Wrestling with Shylock: Contemporary British Jewish Theatre and Shakespeare's The Merchant of Venice.
- Published in:
- European Judaism, 2018, v. 51, n. 2, p. 175, doi. 10.3167/ej.2017.510224
- By:
- Publication type:
- Article
Works matching British theater
Results: 1025
1
2
'To Do Or Not To Do (Gender)' and Changing the Sex-Typing of British Theatre.
- Published in:
- Gender, Work & Organization, 2016, v. 23, n. 5, p. 518, doi. 10.1111/gwao.12139
- By:
- Publication type:
- Article
3
Experiencing Nationlessness: Staging the Migrant Condition in Some Recent British Theatre.
- Published in:
- Journal of Contemporary Drama in English, 2018, v. 6, n. 1, p. 101, doi. 10.1515/jcde-2018-0014
- By:
- Publication type:
- Article
4
The Cambridge History of British Theatre Vol. 1: Origins to 1660/The Cambridge History of British Theatre Vol. 2: 1660 to 1895/The Cambridge History of British Theatre Vol. 3: Since 1895.
- Published in:
- 2005
- By:
- Publication type:
- Book Review
5
1979 AND ALL THAT: PERIODIZATION IN POSTWAR BRITISH THEATRE HISTORY.
- Published in:
- Theatre Survey, 2006, v. 47, n. 1, p. 33, doi. 10.1017/S0040557406000044
- By:
- Publication type:
- Article
6
Science in contemporary British theatre: a conceptual approach.
- Published in:
- Interdisciplinary Science Reviews, 2013, v. 38, n. 4, p. 295, doi. 10.1179/0308018813Z.00000000060
- By:
- Publication type:
- Article
7
Twentieth-Century British Theatre: Industry, Art and Empire.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
8
Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
9
Colour-blind Casting in Twenty-First Century British Theatre: Colourism, Racism, and the Representation of Black People on Stage.
- Published in:
- Contemporary Theatre Review, 2021, v. 31, n. 3, p. 340, doi. 10.1080/10486801.2021.1928657
- By:
- Publication type:
- Article
10
The Shakespearean Glass Ceiling: the State of Colorblind Casting in Contemporary British Theatre.
- Published in:
- 2013
- By:
- Publication type:
- Essay
11
Heritage, Nostalgia and Modern British Theatre: Staging the Victorians.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
12
The Last Public Space: Understanding the Tension Between Politics and Drama in Contemporary British Theatre.
- Published in:
- Journal of Theatre Criticism & Dramaturgy / Tiyatro Eleştirmenliği ve Dramaturji Bölümü Dergisi, 2023, n. 36, p. 117, doi. 10.26650/jtcd.2023.00002
- By:
- Publication type:
- Article
13
Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
14
Rival Queens: Actresses, Performance, and the Eighteenth-Century British Theater.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
15
Twentieth-Century British Theatre: Industry, Art and Empire.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
16
The Cambridge Introduction to Modern British Theatre.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
17
Print Takes the Stage: The “Great Engine” of Literature, “Invidious Practices,” and British Romantic Theatre.
- Published in:
- Nineteenth-Century Contexts, 2017, v. 39, n. 2, p. 105, doi. 10.1080/08905495.2017.1284568
- By:
- Publication type:
- Article
18
The Art of Fine Drama: Inchbald's Remarks for The British Theatre and the Aesthetic Experience of the Late Eighteenth-Century Theatre-Goer.
- Published in:
- Textus, 2005, v. 18, n. 1, p. 133
- By:
- Publication type:
- Article
19
Ian Ward. The Play of Law in Modern British Theatre.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
20
Transformation of Euripides' Phaedra in British and Georgian Theatres.
- Published in:
- Spekali: An Electronic bilingual Scholarly Peer-reviewed Journal of the Faculty of Humanities at Ivane Javakhishvili Tbilisi State University, 2023, n. 17, p. 20, doi. 10.55804/jtsuSPEKALI-17-7
- By:
- Publication type:
- Article
21
Reverberations across small-scale British theatre: politics, aesthetics and forms.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
22
Rethinking Character in Contemporary British Theatre: Aesthetics, Politics, Subjectivity.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
23
Heritage, Nostalgia and Modern British Theatre: Staging the Victorians.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
24
British Avant-Garde Theatre.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
25
Celebrity, Performance, Reception: British Georgian Theatre and Social Assemblage.
- Published in:
- Journal for Eighteenth-Century Studies, 2015, v. 38, n. 1, p. 160, doi. 10.1111/1754-0208.12226
- By:
- Publication type:
- Article
26
AFFAIR OF THE HEART: BRITISH THEATRE FROM 1992 TO 2020.
- Published in:
- 2022
- By:
- Publication type:
- Book Review
27
British theatre companies: 1965-1979.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
28
“Visions don’t work”? The role of Wesker’s theatre and Centre 42 in 1960s’ British culture.
