doi. 10.34624/agora.v25i0.31352
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- Publication type:
- Article
4
Carl Theodor Dreyer. Un cineasta en el umbral del arte neoclásico.
- Published in:
- Comunicación y Sociedad, 2000, v. 13, n. 1, p. 71
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- Publication type:
- Article
5
Queer Derailment and Pederast Adoration in Carl Theodor Dreyer's Michael (1924).
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- German Quarterly, 2019, v. 92, n. 3, p. 311, doi. 10.1111/gequ.12111
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- Publication type:
- Article
6
Haunted Screens and Spiritual Scenes: Film as a Medium in the Cinema of Carl Theodor Dreyer.
- Published in:
- Scandinavica: An International Journal of Scandinavian Studies, 2009, v. 48, n. 1, p. 31, doi. 10.54432/scand/bqcz5543
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- Publication type:
- Article
7
Framing Immanence in Carl Theodor Dreyer's Ordet and Carlos Reygadas's Stellet Licht.
- Published in:
- Journal of Religion & Film, 2024, v. 28, n. 2, p. 1
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- Publication type:
- Article
8
The Films of Carl-Theodor Dreyer.
- Published in:
- 1983
- By:
- Publication type:
- Book Review
9
A Review of 'Carl Theodor Dreyer's Gertrud: The Moving Word'.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
10
Losing Our Heads: Expanded Cinema and Unreason Between Javier Téllez and Carl Theodor Dreyer.
- Published in:
- Romance Quarterly, 2022, v. 69, n. 4, p. 198, doi. 10.1080/08831157.2022.2118561
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- Publication type:
- Article
11
120 km/h: O Dopędzili prom Carla Theodora Dreyera.
- Published in:
- Film Quarterly / Kwartalnik Filmowy, 2019, n. 107, p. 165, doi. 10.36744/kf.166
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- Publication type:
- Article
12
An incandescent self-exploration: Ambiguities and unconscious logic in Day of Wrath (Vredens Dag), directed by Carl Theodor Dreyer (Denmark 1943).
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
13
Day of Wrath, the Spirit of Tragedy, and the Judgment of the Creator.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
14
An Old Film in a New Light: Lighting as the Key to Johannine Identity in "Ordet".
- Published in:
- Journal of Religion & Film, 2018, v. 22, n. 2, p. 1, doi. 10.32873/uno.dc.jrf.22.02.02
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- Publication type:
- Article
15
Dreyer's Machines.
- Published in:
- 2020
- By:
- Publication type:
- Film/TV Criticism and Review
16
Carl Th. Dreyer: the man and his work.
- Published in:
- Journal of Scandinavian Cinema, 2010, v. 1, n. 1, p. 75, doi. 10.1386/jsca.1.1.75_1
- Publication type:
- Article
17
"Words Don't Come Easy": The Transcendental Style of Paul Schrader's First Reformed.
- Published in:
- Image & Narrative, 2021, v. 22, n. 1, p. 70
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- Publication type:
- Article
18
Out of Dreyer's shadow? The quandary of Dogme95.
- Published in:
- New Cinemas: Journal of Contemporary Film, 2002, v. 1, n. 2, p. 69, doi. 10.1386/ncin.1.2.69
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- Publication type:
- Article
19
Theses on Cinema as Philosophy.
- Published in:
- Journal of Aesthetics & Art Criticism, 2006, v. 64, n. 1, p. 11, doi. 10.1111/j.0021-8529.2006.00225.x
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- Publication type:
- Article
20
Influences of the Danish Film.
- Published in:
- Image, 1956, v. 5, n. 3, p. 51
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- Publication type:
- Article
21
I know what has to happen Tragedy in Lars von Trier's Medea.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
22
Vampyr and the Fantastic.
- Published in:
- Screen, 1976, v. 17, n. 3, p. 29, doi. 10.1093/screen/17.3.29
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- Publication type:
- Article
23
Polyphonies of Sound and Space: Motet, Montage, Voices of Light, and La Passion de Jeanne d'Arc.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
24
Editorial.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 209, doi. 10.1386/jsca.5.3.209_2
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- Publication type:
- Article
25
Love, Sacrifice and Redemption: A triadic tale of women in Dreyer's Day of Wrath (1943), Fellini's La Strada (1954) and von Trier's Breaking the Waves (1996).
- Published in:
- 2012
- By:
- Publication type:
- Film/TV Criticism and Review
26
'The Epidermis of Reality': Artaud, the Material Body and Dreyer's The Passion of Joan of Arc.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
27
Introduction: Nordic Cinema.
- Published in:
- Film History, 2001, v. 13, n. 1, p. 3
- By:
- Publication type:
- Article
28
Lo Duca and Dreyer: Baroque Music, Extant Recordings, and Aleatoric Synchrony.
