A study on Bernard Herrmann's science fiction film music.
- Published in:
- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2023, v. 11, n. 4, p. 549, doi. 10.12975/rastmd.20231144
- By:
- Publication type:
- Article
Works matching Bernard Herrmann
Results: 43
1
2
A study on film score applying the Neo-Riemannian theory: focusing on Bernard Herrmann's mysterious island.
- Published in:
- RAST Musicology Journal / Rast Muzikoloji Dergisi, 2021, v. 9, p. 2983, doi. 10.12975/rastmd.2021933
- By:
- Publication type:
- Article
3
Lessons from Ives: Elements of Charles Ives's musical language in the film scores and symphonic works of Bernard Herrmann.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 21
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- Publication type:
- Article
4
Bernard Herrmann--'pop' composer?
- Published in:
- 2010
- By:
- Publication type:
- Essay
5
Unconscious anchors: Bernard Herrmann's music for Marnie.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 55
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- Publication type:
- Article
6
Fahrenheit 451: The Complete Bernard Herrmann Motion Picture Score; The Twilight Zone: Walking Distance (Tribute Film Classics TFC 1002) Mysterious Island: The Complete Bernard Herrmann Motion Picture Score (Tribute Film Classics TFC 1001).
- Published in:
- 2008
- By:
- Publication type:
- Music Review
7
The Days Do Not End: Film Music, Time and Bernard Herrmann.
- Published in:
- Film Studies, 2006, v. 9, n. 0, p. 51, doi. 10.7227/FS.9.8
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- Publication type:
- Article
8
Musical and Dramatic Design in Bernard Herrmann's Prelude to Vertigo (1958).
- Published in:
- 2013
- By:
- Publication type:
- Essay
9
Introduction to the special issue: The music of Bernard Herrmann.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 5
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- Publication type:
- Article
10
Transformation of "The Psycho Theme" in Bernard's Herrmann's Music for Psycho.
- Published in:
- Interdisciplinary Humanities, 2009, v. 26, n. 2, p. 144
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- Publication type:
- Article
11
Music From Great Film Classics/Psycho Suite/Citizen Kane (The Classic Film Scores Of Bernard Herrmann).
- Published in:
- ARSC Journal, 2024, v. 55, n. 1, p. 144
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- Publication type:
- Article
12
From the Brooklyn Bridge to Pennsylvania Highway 11: Bernard Herrmann's score for "the Hitch-Hiker" from radio drama to The Twilight Zone.
- Published in:
- Historical Journal of Film, Radio & Television, 2021, v. 41, n. 2, p. 394, doi. 10.1080/01439685.2021.1901964
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- Publication type:
- Article
13
'The Moment That I Dreaded and Hope For': Ambivalence and Order in Bernard Herrmann's Score for Vertigo.
- Published in:
- Musical Quarterly, 2001, v. 85, n. 3, p. 516, doi. 10.1093/musqtl/85.3.516
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- Publication type:
- Article
14
Bernard Herrmann.
- Published in:
- Music Reference Services Quarterly, 1996, v. 4, n. 1, p. 49, doi. 10.1300/J116v04n01_03
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- Publication type:
- Article
15
THE JEWISH ROOTS OF HOLLYWOOD MUSIC: ERICH WOLFGANG KORNGOLD, HANNS EISLER, ALEX NORTH, FRANZ WAXMAN, ERNST TOCH, BERNARD HERRMANN:.
- Published in:
- Western States Jewish History, 2012, v. 45, n. 1, p. 47
- By:
- Publication type:
- Article
16
Bernard Herrmann's Melville and the Sounding of Modern Mania.
- Published in:
- Leviathan, 2021, v. 23, n. 2, p. N.PAG, doi. 10.1353/lvn.2021.0014
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- Publication type:
- Article
17
Three Audiovisual Correspondences in the Main Title for Vertigo.
- Published in:
- Music Theory Online, 2022, v. 28, n. 1, p. 1, doi. 10.30535/mto.28.1.6
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- Publication type:
- Article
18
The deleted music and scenes from Journey to the Center of the Earth.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 35
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- Publication type:
- Article
19
Sondheim's use of the 'Herrmann chord' in Sweeney Todd.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 3, p. 291, doi. 10.1386/smt.6.3.291_1
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- Publication type:
- Article
20
Narrative and Tonal Structure in Herrmann's Score for Vertigo.
- Published in:
- Music Theory Spectrum, 2024, v. 46, n. 2, p. 226, doi. 10.1093/mts/mtae003
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- Publication type:
- Article
21
Working with Hitch.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 25, doi. 10.1386/st.3.1.25_1
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- Publication type:
- Article
22
Dialogando com "O Corvo": Reflexões Sobre Uma Vivência Pedagógica de Prática de Conjunto no Ensino Fundamental.