- Published in:
- Studies in Theatre & Performance, 2016, v. 36, n. 2, p. 130, doi. 10.1080/14682761.2016.1149769
- By:
- Publication type:
- Article
29
Heritage, nostalgia and modern British theatre: staging the Victorians.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
30
The Time Traveller's Guide to British Theatre. Aleks Sierz and Lia Ghilardi.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
31
Performing Imperial Masculinity in British Theatre in the Late Eighteenth and Early Nineteenth Century.
- Published in:
- 2012
- By:
- Publication type:
- Case Study
32
British Theatre after Brexit: One Year On.
- Published in:
- PAJ: A Journal of Performance & Art, 2018, v. 40, n. 3, p. 60, doi. 10.1162/PAJJ_a_00437
- By:
- Publication type:
- Article
33
An Illustrated History of British Theatre and Peiformance. Volume 2: From the Industrial Revolution to the Digital Age.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
34
British Theatre Companies: 1965-1979.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
35
TWENTIETH-CENTURY BRITISH THEATRE: INDUSTRY, ART AND EMPIRE.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
36
Creative Ambivalence and Precarious Futures: Women in British Theatre.
- Published in:
- Theatre Journal, 2010, v. 62, n. 4, p. 553, doi. 10.1353/tj.2010.a413927
- By:
- Publication type:
- Article
37
Rewriting the nation: British theatre today.
- Published in:
- 2016
- By:
- Publication type:
- Book Review
38
Celebrity, Performance, Reception; British Georgian Theatre as Social Assemblage.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
39
IMAGES OF POVERTY IN BRITISH SUFFRAGIST THEATRE.
- Published in:
- BAS - British & American Studies, 2019, v. 25, p. 115
- By:
- Publication type:
- Article
40
Trauma and Depression in Contemporary British Theatre: A Study in Sarah Kane's 4.48 Psychosis.
- Published in:
- Journals Eduction for Girls, 2020, v. 2, n. 25, p. 43
- By:
- Publication type:
- Article
41
Muslims and Islam in contemporary British theatre and the image of the 'British Muslim Self' in Guleraana Mir's Coconut.
- Published in:
- Performing Islam, 2022, v. 11, n. 1, p. 35, doi. 10.1386/pi_00020_1
- By:
- Publication type:
- Article
42
Chinese Migration to Britain and the Impact of Cultural identity on the British East Asian Theatre.
- Published in:
- Larq Journal for Philosophy, Linguistics & Social Sciences, 2023, v. 1, n. 48, p. 842
- By:
- Publication type:
- Article
43
Contemporary Catastrophes: 2010s British Climate Crisis Theatre and Performativity.
- Published in:
- Contemporary Theatre Review, 2022, v. 32, n. 2, p. 140, doi. 10.1080/10486801.2022.2047035
- By:
- Publication type:
- Article
44
Living Suspiciously: Contingent Belonging in British South Asian Theater.
- Published in:
- Humanities (2076-0787), 2020, v. 9, n. 3, p. 85, doi. 10.3390/h9030085
- By:
- Publication type:
- Article
45
"Ours is not to be a Producer's Theatre, nor an Actor's Theatre; it is to be a Writer's Theatre".
- Published in:
- Studia Universitatis Babes-Bolyai, Dramatica, 2019, v. 64, n. 1, p. 81, doi. 10.24193/subbdrama.2019.1.05
- By:
- Publication type:
- Article
46
Irish rebellion in-yer-face or consigned to history: Seán O'Casey's The Plough and the Stars in 2016.
- Published in:
- Studies in Theatre & Performance, 2025, v. 45, n. 1, p. 5, doi. 10.1080/14682761.2024.2360863
- By:
- Publication type:
- Article
47
Ballet on the Saddle and Stage: Cosmopolitan Transnational Performance at Astley's Amphitheatre.
- Published in:
- Eighteenth-Century Studies, 2024, v. 57, n. 4, p. 453, doi. 10.1353/ecs.2024.a931689
- By:
- Publication type:
- Article
48
Negotiating cultural exchange. Federico García Lorca on the British stage from the Spanish civil war until the mid-fifties.
- Published in:
- Studies in Theatre & Performance, 2023, v. 43, n. 3, p. 307, doi. 10.1080/14682761.2022.2035120
- By:
- Publication type:
- Article
49
"Responding to the thing that it is": a study of new play development in English theatres.
- Published in:
- Studies in Theatre & Performance, 2019, v. 39, n. 1, p. 38, doi. 10.1080/14682761.2017.1348682
- By:
- Publication type:
- Article
50
The Afterlives of Enslavement: Histories of Racial Injustice in Contemporary Black British Theatre.
- Published in:
- Modern Drama, 2022, v. 65, n. 4, p. 471, doi. 10.3138/md-65-4-1239
- By:
- Publication type:
- Article