Works matching Atonality

Results: 113

Atonality and Tonality: Musical Analogies in Roland Barthes's Lectures at the Collège de France.

Published in:

Paragraph, 2008, v. 31, n. 1, p. 9, doi. 10.3366/E0264833408000035

By:

O'Meara, Lucy

Publication type:

Article

Tonalita a atonalita - způsob nastávání.

Published in:

Hudební Výchova, 2017, v. 25, n. 2, p. 4

By:

Dytrtová, Kateřina

Publication type:

Article

ADORNOV MARKSIZAM VERSUS ŠENBERGOV JUDAIZAM.

Published in:

Sociologija/Sociology: Journal of Sociology, Social Psychology & Social Anthropology, 2009, v. 51, n. 1, p. 45, doi. 10.2298/SOC0901045J

By:

Jeremić-Molnar, Dragana;
Molnar, Aleksandar

Publication type:

Article

The Theories of Helmholtz in the Work of Varèse.

Published in:

Contemporary Music Review, 2011, v. 30, n. 5, p. 327, doi. 10.1080/07494467.2011.665578

By:

Lalitte, Philippe

Publication type:

Article

Chromatic Function in Schoenberg's Little Piano Piece, op. 19, no. 1.

Published in:

Music Theory Online, 2023, v. 29, n. 3, p. 39, doi. 10.30535/mto.29.3.3

By:

Hier, David

Publication type:

Article

On Duration and Developing Variation: The Intersecting Ideologies of Henri Bergson and Arnold Schoenberg.

Published in:

Music Theory Online, 2015, v. 21, n. 4, p. 1, doi. 10.30535/mto.21.4.3

By:

Salley, Keith

Publication type:

Article

COMPOSER, JOURNALIST AND PEDAGOGUE DRAGUTIN ČOLIĆ (1907-1987) ON THE OCCASION OF THE CENTENARY OF HIS BIRTH.

Published in:

New Sound: International Magazine for Music, 2007, n. 29, p. 21

By:

Cvetković, Sonja

Publication type:

Article

DARIUS MILHAUD AND THE DEBATE ON POLYTONALITY IN THE FRENCH PRESS OF THE 1920S.

Published in:

Music & Letters, 2005, v. 86, n. 4, p. 573, doi. 10.1093/ml/gci106

By:

De Médicis, François

Publication type:

Article

Dissonant Harmony and "Seed-Tones": Organicism in the Piano Music of Dane Rudhyar.

Published in:

Music Theory Online, 2014, v. 20, n. 2, p. 1, doi. 10.30535/mto.20.2.6

By:

Trinastic, Michael K.

Publication type:

Article

The inadequacy of life: observations on Adorno.

Published in:

History of the Human Sciences, 2007, v. 20, n. 4, p. 147, doi. 10.1177/0952695107082496

By:

Nicholls, Angus

Publication type:

Article

The Temporalist Harp: Henri Bergson and Twentieth-Century Musical Innovation.

Published in:

European Legacy, 2011, v. 16, n. 7, p. 953, doi. 10.1080/10848770.2011.626216

By:

Cleland, Kent

Publication type:

Article

Музика и криза.

Published in:

Muzikologija, 2016, n. 21, p. 15, doi. 10.2298/MUZ1621015M

By:

Миленковић, Иван

Publication type:

Article

Beyond the Score: The Spirit of Tango in Piazzolla's Tango-Études.

Published in:

Flutist Quarterly, 2022, v. 47, n. 2, p. 4

By:

GARIAZZO, MARIANA

Publication type:

Article

Editorial: An Introduction to Anthony Pople's Tonalities Project.

Published in:

Music Analysis, 2004, v. 23, n. 2/3, p. 147, doi. 10.1111/j.0262-5245.2004.00200.x

By:

Cross, Jonathan;
Russ, Michael

Publication type:

Article

Atonalita - možnosti kreativních přístupů v hudební výchově.

Published in:

Hudební Výchova, 2018, v. 26, n. 2, p. 13

By:

Bělohlávková, Petra

Publication type:

Article

Competing "Windows of Order": The Dialectics of System-Construction and-Withdrawal in Berg's Sonata for Piano, Op. 1.

Published in:

2008

By:

Byros, Vasili

Publication type:

Essay

Toggling Cycles, Hexatonic Systems, and Some Analysis of Early Atonal Music.

Published in:

Music Theory Spectrum, 2005, v. 27, n. 2, p. 221, doi. 10.1525/mts.2005.27.2.221

By:

Siciliano, Michael

Publication type:

Article

Uniformity, Balance, and Smoothness in Atonal Voice Leading.