- Published in:
- Music & the Moving Image, 2020, v. 13, n. 2, p. 25, doi. 10.5406/musimoviimag.13.2.0025
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- Publication type:
- Article
29
Z dalekiej Północy.
- Published in:
- Studia Scandinavica, 2024, v. 28, n. 8, p. 247, doi. 10.26881/ss.2024.28.13
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- Publication type:
- Article
30
Transcendental Style in Film: Ozu, Bresson, Dreyer: by Paul Schrader, with a new introduction, Berkeley, University of California Press, 2018, ix + 218 pp., $29.95/£24.00 (paper).
- Published in:
- 2021
- By:
- Publication type:
- Book Review
31
If Abraham is not a Human Being.
- Published in:
- Kierkegaard Studies Yearbook, 2002, v. 2002, n. 1, p. 247
- By:
- Publication type:
- Article
32
Beware of polar nights: The vampire figure in Nordic cinematography.
- Published in:
- Journal of Adaptation in Film & Performance, 2017, v. 10, n. 3, p. 277, doi. 10.1386/jafp.10.3.277_1
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- Publication type:
- Article
33
Connecting the dots: La Passion de Jeanne d'Arc, a musical score and censorship.
- Published in:
- French Screen Studies, 2024, v. 24, n. 3, p. 225, doi. 10.1080/26438941.2023.2275895
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- Publication type:
- Article
34
Cinema, Surrealism, and Object Lessons: On Luc de Heusch's 1960 <italic>Magritte ou la leçon de choses</italic>.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
35
BOOKS RECEIVED.
- Published in:
- Film Criticism, 1982, v. 6, n. 3, p. 53
- Publication type:
- Article
36
"What Kind of Magic is This? How Come I Can't Help Adore You?": Lars von Trier's Dancer in the Dark as a Religious Film.
- Published in:
- 2011
- By:
- Publication type:
- Arts/Entertainment Review
37
Joan as Jesus: A Feminist Theological Analysis of Dreyer's The Passion of Joan of Arc.
- Published in:
- Dialog: A Journal of Theology, 2016, v. 55, n. 4, p. 372, doi. 10.1111/dial.12283
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- Publication type:
- Article
38
KARAMAZOV KARDEŞLER ROMANI VE SÖZ SİNEMA FİLMİ BAĞLAMINDA HIRİSTİYANLIK.
- Published in:
- Electronic Turkish Studies, 2019, v. 14, n. 1, p. 633, doi. 10.7827/TurkishStudies.14962
- By:
- Publication type:
- Article
39
Issue Information.
- Published in:
- 2019
- Publication type:
- Table of Contents
40
VISIT WITH CARL TH. DREYER.
- Published in:
- Image, 1953, v. 2, n. 9, p. 61
- By:
- Publication type:
- Article
41
Contrasting Visions of a Saint: Carl Dreyer's The Passion of Joan of Arc and Luc Besson's The Messenger.
- Published in:
- 2004
- By:
- Publication type:
- Arts/Entertainment Review
42
Joseph Delteil: The Passion of Joan of Arc.
- Published in:
- Literature Film Quarterly, 1975, v. 3, n. 4, p. 292
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- Publication type:
- Article
43
Hispanism's Digital Turn.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 439, doi. 10.1080/14753820.2015.1003764
- By:
- Publication type:
- Article
44
The Time-Image in Carlos Reygadas’ Stellet Licht : A Cinema of Immanence.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
45
Framing Lars von Trier's Medea.
- Published in:
- Classical Receptions Journal, 2020, v. 12, n. 3, p. 375, doi. 10.1093/crj/clz032
- By:
- Publication type:
- Article
46
The Fullness of Time: Kierkegaardian Themes in Dreyer's Ordet.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
47
When grand ambitions meet the harsh realities of filmmaking: Celebrating the 100th anniversary of two classic letters by Danish director Carl Th. Dreyer on his artistically ambitious silent film Leaves from Satan's Book.
- Published in:
- Journal of Scandinavian Cinema, 2019, v. 9, n. 2, p. 143, doi. 10.1386/jsca.9.2.143_1
- By:
- Publication type:
- Article
48
The archive, the auteur and the unfilmed film: Reflections on Dreyer's and von Trier's Medea.
- Published in:
- Journal of Scandinavian Cinema, 2017, v. 7, n. 2, p. 99, doi. 10.1386/jsca.7.2.99_1
- By:
- Publication type:
- Article
49
feature article: Lurking in the blind space: Vampyr and the multilinguals.
- Published in:
- Journal of Scandinavian Cinema, 2015, v. 5, n. 3, p. 223, doi. 10.1386/jsca.5.3.223_1
- By:
- Publication type:
- Article
50
Om Carl Th. Dreyer's Thorvaldsens kunst.
- Published in:
- Journal of Art History / Konsthistorisk Tidskrift, 1995, v. 64, n. 1-4, p. 117
- By:
- Publication type:
- Article