Unitas multiplex : John Barclay’s notion of Europe in his Icon animorum (1614).Published in:History of European Ideas, 2017, v. 43, n. 6, p. 533, doi. 10.1080/01916599.2017.1309673By:Walser, IsabellaPublication type:Article
Andrew Marvell and John Barclay's Satyricon.Published in:Marvell Studies, 2022, v. 7, n. 1, p. 1, doi. 10.16995/marv.8616By:von Maltzahn, NicholasPublication type:Article
Sicily, the Classical Tradition and Interpretative Possibilities in John Barclay's Argenis.Published in:International Journal of the Classical Tradition, 2022, v. 29, n. 3, p. 260, doi. 10.1007/s12138-021-00606-2By:Parkes, RuthPublication type:Article
Soldier of Fortuna: John Barclay, England, and the European Wars of Interpretation.Published in:Shakespeare Studies (Rosemont Publishing & Printing Corporation), 2020, v. 48, p. 87By:GROWHOSKI, MATTHEWPublication type:Article
A Certain Blindness: Romance, Providence, and Calvin in John Barclay's Argenis.Published in:2019By:Zhang, Rachel DunnPublication type:Literary Criticism
Icon Animorum or The Mirror of Minds.Published in:2014By:McOmish, David M.Publication type:Book Review