Published in:

Music Theory Spectrum, 2003, v. 25, n. 2, p. 305, doi. 10.1525/mts.2003.25.2.305

By:

Straus, Joseph N.

Publication type:

Article

Schoenberg's Klangfarbenmelodie: A Principle of Early Atonal Harmony.

Published in:

Music Theory Spectrum, 2002, v. 24, n. 1, p. 1, doi. 10.1525/mts.2002.24.1.1

By:

Cramer, Alfred

Publication type:

Article

Tonality and atonality in the psychic space.

Published in:

Journal of Poetry Therapy, 2017, v. 30, n. 3, p. 166, doi. 10.1080/08893675.2017.1328840

By:

Amir, Dana

Publication type:

Article

Dimensions of Atonality: A Response and Extension of von Hippel and Huron (2020).

Published in:

Empirical Musicology Review, 2020, v. 15, n. 1/2, p. 119, doi. 10.18061/emr.v15i1-2.7832

By:

YUST, JASON

Publication type:

Article

Conversion of ectoderm into a neural fate by ATH-3, a vertebrate basic helix-loop-helix gene homologous to Drosophila proneural gene atonal.

Published in:

EMBO Journal, 1997, v. 16, n. 2, p. 384, doi. 10.1093/emboj/16.2.384

By:

Takebayashi, Koichi;
Takahashi, Shuji;
Yokota, Chika;
Tsuda, Hiroshi;
Nakanishi, Shigetada;
Asashima, Makoto;
Kageyama, Ryoichiro

Publication type:

Article

The Evolution of Musical Style in the Piano Work of George Rochberg.

Published in:

International Review of the Aesthetics & Sociology of Music, 2022, v. 53, n. 1, p. 235

By:

Soyoung Choe

Publication type:

Article

Cognition of Stability in Atonal Music in Teenagers With No Musical Experience.

Published in:

Psychomusicology: Music, Mind & Brain, 2016, v. 26, n. 1, p. 43, doi. 10.1037/pmu0000133

By:

Esteve-Faubel, José María;
Francés-Luna, Benjamín;
Stephens, Jonathan P.;
Bartel, Lee

Publication type:

Article

The time of music: the music of time.

Published in:

Critical Quarterly, 2008, v. 50, n. 3, p. 43, doi. 10.1111/j.1467-8705.2008.00814.x

By:

PARKER, IMOGEN

Publication type:

Article

Musical languages of the 2th century in globalization.

Published in:

Studii de Ştiintă şi Cultură, 2011, v. 7, n. 2, p. 227

By:

DEMENESCU, Veronica Laura

Publication type:

Article

Scriabin's Atonal Problem.

Published in:

Music Theory Online, 2018, v. 24, n. 1, p. 76, doi. 10.30535/mto.24.1.1

By:

Bazayev, Inessa

Publication type:

Article

THE SERIAL COLLABORATOR: A META-PIANIST FOR REAL-TIME TONAL AND NON-TONAL MUSIC GENERATION.

Published in:

Leonardo, 2014, v. 47, n. 3, p. 260, doi. 10.1162/Leon_a_00769

By:

Dean, Roger T.

Publication type:

Article

O serialismo de Camargo Guarnieri no seu Concerto para Piano e Orquestra N.° 5.

Published in:

PER MUSI: Revista Academica de Musica, 2009, v. 20, p. 44, doi. 10.1590/S1517-75992009000200006

By:

Pitombeira, Liduino

Publication type:

Article

Tonality and Atonality in Sixteenth-Century Music.

Published in:

Journal of Research in Music Education, 1961, v. 9, n. 2, p. 171, doi. 10.2307/3344316

By:

Riedel, Johannes

Publication type:

Article

Atonality and Beyond: The century when composers and audiences parted company.

Published in:

2007

By:

Bose, Sudip

Publication type:

Book Review

A Lotta Night Music: The Sound of Film Noir.

Published in:

Cinema Journal, 2008, v. 47, n. 2, p. 52, doi. 10.1353/cj.2008.0011

By:

Ness, Richard R.

Publication type:

Article

Chapter 2: The Tonal Properties of Pitch-Class Sets: Tonal Implication, Tonal Ambiguity, and Tonalness.

Published in:

Computing in Musicology, 2007, v. 15, p. 24

By:

Temperley, David

Publication type:

Article

Non-expert listeners show decreased heart rate and increased blood pressure (fear bradycardia) in response to atonal music.

