Larry Ceballos as Busby Berkeley: The Credit Dispute in Footlight Parade and the Branding of “Buzz”.
- Published in:
- Film History, 2018, v. 30, n. 2, p. 141, doi. 10.2979/filmhistory.30.2.05
- By:
- Publication type:
- Article
Works matching Busby Berkeley
Results: 13
1
2
Busby Berkeley, broken rhythms and dance direction on the stage and screen.
- Published in:
- Studies in Musical Theatre, 2013, v. 7, n. 1, p. 75, doi. 10.1386/smt.7.1.75_1
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- Publication type:
- Article
3
Narrative and spectacle in the Hollywood musical: contrasting the choreography of Busby Berkeley and Gene Kelly.
- Published in:
- Research in Dance Education, 2007, v. 8, n. 1, p. 73, doi. 10.1080/14647890701272878
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- Publication type:
- Article
4
A Review of “Buzz: The Life and Art of Busby Berkeley”.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
5
City of Women: Busby Berkeley, Architecture, and Urban Space.
- Published in:
- 2010
- By:
- Publication type:
- Essay
6
Buzz: The Life and Art of Busby Berkeley.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
7
The Digital Sublime of Feminine Spectacle in Busby Berkeley's Footlight Parade and Roy Lichtenstein's Nudes with Beach Ball: Female Flesh Represented as Conceptualized Kinesthesia in the Age of Mechanical Reproduction.
- Published in:
- International Journal of the Image, 2014, v. 5, n. 2, p. 7, doi. 10.18848/2154-8560/cgp/v05i02/58312
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- Publication type:
- Article
8
A brief history of the dancer/camera relationship.
- Published in:
- Moving Image Review & Art Journal, 2016, v. 5, n. 1-2, p. 142, doi. 10.1386/miraj.5.1-2.142_1
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- Publication type:
- Article
9
Cracks in the Ornament: Spectatorial Relationships and Labors of Looking in Gold Diggers of 1933.
- Published in:
- Film Matters, 2021, v. 12, n. 3, p. 129, doi. 10.1386/fm_00181_1
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- Publication type:
- Article
10
Film zakulisowy jako gatunek i zwierciadło społeczne.
- Published in:
- Film Quarterly / Kwartalnik Filmowy, 2021, n. 116, p. 190, doi. 10.36744/kf.902
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- Publication type:
- Article
11
Some Warners Musicals and the Spirit of the Production Code.
- Published in:
- Quarterly Review of Film & Video, 2025, v. 42, n. 1, p. 184, doi. 10.1080/10509208.2024.2410519
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- Publication type:
- Article
12
Scholarship and Musical Theatre.
- Published in:
- Dance Chronicle, 1986, v. 9, n. 2, p. 264
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- Publication type:
- Article
13
'Use The Songs to Sell Your SHOW!' Sam Goldwyn, The Eddie Cantor Musicals and the development of product-centred marketability.
- Published in:
- Historical Journal of Film, Radio & Television, 2020, v. 40, n. 4, p. 649, doi. 10.1080/01439685.2020.1730551
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- Publication type:
- Article