The Success of Beyoncé and Colorism.
- Published in:
- Journal of Colorism Studies, 2022, v. 4, n. 1, p. 1
- By:
- Publication type:
- Article
Works matching Beyoncé, 1981-
Results: 91
1
2
"They're Closin' Up Girl Land": Female Masculinities in Children's Fantasy.
- Published in:
- 2010
- By:
- Publication type:
- Essay
3
Black Respectable Currency: Reading Black Feminism and Sexuality in Contemporary Performance.
- Published in:
- Journal of American Culture, 2019, v. 42, n. 1, p. 10, doi. 10.1111/jacc.12970
- By:
- Publication type:
- Article
4
The Beyoncé Effect: Essays on Sexuality, Race, and Feminism.
- Published in:
- 2018
- By:
- Publication type:
- Book Review
5
Pop Culture Without Culture: Examining the Public Backlash to Beyoncé's Super Bowl 50 Performance.
- Published in:
- Journal of Black Studies, 2017, v. 48, n. 8, p. 715, doi. 10.1177/0021934717729504
- By:
- Publication type:
- Article
6
Black Women's Geographies and the Afterlives of the Sugar Plantation.
- Published in:
- American Literary History, 2019, v. 31, n. 4, p. 741, doi. 10.1093/alh/ajz043
- By:
- Publication type:
- Article
7
Competition and controlling images as the fuel igniting Beyoncé and Rihanna fandom fights.
- Published in:
- Transformative Works & Cultures, 2019, v. 29, p. 1, doi. 10.3983/twc.2019.1489
- By:
- Publication type:
- Article
8
From Lemonade to Homecoming: Beyoncé's Visual Spaces.
- Published in:
- Atlantis (0210-6124), 2022, v. 44, n. 1, p. 55, doi. 10.28914/Atlantis-2022-44.1.04
- By:
- Publication type:
- Article
9
The Power of Black Girl Magic Anthems: Nicki Minaj, Beyoncé, and "Feeling Myself" as Political Empowerment.
- Published in:
- Souls: A Critical Journal of Black Politics, Culture & Society, 2018, v. 20, n. 2, p. 222, doi. 10.1080/10999949.2018.1520067
- By:
- Publication type:
- Article
10
BEYOND RADICAL CHIC: THE BLACK PANTHER PARTY: Founded in Oakland, California more than half a century ago, the Black Panther Party's revolutionary image and legacy remain as political and racially divisive as ever.
- Published in:
- History Today, 2018, v. 68, n. 4, p. 36
- By:
- Publication type:
- Article
11
“We Are Not an Organically City People”: Black Modernity and the Afterimages of Julie Dash’s Daughters of the Dust.
- Published in:
- Black Scholar, 2018, v. 48, n. 3, p. 46, doi. 10.1080/00064246.2018.1475836
- By:
- Publication type:
- Article
12
"She invited other people to that space": audience habitus, place, and social justice in Beyoncé's Lemonade.
- Published in:
- 2019
- By:
- Publication type:
- Music Video Review
13
The sexual politics of veggies: Beyoncé's "commodity veg*ism".
- Published in:
- Feminist Media Studies, 2018, v. 18, n. 2, p. 294, doi. 10.1080/14680777.2017.1358200
- By:
- Publication type:
- Article
14
Cardi B: Love & Hip Hop ’s unlikely feminist hero.
- Published in:
- Feminist Media Studies, 2017, v. 17, n. 6, p. 1114, doi. 10.1080/14680777.2017.1380431
- By:
- Publication type:
- Article
15
Pregnancy, Then It's “Back To Business”.
- Published in:
- Feminist Media Studies, 2015, v. 15, n. 6, p. 926, doi. 10.1080/14680777.2015.1036901
- By:
- Publication type:
- Article
16
“Check On It”.
- Published in:
- Feminist Media Studies, 2012, v. 12, n. 1, p. 35, doi. 10.1080/14680777.2011.558346
- By:
- Publication type:
- Article
17
NAUGHTY GIRLS AND RED BLOODED WOMEN Representations of female heterosexuality in music video.
- Published in:
- Feminist Media Studies, 2005, v. 5, n. 1, p. 51, doi. 10.1080/14680770500058207
- By:
- Publication type:
- Article
18
The Snapchat Monteur? New Platforms for Photomontage.
- Published in:
- History of Photography, 2019, v. 43, n. 2, p. 206, doi. 10.1080/03087298.2019.1682834
- By:
- Publication type:
- Article
19
Beyoncé’s Lemonade, Avant-Garde Aesthetics, and Music Video: “The Past and the Future Merge to Meet Us Here”.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
20
Beyoncé’s “Formation”.
- Published in:
- 2016
- By:
- Publication type:
- Music Video Review
21
Beyoncé's "Formation".
- Published in:
- Film Criticism, 2016, v. 40, n. 1, p. 1, doi. 10.3998/fc.13761232.0040.309
- By:
- Publication type:
- Article
22
HOLD UP: DIGITAL SAMPLING, COPYRIGHT INFRINGEMENT, AND ARTIST CREDIT THROUGH THE LENS OF BEYONCÉ'S LEMONADE.
- Published in:
- Journal of Intellectual Property Law, 2019, v. 26, n. 1, p. 131
- By:
- Publication type:
- Article
23
Body image survey of young women.
- Published in:
- Youth Studies Australia, 2005, v. 24, n. 4, p. 8
- By:
- Publication type:
- Article
24
Why I too write about Beyoncé.
- Published in:
- Celebrity Studies, 2019, v. 10, n. 3, p. 432, doi. 10.1080/19392397.2019.1630158
- By:
- Publication type:
- Article
25
The culture industry and Beyoncé’s proprietary blackness.
