Works matching Beastie Boys

Results: 20

GoldieBlox and the Three Beastie Boys: The Emerging Trend of Fair Use Appropriation of Protected Material as a Business Marketing Strategy.

Published in:

Tulane Journal of Technology & Intellectual Property, 2014, v. 17, p. 255

By:

Fischer, Caroline Hewitt

Publication type:

Article

Imagined Scenario 10 (Letter to My Birth Mother; 4-8-16), after Listening to the Beastie Boys’ “What Comes Around”.

Published in:

2017

By:

HOLMES, TOM

Publication type:

Poem

Paul's Boutique and Fear of a Black Planet: Digital Sampling and Musical Style in Hip Hop.

Published in:

Journal of the Society for American Music, 2014, v. 8, n. 1, p. 28, doi. 10.1017/S175219631300059X

By:

SEWELL, AMANDA

Publication type:

Article

Fragmented Literal Similarity in the Ninth Circuit: Dealing with Fragmented Takings of Jazz and Experimental Music.

Published in:

Columbia Journal of Law & the Arts, 2014, v. 37, n. 2, p. 283

By:

Zaken, Michael

Publication type:

Article

Hip-hop Realness and the White Performer.

Published in:

Critical Studies in Media Communication, 2005, v. 22, n. 5, p. 372, doi. 10.1080/07393180500342878

By:

Hess, Mickey

Publication type:

Article

EWTON V. DMMOND 349 F.3d 591 (9th Cir. 2003).

Published in:: Berkeley Technology Law Journal, 2005, v. 20, n. 1, p. 734
Publication type:: Article

Eminem and the Tragedy of the White Rapper.

Published in:

Journal of Popular Culture (John Wiley & Sons, Inc.), 2011, v. 44, n. 4, p. 872, doi. 10.1111/j.1540-5931.2011.00867.x

By:

VERSTEGEN, IAN

Publication type:

Article

STAR CAUSES.

Published in:: Corporate Knights, 2004, v. 3, n. 1, p. 16
Publication type:: Article

Putting the fragments (back) together: towards a theorisation of Jewish sampling.

Published in:

Social Identities, 2017, v. 23, n. 3, p. 310, doi. 10.1080/13504630.2016.1186536

By:

Stratton, Jon

Publication type:

Article

Requiems for a City: Popular Music's Response to 9/11.

Published in:

Popular Music & Society, 2009, v. 32, n. 1, p. 25, doi. 10.1080/03007760802191508

By:

Gengaro, Christine Lee

Publication type:

Article

Eminem's Construction of Authenticity.

Published in:

Popular Music & Society, 2004, v. 27, n. 3, p. 335, doi. 10.1080/03007760410001733170

By:

Armstrong, Edward G.

Publication type:

Article

The GoldieBlox Video: Copyright Infringement or Fair Use?

Published in:

Journal of Critical Incidents, 2015, v. 8, p. 70

By:

Magaldi, Jessica A.

Publication type:

Article

SAMPLING AND JEWISHNESS: A SHORT HISTORY OF JEWISH SAMPLING AND ITS RELATIONSHIP WITH HIP-HOP.

Published in:

Shofar: An Interdisciplinary Journal of Jewish Studies, 2016, v. 34, n. 3, p. 50, doi. 10.1353/sho.2016.0014

By:

Stratton, Jon

Publication type:

Article

The Nightmare Beast, War and the Children in William Golding's Lord of the Flies.

Published in:

2013

By:

Dangar, Joyanta

Publication type:

Literary Criticism

Tibet supporting music star Adam Yauch no more.

Published in:: 2012
Publication type:: Obituary

White Rappers and Black Epistemology.

Published in:

Journal of Popular Culture (Wiley-Blackwell), 2008, v. 41, n. 6, p. 994, doi. 10.1111/j.1540-5931.2008.00561.x

By:

OLSON, PAUL J.;
SHOBE, BENNIE

Publication type:

Article

Rhymin' and Stealin'? The History of Sampling in the Hip-Hop and Dance Music Worlds and How U.S. Copyright Law & Judicial Precedent Serves to Shackle Art.

Published in:

Virginia Sports & Entertainment Law Journal, 2015, v. 14, n. 2, p. 219

By:

Cox, Wayne M.

Publication type:

Article

At Carluccio's, County Dublin, Dawson Street.

Published in:

2018

By:

BEATTY, JAN

Publication type:

Poem

Deep, Deep, Down: The social satire of Mario Bava's Danger: Diabolik.

Published in:

2012

By:

Berra, John

Publication type:

Film/TV Criticism and Review

COPYRIGHT LAW AND ITS PARODY DEFENSE: MULTIPLE LEGAL PERSPECTIVES.

Published in:

Journal of Intellectual Property & Entertainment Law, 2015, v. 4, n. 2, p. 311

By:

AMY LAI

Publication type:

Article