History of Soviet Cinematography: Regional Aspect, Banned Films and Science Fiction Movies.
- Published in:
- Media Education / Mediaobrazovanie, 2021, v. 17, n. 4, p. 645, doi. 10.13187/me.2021.4.645
- By:
- Publication type:
- Article
Works matching Banned films
Results: 70
1
2
Restricted to Adults Only: Homosexuality and Film Censorship Reform in 1970s Australia.
- Published in:
- Journal of Popular Film & Television, 2020, v. 48, n. 3, p. 134, doi. 10.1080/01956051.2020.1733465
- By:
- Publication type:
- Article
3
Banned Films (Book Review).
- Published in:
- 1983
- By:
- Publication type:
- Book Review
4
CENSORING CRIMES.
- Published in:
- 2011
- By:
- Publication type:
- Essay
5
„Případ". Kontext uvedení filmu O slavnosti a hostech do distribuce.
- Published in:
- Iluminace, 2013, v. 25, n. 3, p. 5
- By:
- Publication type:
- Article
6
Development of a Highly Sensitive and Specific Immunoassay for Determining Chrysoidine, A Banned Dye, in Soybean Milk Film.
- Published in:
- Molecules, 2011, v. 16, n. 8, p. 7043, doi. 10.3390/molecules16087043
- By:
- Publication type:
- Article
7
Film and politics in Luxembourg: censorship and controversy.
- Published in:
- Film History, 2004, v. 16, n. 4, p. 437, doi. 10.2979/FIL.2004.16.4.437
- By:
- Publication type:
- Article
8
'Will we ever see Potemkin?': The historical reception and censorship of Eisenstein's Battleship Potemkin in Belgium (1926—32).
- Published in:
- Studies in Russian & Soviet Cinema, 2008, v. 2, n. 1, p. 5, doi. 10.1386/srsc.2.1.5_1
- By:
- Publication type:
- Article
9
APICHATPONG BIDS TO UNSHACKLE THAI CINEMA.
- Published in:
- ArtAsiaPacific, 2007, n. 55, p. 93
- By:
- Publication type:
- Article
10
A Wowseristic Affair: History and Politics behind the Banning of Ken Park , Baise-Moi and other Like Depravities.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2006, v. 20, n. 3, p. 345, doi. 10.1080/10304310600814284
- By:
- Publication type:
- Article
11
Female Desire, Pop Rock, and the Tiananmen Generation: The Synergy of Sexual and Political Revolutions in the Banned Chinese-German Film Summer Palace (2006).
- Published in:
- 2021
- By:
- Publication type:
- Film/TV Criticism and Review
12
Abstracts.
- Published in:
- 2009
- Publication type:
- Abstract
13
Kein Zutritt. Verbotsfilme im Staatlichen Filmarchiv der DDR.
- Published in:
- Werkstatt Geschichte (Klartext Verlag), 2009, n. 52, p. 39
- By:
- Publication type:
- Article
14
Race, Politics, and Censorship: D. W. Griffith's The Birth of a Nation in France, 1916-1923.
- Published in:
- Cinema Journal, 2010, v. 50, n. 1, p. 19, doi. 10.1353/cj.2010.a405346
- By:
- Publication type:
- Article
15
'DEV': BOLLYWOOD FORCES INDIANS TO REMEMBER THE GUJARAT RIOTS.
- Published in:
- Metro, 2005, n. 144, p. 144
- By:
- Publication type:
- Article
16
'The Film That's Banned in Harrogate': Monty Python's Life of Brian (1979), Local Censorship, Comedy and Local Resistance.
- Published in:
- Historical Journal of Film, Radio & Television, 2021, v. 41, n. 1, p. 152, doi. 10.1080/01439685.2020.1815363
- By:
- Publication type:
- Article
17
CENSURA AO CINEMA NO MARCELISMO E TARDO-FRANQUISMO: UMA PERSPECTIVA COMPARADA.
- Published in:
- Ler Historia, 2021, n. 79, p. 63, doi. 10.4000/lerhistoria.9072
- By:
- Publication type:
- Article
18
Forbidden Soviet Cinema (1951-1991): A View from the 21st сentury.
