Works matching Beatles (Performer)
1
- Neo-Victorian Studies, 2016, v. 9, n. 1, p. 32
- Article
2
- Cultural Critique, 2019, n. 103, p. 106, doi. 10.5749/culturalcritique.103.2019.0106
- Article
3
- Studies in Popular Culture, 2011, v. 33, n. 2, p. 95
- Article
4
- Popular Music & Society, 1996, v. 20, n. 4, p. 53, doi. 10.1080/03007769608591644
- Article
5
- International Journal of Instructional Media, 2007, v. 34, n. 4, p. 457
- Article
6
- Journal of European Popular Culture, 2018, v. 9, n. 1, p. 3, doi. 10.1386/jepc.9.1.3_2
- Article
7
- Arkansas Review: A Journal of Delta Studies, 2015, v. 46, n. 2, p. 114
- Article
8
- Music Theory Spectrum, 2003, v. 25, n. 2, p. 353, doi. 10.1525/mts.2003.25.2.353
- Article
9
- Nouvelles Perspectives en Sciences Sociales, 2012, v. 8, n. 1, p. 61, doi. 10.7202/1013918ar
- Article
10
- 2008
- Hardy, Bruce;
- Frankel, Glenn
- Book Review
13
- Explorations in Media Ecology, 2012, v. 10, n. 1/2, p. 157, doi. 10.1386/eme.10.1-2.157_1
- Article
14
- Soundtrack, 2012, v. 5, n. 2, p. 173, doi. 10.1386/st.5.2.173_1
- O'Meara, Radha;
- Stevens, Carolyn S.
- Article
15
- Webology, 2017, v. 14, n. 2, p. 78
- Rijkers, Ger T.;
- Luscombe, Anya;
- Sloof, Carla
- Article
16
- ITNOW, 2019, v. 61, n. 3, p. 30, doi. 10.1093/itnow/bwz069
- Article
17
- International Review of the Aesthetics & Sociology of Music, 2019, v. 50, n. 1/2, p. 319
- Article
18
- Debates IESA, 2013, v. 18, n. 1, p. 92
- Carrillo, César Alejandro
- Article
19
- Music & Letters, 1999, v. 80, n. 2, p. 254, doi. 10.1093/ml/80.2.254
- Article
20
- Latin American Literary Review, 2020, v. 47, n. 94, p. 2, doi. 10.26824/lalr.160
- Article
21
- Touchstone, 2011, v. 30, p. 4
- Article
22
- Critical Studies in Media Communication, 2005, v. 22, n. 5, p. 451, doi. 10.1080/07393180500497276
- Article
23
- Critical Studies in Media Communication, 2005, v. 22, n. 5, p. 456, doi. 10.1080/07393180500497300
- Article
24
- Critical Studies in Media Communication, 2005, v. 22, n. 5, p. 450, doi. 10.1080/07393180500392717
- Article
25
- Music Theory Online, 2012, v. 18, n. 3, p. 1, doi. 10.30535/mto.18.3.11
- Article
26
- Xipe Totek, 1996, v. 5, n. 4, p. 297
- Article
27
- Journal of the Northwest Communication Association, 1995, v. 23, p. 70
- Article
28
- Mississippi Libraries, 2017, v. 80, n. 1, p. 14
- Article
29
- 2016
- Film/TV Criticism and Review
32
- Education Journal, 2019, n. 391, p. 20
- Article
33
- Celebrity Studies, 2015, v. 6, n. 4, p. 538, doi. 10.1080/19392397.2015.1008530
- Article
34
- American Music Review, 2012, v. 41, n. 2, p. 9
- Article
35
- Contemporary British History, 2013, v. 27, n. 1, p. 85, doi. 10.1080/13619462.2012.722346
- Article
36
- Continuum: Journal of Media & Cultural Studies, 2017, v. 31, n. 4, p. 509, doi. 10.1080/10304312.2017.1334404
- Saavedra Utman, Jorge;
- Miller, Toby
- Article
37
- Continuum: Journal of Media & Cultural Studies, 2017, v. 31, n. 4, p. 495, doi. 10.1080/10304312.2017.1334382
- Cinque, Toija;
- Redmond, Sean
- Article
40
- 2010
- Arts/Entertainment Review
44
- Journal of Heritage Tourism, 2017, v. 12, n. 5, p. 463, doi. 10.1080/1743873X.2016.1255219
- Article
46
- Journal of Heritage Tourism, 2013, v. 8, n. 4, p. 303, doi. 10.1080/1743873X.2013.799172
- Fremaux, Stephanie;
- Fremaux, Mark
- Article
47
- Selected Reports in Ethnomusicology, 2003, v. 11, p. 205
- de Ulhoa, Martha Tupinamba
- Article
48
- Soccer & Society, 2011, v. 12, n. 1, p. 58, doi. 10.1080/14660970.2011.530468
- Article
49
- Pennsylvania Communication Annual, 2018, v. 74, n. 2, p. 23, doi. 10.5840/pcaa20187424
- Article
50
- Journal of Intellectual Property Law & Practice, 2015, v. 10, n. 10, p. 736, doi. 10.1093/jiplp/jpv144
- Article