The Ghost on the Machine: The Corsican Trap and the Spirit of Industrial Capitalism.
- Published in:
- Performance Research, 2021, v. 26, n. 1/2, p. 145, doi. 10.1080/13528165.2021.1959250
- By:
- Publication type:
- Article
Works matching Boucicault, Dion, 1820-1890
Results: 29
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DION BOUCICAULT'S ROBERT EMMET?: THE QUESTION OF AUTHORSHIP AND THE SEASON PREMIERE AT THE MCVICKER'S THEATRE, CHICAGO, ON NOVEMBER 5, 1884.
- Published in:
- Ilha do Desterro: A Journal of English Language, Literatures in English & Cultural Studies, 2020, v. 73, n. 2, p. 127, doi. 10.5007/2175-8026.2020v73n2p127
- By:
- Publication type:
- Article
3
Meta-Melodrama: Branden Jacobs-Jenkins Appropriates Dion Boucicault's The Octoroon.
- Published in:
- Modern Drama, 2016, v. 59, n. 3, p. 285, doi. 10.3138/md.0792R
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- Publication type:
- Article
4
Melodramatic Slaves.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
5
"DEAR HARP OF MY COUNTRY"; OR, SHAW AND BOUCICAULT.
- Published in:
- 2010
- By:
- Publication type:
- Literary Criticism
6
Adaptation, Copyright, and the Case of Dion Boucicaults The Poor of.
- Published in:
- Performing Arts Resources, 2011, v. 28, p. 127
- By:
- Publication type:
- Article
7
Plays by Dion Boucicault/London Assurance.
- Published in:
- 1986
- By:
- Publication type:
- Book Review
8
When Boucicault was 'Boucicaulted': The Octoroon, Race, Photography, and Pre-adaptation.
- Published in:
- Nineteenth Century Theatre & Film, 2020, v. 47, n. `2, p. 156, doi. 10.1177/1748372720932748
- By:
- Publication type:
- Article
9
Spectacle and Sensation in The Octoroon/An Octoroon.
- Published in:
- Nineteenth Century Theatre & Film, 2019, v. 46, n. 1, p. 38, doi. 10.1177/1748372719826895
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- Publication type:
- Article
10
Spectral Spectacle: Traps, Disappearances, and Disembodiment in Nineteenth-Century British Melodrama.
- Published in:
- Nineteenth Century Theatre & Film, 2019, v. 46, n. 1, p. 18, doi. 10.1177/1748372718799081
- By:
- Publication type:
- Article
11
Adaptation, Originality and Law: Dion Boucicault and Charles Reade.
- Published in:
- Nineteenth Century Theatre & Film, 2015, v. 42, n. 1, p. 22, doi. 10.1177/1748372715617339
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- Publication type:
- Article
12
Spectacular Remedies to Colonial Conflicts: Tableaux Vivants, Proto-Cinema and Global Performance in Dion Boucicault's Jessie Brown.
- Published in:
- Nineteenth Century Theatre & Film, 2014, v. 41, n. 2, p. 29, doi. 10.7227/NCTF.41.2.3
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- Publication type:
- Article
13
Foreign Constellations in a National Drama: Becoming American in Boucicault's Belle Lamar.
- Published in:
- 2012
- By:
- Publication type:
- Literary Criticism
14
Blackened Irish and Brownfaced Amerindians: Constructions of American Whiteness in Dion Boucicault's The Octoroon.
- Published in:
- 2004
- By:
- Publication type:
- Literary Criticism
15
Oscar Wilde, Dion Boucicault and the Pragmatics of Being Irish: Fashioning a New Brand of Modern Irish Celt.
- Published in:
- English Literature in Transition, 1880-1920, 2017, v. 60, n. 3, p. 267
- By:
- Publication type:
- Article
16
Replaying and Rediscovering The Octoroon.
- Published in:
- 2017
- By:
- Publication type:
- Literary Criticism
17
The Judicial and the Melodramatic Stage: Trial Scenes in Boucicault's Arrah-na-Pogue and The Octoroon.
- Published in:
- Theatre Journal, 2008, v. 60, n. 4, p. 545, doi. 10.1353/tj.0.0097
- By:
- Publication type:
- Article
18
Tiresian Modernist Interpretation in Djuna Barnes' novel.
- Published in:
- Spekali: An Electronic bilingual Scholarly Peer-reviewed Journal of the Faculty of Humanities at Ivane Javakhishvili Tbilisi State University, 2022, v. 16, p. 1, doi. 10.55804/jtsuSPEKALI-16-10
- By:
- Publication type:
- Article
19
Staging Sport: Dion Boucicault, the Victorian Spectacular Theatre, and the Manly Ideal.
- Published in:
- Critical Survey, 2012, v. 24, n. 1, p. 57, doi. 10.3167/cs.2012.240105
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- Publication type:
- Article
20
Boucicault's misdirections: Race, transatlantic theatre and social position in The Octoroon.
- Published in:
- Atlantic Studies, 2009, v. 6, n. 1, p. 81, doi. 10.1080/14788810802696287
- By:
- Publication type:
- Article
21
GENERAL EPITOME.
- Published in:
- Journal of Education, 1888, v. 28, n. 2, p. 49
- Publication type:
- Article
22
Dion Boucicault: Irish Identity on Stage.
- Published in:
- 2014
- By:
- Publication type:
- Book Review
23
Performing Remediation: The Minstrel, The Camera, and The Octoroon.
- Published in:
- 2006
- By:
- Publication type:
- Editorial
24
CHARLES READE: CHARLES KEAN, DION BOUCICAULT, AND JOHN HOLLINGSHEAD.
- Published in:
- Theatre Notebook, 2022, v. 76, n. 1, p. 41
- By:
- Publication type:
- Article
25
HOLY COW: Staging Boucicault's The Shaughraun.
- Published in:
- Theatre Design & Technology (TD&T), 2011, v. 47, n. 1, p. 28
- By:
- Publication type:
- Article
26
Boucicault on Dramatic Action: His Confirmation of the Poetics.
- Published in:
- Quarterly Journal of Speech, 1970, v. 56, n. 1, p. 45, doi. 10.1080/00335637009382982
- By:
- Publication type:
- Article
27
Danielle Byrne in Dublin.
- Published in:
- Plays International & Europe, 2011, v. 26, n. 5/6, p. 36
- Publication type:
- Article
28
REPRESENTATIVE GOVERNMENT: THE "PROBLEM PLAY," QUOTIDIAN CULTURE, AND THE MAKING OF SOCIAL LIBERALISM.
- Published in:
- 2013
- By:
- Publication type:
- Essay
29
"D'ye hear?": listening for echoes of empire in Dion Boucicault's Jessie Brown; or, The Relief of Lucknow.
- Published in:
- Nineteenth-Century Contexts, 2024, v. 46, n. 1, p. 99, doi. 10.1080/08905495.2024.2299130
- By:
- Publication type:
- Article