- Published in:
- International Journal of Media & Information Literacy, 2021, v. 6, n. 1, p. 239, doi. 10.13187/ijmil.2021.1.239
- By:
- Publication type:
- Article
19
Micro-study 2: Peter Watkins, The Gulf War, and The Media Project (1991).
- Published in:
- Film & History (03603695), 1992, v. 22, n. 1/2, p. 41, doi. 10.1353/flm.1992.a395779
- By:
- Publication type:
- Article
20
GREATEST OF FOLLIES.
- Published in:
- Journal of Education, 1917, v. 85, n. 13, p. 352
- Publication type:
- Article
21
IN BRIEF.
- Published in:
- Africa Research Bulletin: Political, Social & Cultural Series, 2006, v. 43, n. 7, p. 16736
- Publication type:
- Article
22
Reverberations of Collective Traumatic Memories from a South Korean Movie to June Fourth and Jiabiangou.
- Published in:
- ASIANetwork Exchange, 2022, v. 28, n. 1, p. 51, doi. 10.16995/ane.8153
- By:
- Publication type:
- Article
23
Nasty visions: Violent spectacle in contemporary British horror cinema.
- Published in:
- Horror Studies, 2011, v. 2, n. 1, p. 115, doi. 10.1386/host.2.1.115_1
- By:
- Publication type:
- Article
24
¿Todo pasado fue mejor? El cine de mafia en la Argentina en la encrucijada. Análisis del caso de Los años infames/Proceso a la infamia.
- Published in:
- Cuadernos del Centro de Estudios de Diseño y Comunicación, 2025, v. 28, n. 273, p. 91
- By:
- Publication type:
- Article
25
Film censorship in Mexico, 1925-1928: the case of Saltillo.
- Published in:
- FIAR: Forum for Inter-American Research, 2023, v. 16, n. 2, p. 47
- By:
- Publication type:
- Article
26
A Certification Anomaly: The Self-Sacrificial Female Body in Bombay Cinema.
- Published in:
- Studies in South Asian Film & Media, 2009, v. 1, n. 1, p. 119, doi. 10.1386/safm.1.1.119_1
- By:
- Publication type:
- Article
27
Rescuing film culture from the nation: Japanese cinema in South Korean cultural journalism of the 1980s and 1990s.
- Published in:
- Journal of Japanese & Korean Cinema, 2024, v. 16, n. 1, p. 6, doi. 10.1080/17564905.2024.2338959
- By:
- Publication type:
- Article
28
Brothers or not? The failure of Morning of the East, the first joint Soviet–North Korean film.
- Published in:
- Journal of Japanese & Korean Cinema, 2024, v. 16, n. 1, p. 57, doi. 10.1080/17564905.2024.2312065
- By:
- Publication type:
- Article
29
Cenzura partizanskog vesterna Kapetan Leši (1960).
- Published in:
- Historical Journal / Historijski Zbornik, 2014, v. 67, n. 2, p. 361
- By:
- Publication type:
- Article
30
Importing Indecent Photographs: Knowledge of Ban is Sufficient for Guilt.
- Published in:
- Police Journal, 2002, v. 75, n. 4, p. 340
- By:
- Publication type:
- Article
31
Bahía de Palma/Palma Bay (Bosch 1962): An allegory of late Francoism.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2020, v. 17, n. 3, p. 351, doi. 10.1386/slac_00026_1
- By:
- Publication type:
- Article
32
China's reception of Michelangelo Antonioni's Chung Kuo.
- Published in:
- Journal of Italian Cinema & Media Studies, 2014, v. 2, n. 1, p. 23, doi. 10.1386/jicms.2.1.23_1
- By:
- Publication type:
- Article
33
Follow the Screenplay.
- Published in:
- ArtAsiaPacific, 2009, n. 63, p. 75
- By:
- Publication type:
- Article
34
ROUND UP: CENSORSHIP ISSUES.