Published in:

Frontiers in Psychology, 2015, v. 6, p. 1, doi. 10.3389/fpsyg.2015.01646

By:

Proverbio, Alice M.;
Manfrin, Luigi;
Arcari, Laura A.;
De Benedetto, Francesco;
Gazzola, Martina;
Guardamagna, Matteo;
Nasi, Valentina Lozano;
Zani, Alberto

Publication type:

Article

EL ANÁLISIS COMO HERRAMIENTA EN LA INTERPRETACIÓN DE LA MÚSICA ATONAL PARA GUITARRA.

Published in:

Revista Electrónica de LEEME - Electronic Journal of Music in Education, 2006, n. 17, p. 1

By:

Royo Abenia, Alberto

Publication type:

Article

Visually Induced Auditory Expectancy in Music Reading: A Behavioral and Electrophysiological Study.

Published in:

Journal of Cognitive Neuroscience, 2005, v. 17, n. 4, p. 694, doi. 10.1162/0898929053467532

By:

Schön, Daniele;
Besson, Mireille

Publication type:

Article

Introduction to Post-Tonal Theory.

Published in:

2017

By:

Prevost, Roxane

Publication type:

Book Review

Registral Streams, Fusion, and Prolongation in Åke Hermanson's Alarme for Solo Horn, Op. 11.

Published in:

STM-Online, 2007, v. 10, p. 1

By:

Harper, Steven A.

Publication type:

Article

Abstraction, 1910-1925: Eight Statements.

Published in:

October, 2013, n. 143, p. 3

By:

Dickerman, Leah

Publication type:

Article

Political ideology and atonality in language and intercultural education: A rejoinder to ‘Between professionalism and political engagement in foreign language teaching practice’.

Published in:

Journal of Applied Linguistics & Professional Practice, 2022, v. 16, n. 3, p. 361, doi. 10.1558/jalpp.21085

By:

Dervin, Fred;
Mei Yuan

Publication type:

Article

Schoenberg's early Wagnerisms: Atonality and the redemption of Ahasuerus.

Published in:

Cambridge Opera Journal, 1994, v. 6, n. 1, p. 51, doi. 10.1017/S0954586700004134

By:

Brown, Julie

Publication type:

Article

Signification in atonal, amotivic music? Extending the properties of actoriality in Ligeti's second string quartet.

Published in:

Semiotica, 2014, v. 2014, n. 202, p. 321, doi. 10.1515/sem-2014-0042

By:

Spies, Bertha

Publication type:

Article

In the Absence of the Avant-Garde -- Atonality, Satire and De-Romanticisation in the Musical Life of Norway.

Published in:

Avant-Garde Critical Studies, 2019, v. 36, p. 560, doi. 10.1163/9789004388291_033

By:

Kvalbein, Astrid

Publication type:

Article

The Emancipation of Dissonance: Schoenberg’s Two Practices of Composition.

Published in:

Music & Letters, 2010, v. 91, n. 4, p. 568, doi. 10.1093/ml/gcq092

By:

Hinton, Stephen

Publication type:

Article

GLM and SVM analyses of neural response to tonal and atonal stimuli: new techniques and a comparison.

Published in:

Connection Science, 2009, v. 21, n. 2/3, p. 161, doi. 10.1080/09540090902733863

By:

Durrant, Simon;
Hardoon, DavidR.;
Brechmann, André;
Shawe-Taylor, John;
Miranda, EduardoR.;
Scheich, Henning

Publication type:

Article

AGENCY AND THE ADAGIO: MIMETIC ENGAGEMENT IN BARBER'S OP. 11 QUARTET.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2012, v. 5, n. 1, p. 7

By:

BAILEYSHEA, MATTHEW

Publication type:

Article

THE MUSICAL IDEA AND THE BASIC IMAGE IN AN ATONAL SONG AND RECITATION OF ARNOLD SCHOENBERG.

Published in:

Gamut: The Online Journal of the Music Theory Society of the Mid-Atlantic, 2009, v. 2, n. 1, p. 1

By:

Boss, Jack

Publication type:

Article

Feminised Noise and the ‘Dotted Line’ of Sonic Experimentalism.

Published in:

Contemporary Music Review, 2016, v. 35, n. 1, p. 85, doi. 10.1080/07494467.2016.1176773

By:

Thompson, Marie

Publication type:

Article

The Rest is History—Mathias Spahlinger and Hans Heinrich Eggebrecht on Utopia in New Music.

Published in:

Contemporary Music Review, 2008, v. 27, n. 6, p. 665, doi. 10.1080/07494460802410393

By:

Music, Petra

Publication type:

Article

Itinerant Atonality: Stefan Wolpe's Middle Period Work.

Published in:

Contemporary Music Review, 2008, v. 27, n. 2/3, p. 305, doi. 10.1080/07494460801951421

By:

Powell, Larson

Publication type:

Article