Black on blonde: The Africanist presence in Dorothy Parker's `Big Blonde'.Published in:1996By:Simpson, AmeliaPublication type:Literary Criticism
Liberation, Degeneration, and Transcendence(?): The Promise and Paradox of the “New Woman” in Edna Ferber’s Dawn O’Hara, The Girl Who Laughed and Dorothy Parker’s “Big Blonde”.Published in:Women's Studies, 2016, v. 45, n. 3, p. 230, doi. 10.1080/00497878.2016.1149028By:Ortolano, ScottPublication type:Article