- Published in:
- ArtAsiaPacific, 2008, n. 58, p. 96
- Publication type:
- Article
35
New Waves, New Spaces: Estonian Experimental Cinema of the 1970s.
- Published in:
- 2011
- By:
- Publication type:
- Film/TV Criticism and Review
36
Recepción del cine soviético en España: una historia entre guerras, censuras y aperturas.
- Published in:
- Revista Anagramas, 2010, v. 9, n. 17, p. 93
- By:
- Publication type:
- Article
37
Different and Equal Together: SF Satire in District 9.
- Published in:
- Journal of the Fantastic in the Arts, 2011, v. 22, n. 3, p. 326
- By:
- Publication type:
- Article
38
A censura a Prata Palomares (1971) e a construção da versão oficial sobre a luta armada.
- Published in:
- Revista FAMECOS - Mídia, Cultura e Tecnologia, 2021, v. 28, n. 1, p. 1, doi. 10.15448/1980-3729.2021.1.36043
- By:
- Publication type:
- Article
39
O cinema iraniano e a música interdita.
- Published in:
- REVER: Revista de Estudos da Religião, 2013, v. 13, n. 1, p. 45, doi. 10.21724/rever.v13i1.16126
- By:
- Publication type:
- Article
40
Indonesia Calling: a Film on the Crossroads of Four Continents.
- Published in:
- Labour History, 1997, n. 73, p. 226, doi. 10.2307/27516512
- Publication type:
- Article
41
'INDONESIA CALLING:' A FILM ON THE CROSSROADS OF FOUR CONTINENTS.
- Published in:
- Labour History, 1997, n. 73, p. 226, doi. 10.2307/27516512
- By:
- Publication type:
- Article
42
КЪМ ВЪПРОСА ЗА РЕПРЕСИИТЕ НАД БЪЛГАРСКОТО ИГРАЛНО КИНО (1956-1989 Г.)
- Published in:
- Historical Review / Istoricheski Pregled, 2012, v. 68, n. 1/2, p. 195
- By:
- Publication type:
- Article
43
Crashing Out.
- Published in:
- Screen, 2002, v. 43, n. 1, p. 74, doi. 10.1093/screen/43.1.74
- By:
- Publication type:
- Article
44
'BABY FACE' OR HOW JOE BREEN MADE BARBARA STANWYCK ATONE FOR CAUSING THE WALL STREET CRASH.
- Published in:
- Screen, 1986, v. 27, n. 2, p. 22, doi. 10.1093/screen/27.2.22
- By:
- Publication type:
- Article
45
Set this house on Fire.
- Published in:
- Inter-Asia Cultural Studies, 2000, v. 1, n. 2, doi. 10.1080/14649370050141258
- By:
- Publication type:
- Article
46
Subverting space: Private, public and power in three Czechoslovak films from the 1960s and '70s.
- Published in:
- Studies in Eastern European Cinema, 2011, v. 2, n. 1, p. 49, doi. 10.1386/seec.2.1.49_1
- By:
- Publication type:
- Article
47
Queer African Manifesto/Declaration: Nairobi, Kenya, April 8, 2010.
- Published in:
- Black Camera: The New Series, 2021, v. 13, n. 1, p. 263, doi. 10.2979/blackcamera.13.1.0263
- Publication type:
- Article
48
Fabricating a Spiral of Islamophobia through Kashmir Issue: A Critical Discourse Analysis on two Bollywood Films.
- Published in:
- Observatorio (OBS*), 2024, v. 18, n. 4, p. 178, doi. 10.15847/obsobs18420242377
- By:
- Publication type:
- Article
49
Empire Cinema: Propaganda and censorship in colonial films during the Portuguese Estado Novo.
- Published in:
- Journal of African Cinemas, 2016, v. 8, n. 3, p. 283, doi. 10.1386/jac.8.3.283_1
- By:
- Publication type:
- Article
50
Child pornography and the law: Of Good Report (2013). Reopening debates on secrecy, information and censorship.
- Published in:
- Journal of African Cinemas, 2014, v. 6, n. 2, p. 151, doi. 10.1386/jac.6.2.151_1
- By:
- Publication type:
- Article