- Published in:
- 2016
- By:
- Publication type:
- Music Review
26
Introduction: politicised iconicity, adaptable stardom and Generation X celebrity in the contemporary mediascape.
- Published in:
- Celebrity Studies, 2016, v. 7, n. 3, p. 419, doi. 10.1080/19392397.2016.1202660
- By:
- Publication type:
- Article
27
‘Beyoncé feminism’ and the contestation of the black feminist body.
- Published in:
- Celebrity Studies, 2015, v. 6, n. 1, p. 128, doi. 10.1080/19392397.2015.1005389
- By:
- Publication type:
- Article
28
Introduction: feminism and contemporary celebrity culture.
- Published in:
- Celebrity Studies, 2015, v. 6, n. 1, p. 124, doi. 10.1080/19392397.2015.1005382
- By:
- Publication type:
- Article
29
Buying Beyonce.
- Published in:
- Celebrity Studies, 2010, v. 1, n. 2, p. 135, doi. 10.1080/19392397.2010.482262
- By:
- Publication type:
- Article
30
Ancestor is king: the role of Afrofuturism in Beyoncé's Black is King.
- Published in:
- Critical Studies in Media Communication, 2022, v. 39, n. 4, p. 247, doi. 10.1080/15295036.2022.2038386
- By:
- Publication type:
- Article
31
The copyright implications of Beyoncé's choreographic 'borrowings'.
- Published in:
- Choreographic Practices, 2013, v. 4, n. 1, p. 95, doi. 10.1386/chor.4.1.95_1
- By:
- Publication type:
- Article
32
Beyoncé: At Work, On Screen, and Online.
- Published in:
- 2023
- By:
- Publication type:
- Book Review
33
Beyoncé, Lemonade. Parkwood Entertainment, B01EPOY1AQ, 2016, CD/DVD/Digital Download.
- Published in:
- 2017
- By:
- Publication type:
- Music Review
34
'Formation' of the female author in the hip hop visual album: Beyoncé and FKA twigs.
- Published in:
- Soundtrack, 2016, v. 9, n. 1/2, p. 41, doi. 10.1386/ts.9.1-2.41_1
- By:
- Publication type:
- Article
35
Find Your Way Back: Black Colleagues Return to the Erotic.
- Published in:
- Journal of the Scholarship of Teaching & Learning, 2021, v. 21, n. 4, p. 255, doi. 10.14434/josotl.v21i4.33167
- By:
- Publication type:
- Article
36
I Ain't Sorry: Beyoncé, Serena, and Hegemonic Hierarchies in Lemonade.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 99, doi. 10.1080/03007766.2019.1555897
- By:
- Publication type:
- Article
37
Who Slays? Queer Resonances in Beyoncé's Lemonade.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 82, doi. 10.1080/03007766.2019.1555896
- By:
- Publication type:
- Article
38
BEYONCÉ: Viral Techniques and the Visual Album.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 61, doi. 10.1080/03007766.2019.1555895
- By:
- Publication type:
- Article
39
Introduction.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 1, doi. 10.1080/03007766.2019.1555892
- By:
- Publication type:
- Article
40
Biopolitics and Media Power in the Online Dance Remake: Remixing Beyoncé's "***Flawless" in the YouTube Archive.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 22, doi. 10.1080/03007766.2019.1555891
- By:
- Publication type:
- Article
41
Fierce, Fabulous, and In/Famous: Beyoncé as Black Diva.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 6, doi. 10.1080/03007766.2019.1555888
- By:
- Publication type:
- Article
42
A Complicated Transformation: BEYONCÉ, "Blue," and the Politics of Black Motherhood.
- Published in:
- Popular Music & Society, 2019, v. 42, n. 1, p. 42, doi. 10.1080/03007766.2019.1555887
- By:
- Publication type:
- Article
43
The Shrews are Drunk in Love.
- Published in:
- Popular Music & Society, 2017, v. 40, n. 2, p. 151, doi. 10.1080/03007766.2015.1101276
- By:
- Publication type:
- Article
44
Empowered or Objectified? Personal Narrative and Audiovisual Aesthetics in Beyoncé's Partition.
- Published in:
- Popular Music & Society, 2017, v. 40, n. 2, p. 164, doi. 10.1080/03007766.2015.1104906
- By:
- Publication type:
- Article
45
Special Issue of Popular Music and Society : Beyoncé.
- Published in:
- Popular Music & Society, 2016, v. 39, n. 4, p. 484, doi. 10.1080/03007766.2016.1215592
- By:
- Publication type:
- Article
46
Leveraging African Spirituality and Popular Culture betwixt Africa and the African Diaspora.
- Published in:
- Journal for the Academic Study of Religion, 2021, v. 34, n. 3, p. 242, doi. 10.1558/jasr.21027
- By:
- Publication type:
- Article
47
Class Formation: Beyoncé in Music Video Production.
- Published in:
- Black Camera: The New Series, 2017, v. 9, n. 1, p. 197, doi. 10.2979/blackcamera.9.1.13
- By:
- Publication type:
- Article
48
A Critical View of Beyonce's "Formation".
- Published in:
- Black Camera: The New Series, 2017, v. 9, n. 1, p. 189, doi. 10.2979/blackcamera.9.1.12
- By:
- Publication type:
- Article
49
Ass You Lick It: Bey and Jay Eat Cake.
- Published in:
- Black Camera: The New Series, 2017, v. 9, n. 1, p. 179, doi. 10.2979/blackcamera.9.1.11
- By:
- Publication type:
- Article
50
Beyoncé's Black (Ab)Normal: Baaad Insurgency and the Queerness of Slaying.
- Published in:
- Black Camera: The New Series, 2017, v. 9, n. 1, p. 164, doi. 10.2979/blackcamera.9.1.10
- By:
- Publication type:
- Article