The Sounds of the Silents in Britain.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
Works matching British films -- History %26 criticism
Results: 30
1
2
‘The Hideous Difficulty of Recreating Nazism at War’: escaping from Europe in The Wooden Horse (1950) and the British Prisoner of War Film.
- Published in:
- 2017
- By:
- Publication type:
- Film/TV Criticism and Review
3
Twenty British Films: A Guided Tour.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
4
‘Did you ever notice this dot in the Mediterranean?’ Colonial Cyprus in the post-war British documentary.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 2, p. 240, doi. 10.1080/01439685.2015.1027561
- By:
- Publication type:
- Article
5
British Governmental Institutions, the Regional Information Office in Singapore and the Use of the Official Film in Malaya and Singapore, 1948–1961.
- Published in:
- Historical Journal of Film, Radio & Television, 2015, v. 35, n. 1, p. 27, doi. 10.1080/01439685.2014.935095
- By:
- Publication type:
- Article
6
Introduction.
- Published in:
- Historical Journal of Film, Radio & Television, 2014, v. 34, n. 1, p. 1, doi. 10.1080/01439685.2014.879010
- By:
- Publication type:
- Article
7
The Trouble with Harry: The Difficult Relationship of Harry Saltzman and Film Finances.
- Published in:
- Historical Journal of Film, Radio & Television, 2014, v. 34, n. 1, p. 43, doi. 10.1080/01439685.2014.879001
- By:
- Publication type:
- Article
8
The British Film Industry in the 1970s: capital, culture and creativity.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
9
A History of Colour in British Film: the negotiation of innovation 1900–1955.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
10
“Quit India”: The image of the Indian patriot on commercial British film and television, 1956-1985.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
11
The Revaluation of Associated British Films: ABPC’s Film Production Account for the Year ending 31 March 1942.
- Published in:
- Historical Journal of Film, Radio & Television, 2013, v. 33, n. 4, p. 612, doi. 10.1080/01439685.2013.798091
- By:
- Publication type:
- Article
12
Rome, Open for British Production: The lost world of ‘Britalian’ films, 1946-1954.
- Published in:
- Historical Journal of Film, Radio & Television, 2013, v. 33, n. 2, p. 234, doi. 10.1080/01439685.2013.798076
- By:
- Publication type:
- Article
13
The Distribution Of Powell And Pressburger’s Films In The United States, 1939–1949.
- Published in:
- Historical Journal of Film, Radio & Television, 2013, v. 33, n. 1, p. 55, doi. 10.1080/01439685.2013.764721
- By:
- Publication type:
- Article
14
The continental connection German-speaking émigrés and British cinema, 1927–45.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
15
Film England. Culturally English Filmmaking since the 1990s.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
16
Erratum.
- Published in:
- 2012
- Publication type:
- Correction Notice
17
‘Good Business, Good Policy, Good Patriotism’: The British Film Weeks of 1924.
- Published in:
- Historical Journal of Film, Radio & Television, 2012, v. 32, n. 1, p. 41, doi. 10.1080/01439685.2012.648052
- By:
- Publication type:
- Article
18
British Cinema and Middlebrow Culture in the Interwar Years.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
19
Humphrey Jennings and British Documentary Film: A Reassessment, by Philip C. Logan.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
20
Johnny Walker, Contemporary British Horror Cinema: Industry, Genre and Society.
- Published in:
- Journal of British Cinema & Television, 2016, v. 13, n. 2, p. 334, doi. 10.3366/jbctv.2016.0317
- By:
- Publication type:
- Article
21
Colour Magic at Pinewood: Hein Heckroth, The Archers and Avant-Garde Production Design in The Red Shoes (1948).
- Published in:
- 2015
- By:
- Publication type:
- Essay
22
British Children's Cinema: From The Thief of Bagdad to Wallace and Gromit.
- Published in:
- 2017
- By:
- Publication type:
- Book Review
23
Repressing the Male Gaze? Sidney J. Furie's The Leather Boys and the Growing Pains of Post-War British Masculinity.
- Published in:
- 2019
- By:
- Publication type:
- Film/TV Criticism and Review
24
Gross Intrusions.
- Published in:
- 2014
- By:
- Publication type:
- Essay
25
Capturing the true moment: realism in British cinema of the late 1940s, its antecedents and its legacy.
- Published in:
- Film International (16516826), 2006, v. 4, n. 6, p. 50, doi. 10.1386/fiin.4.6.50
- By:
- Publication type:
- Article
26
Das neue Domizil der BFI Library in London.
- Published in:
- Bibliotheksdienst, 2013, v. 47, n. 10, p. 751, doi. 10.1515/bd-2013-0088
- By:
- Publication type:
- Article
27
ALFRED HITCHCOCK AND THE "CALL" OF MARY ROSE.
- Published in:
- Post Script, 2016, v. 36, n. 1, p. 11
- By:
- Publication type:
- Article
28
Abstracts.
- Published in:
- 2012
- Publication type:
- Abstract
29
Poetic licence: Issues of signification and authorship in British television verse documentary, 1986-96.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
30
Screens of disorder: English cinema’s representation of teachers’ responses to challenges to their authority in the 1960s.
- Published in:
- Paedagogica Historica, 2013, v. 49, n. 3, p. 402, doi. 10.1080/00309230.2012.725842
- By:
- Publication type:
- Article