Art-House Cinema, Avant-Garde Film, and Dramatic Modernism.
- Published in:
- Journal of Aesthetic Education, 2011, v. 45, n. 2, p. 1, doi. 10.5406/jaesteduc.45.2.0001
- By:
- Publication type:
- Article
Works matching Art house films
Results: 186
1
2
Conference Report: Art House Convergence: Art House Convergence, January 15-18, 2018, Zermatt Resort and Hotel, Midway, Utah.
- Published in:
- 2018
- By:
- Publication type:
- Proceeding
3
Alienating the Familiar with CGI: A Recipe for Making a Full CGI Art House Animated Feature.
- Published in:
- Leonardo, 2018, v. 51, n. 4, p. 368, doi. 10.1162/LEON_a_01645
- By:
- Publication type:
- Article
4
Una pequeña historia el cine:Sergio Salinas, promotor de la cultura cinematográfica en Chile.
- Published in:
- 2013
- By:
- Publication type:
- Essay
5
Legally Independent: The Exhibition of Independent Art Films.
- Published in:
- Historical Journal of Film, Radio & Television, 2018, v. 38, n. 1, p. 54, doi. 10.1080/01439685.2017.1285148
- By:
- Publication type:
- Article
6
Corporeal violence in art-house cinema: Cannes 2009.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
7
A theory of agitation, or: Getting off in the cinema.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2012, v. 26, n. 4, p. 519, doi. 10.1080/10304312.2012.698032
- By:
- Publication type:
- Article
8
Empire's Remains: The Ghosts of History in Michael Haneke's Le temps du loup.
- Published in:
- Modern Austrian Literature, 2010, v. 43, n. 2, p. 41
- By:
- Publication type:
- Article
9
Jsou filmové festivaly skutečně platnou distribuční platformou?
- Published in:
- Iluminace, 2014, v. 26, n. 1, p. 49
- By:
- Publication type:
- Article
10
Introduction.
- Published in:
- Journal of British Cinema & Television, 2014, v. 11, n. 4, p. 413, doi. 10.3366/jbctv.2014.0226
- By:
- Publication type:
- Article
11
Channel 4 and the Red Triangle: A Case Study in Film Curation and Censorship on Television.
- Published in:
- Journal of British Cinema & Television, 2014, v. 11, n. 4, p. 481, doi. 10.3366/jbctv.2014.0230
- By:
- Publication type:
- Article
12
The Myth of Nothing in Classics and Asian Indigenous Films.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2013, v. 15, n. 2, p. 1, doi. 10.7771/1481-4374.2223
- By:
- Publication type:
- Article
13
The Persistent Transience of Microcinema (in the United States and Canada).
- Published in:
- Film History, 2015, v. 27, n. 3, p. 104, doi. 10.2979/filmhistory.27.3.104
- By:
- Publication type:
- Article
14
If you favour a good detective story - and art house cinema - you will enjoy this film.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
15
"What Does Art Have to Do with a Guy Eating a Live Octopus?": The Transpacific Reception of Oldboy as an Art/Non‐Art Film.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
16
SELF-PROJECTION: THE DIRECTOR'S IMAGE IN ART CINEMA.
- Published in:
- 2015
- By:
- Publication type:
- Book Review
17
The Disintegration of Spanish Cinema.
- Published in:
- Bulletin of Spanish Studies: Hispanic Studies & Researches on Spain, Portugal & Latin America, 2015, v. 92, n. 3, p. 423, doi. 10.1080/14753820.2015.1003763
- By:
- Publication type:
- Article
18
TIPPING POINT: A CONVERSATION WITH CHARLIE HUMPHREY.
- Published in:
- 2012
- By:
- Publication type:
- Interview
19
‘...von der Unmöglichkeit der Gegenwart’: Geschlecht, Generation und Nation in Petzolds Die Innere Sicherheit und Sanders-Brahms' Deutschland, Bleiche Mutter.
- Published in:
- German Life & Letters, 2009, v. 62, n. 2, p. 174, doi. 10.1111/j.1468-0483.2009.01455.x
- By:
- Publication type:
- Article
20
Not If, But When and How: Digital Comes to the American Art House.