- Published in:
- Revista Música Hodie, 2021, v. 21, p. 475, doi. 10.5216/mh.v21.66779
- By:
- Publication type:
- Article
23
Music for Murder, Machines, and Monsters: 'Moat Farm Murder', The Twilight Zone, and the CBS Stock Music Library.
- Published in:
- Music, Sound & the Moving Image, 2017, v. 11, n. 2, p. 157, doi. 10.3828/msmi.2017.10
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- Publication type:
- Article
24
Cape Fear: Remaking a film score.
- Published in:
- Soundtrack, 2011, v. 4, n. 2, p. 117, doi. 10.1386/st.4.2.117_1
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- Publication type:
- Article
25
Editorial.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 3, doi. 10.1386/st.3.1.3_2
- Publication type:
- Article
26
Psycho and the orchestration of anxiety.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 53, doi. 10.1386/st.3.1.53_1
- By:
- Publication type:
- Article
27
For Want of a Better Estimate, Let's Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future.
- Published in:
- Music & the Moving Image, 2015, v. 8, n. 3, p. 52, doi. 10.5406/musimoviimag.8.3.0052
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- Publication type:
- Article
28
Performing Arts Collection, Department of Special Research Collections, University of California, Santa Barbara.
- Published in:
- 2016
- By:
- Publication type:
- Interview
29
Sympathy with the devil? Music of the psycho post-Psycho.
- Published in:
- Screen, 2004, v. 45, n. 1, p. 1, doi. 10.1093/screen/45.1.1
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- Publication type:
- Article
30
MOOD MUSIC.
- Published in:
- Screen, 1984, v. 25, n. 3, p. 78, doi. 10.1093/screen/25.3.78
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- Publication type:
- Article
31
Resource notes.
- Published in:
- Popular Music History, 2010, v. 5, n. 1, p. 105
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- Publication type:
- Article
32
EDITORIAL.
- Published in:
- Studies in Musical Theatre, 2012, v. 6, n. 3, p. 271, doi. 10.1386/smt.6.3.271_2
- By:
- Publication type:
- Article
33
Eastman House Conference: A Report.
- Published in:
- 1973
- By:
- Publication type:
- Report
34
For Stage and Screen: A Conversation with Howard Shore.
- Published in:
- Music & the Moving Image, 2021, v. 14, n. 2, p. 1, doi. 10.5406/musimoviimag.14.2.0003
- Publication type:
- Article
35
Samuel Barber: Historical Recordings 1935-1960.
- Published in:
- 2013
- By:
- Publication type:
- Arts/Entertainment Review
36
"I Just Told Them Like It Was": Performance and History at Colonial Williamsburg.
- Published in:
- Journal of the Society for American Music, 2024, v. 18, n. 1, p. 56, doi. 10.1017/S1752196323000470
- By:
- Publication type:
- Article
37
Hitchcock and Von Trier: the Operatic Melancholia in Cinema.
- Published in:
- Polish Journal of Aesthetics, 2022, n. 66, p. 83, doi. 10.19205/66.22.6
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- Publication type:
- Article
38
The Spiral of Time: the Crystal‐Image in Herrmann's Music for Hitchcock's Vertigo.
- Published in:
- Music Analysis, 2021, v. 40, n. 2, p. 253, doi. 10.1111/musa.12166
- Publication type:
- Article
39
<italic>Vertigo</italic>’s Musical Gaze: Neo‐Riemannian Symmetries and Spirals.
- Published in:
- Music Analysis, 2018, v. 37, n. 1, p. 68, doi. 10.1111/musa.12109
- By:
- Publication type:
- Article
40
From Novel into Film into Opera Multiple Transformations of Emily Brontë's Wuthering Heights.
- Published in:
- Word & Music Studies, 2007, v. 9, p. 29
- By:
- Publication type:
- Article
41
The Dance of Suspense: Sound and Silence in North by Northwest.
- Published in:
- Journal of Film & Video, 2010, v. 62, n. 3, p. 53, doi. 10.1353/jfv.2010.0004
- By:
- Publication type:
- Article
42
Der Wein des Vergessens.
- Published in:
- 2019
- By:
- Publication type:
- Book Review
43
Concerto Macabre.
- Published in:
- Musical Quarterly, 2005, v. 88, n. 2, p. 167, doi. 10.1093/musqlt/gdi011
- By:
- Publication type:
- Article