- Published in:
- 2012
- By:
- Publication type:
- Case Study
21
CHAPTER FOUR: Clay and Cannes: The Beginnings of Art Cinema in Australia.
- Published in:
- Moving Image, 2011, n. 10, p. 73
- By:
- Publication type:
- Article
22
Theatrical Films and Cinematic Novels: De dans van de reiger and VAnnée dernière à Marienbad.
- Published in:
- 2016
- By:
- Publication type:
- Festival Review
23
The Difficult Job of Being a Girl: Key Themes and Narratives in Contemporary Western European Art Cinema by Women.
- Published in:
- Quarterly Review of Film & Video, 2018, v. 35, n. 1, p. 16, doi. 10.1080/10509208.2017.1347866
- By:
- Publication type:
- Article
24
The Home Invasion Theme in French Cinema Since 1995.
- Published in:
- Quarterly Review of Film & Video, 2011, v. 28, n. 3, p. 257, doi. 10.1080/10509201003676862
- By:
- Publication type:
- Article
25
“Popart”: the ‘Global’ Avatar of Bollywood.
- Published in:
- Rupkatha Journal on Interdisciplinary Studies in Humanities, 2013, v. 5, n. 2, p. 247
- By:
- Publication type:
- Article
26
Second Time Around: From Art House to DVD, D. A. Miller (2021).
- Published in:
- 2022
- By:
- Publication type:
- Book Review
27
The Heath Is White: Nationhood, Protestant Anxieties, and Nazism in The White Ribbon.
- Published in:
- Film Matters, 2017, v. 8, n. 3, p. 55, doi. 10.1386/fm.8.3.55_1
- By:
- Publication type:
- Article
28
Midnights at the Charles: Exhibiting Underground Cinema in the Age of the Art-House.
- Published in:
- Film Matters, 2013, v. 4, n. 4, p. 19, doi. 10.1386/fm.4.4.19_1
- By:
- Publication type:
- Article
29
Focus Features: A New Safe Haven for Queer and Gay Cinema.
- Published in:
- Film Matters, 2012, v. 3, n. 1, p. 3, doi. 10.1386/fm.3.1.3_1
- By:
- Publication type:
- Article
30
Quality You Can't Touch: Mubi Social, Platform Politics, and the Online Distribution of Art Cinema.
- Published in:
- Velvet Light Trap: A Critical Journal of Film & Television, 2018, n. 82, p. 3, doi. 10.7560/VLT8202
- By:
- Publication type:
- Article
31
FIGHTING THE FESTIVAL APOCALYPSE: FILM FESTIVALS AND FUTURES IN FILM EXHIBITION.
- Published in:
- Media International Australia (8/1/07-current), 2011, n. 139, p. 140, doi. 10.1177/1329878X1113900118
- By:
- Publication type:
- Article
32
Blade Runner 2049's incongruous couplings: Living and dying in the Anthropocene.
- Published in:
- Science Fiction Film & Television, 2020, v. 13, n. 1, p. 37, doi. 10.3828/sfftv.2020.3
- By:
- Publication type:
- Article
33
Build It, and They Will Come.
- Published in:
- Gay & Lesbian Review Worldwide, 2022, v. 29, n. 1, p. 24
- By:
- Publication type:
- Article
34
Editorial.
- Published in:
- Journal of Adaptation in Film & Performance, 2018, v. 11, n. 2, p. 123, doi. 10.1386/jafp.11.2.123_2
- By:
- Publication type:
- Article
35
The Bond identity: Dismantling a franchise in Quantum of Solace.
- Published in:
- Journal of Adaptation in Film & Performance, 2018, v. 11, n. 2, p. 141, doi. 10.1386/jafp.11.2.141_1
- By:
- Publication type:
- Article
36
If this is your land, where is your camera?: Atanarjuat, The Journals of Knud Rasmussen and post-cinematic adaptation.
- Published in:
- Journal of Adaptation in Film & Performance, 2014, v. 7, n. 2, p. 195, doi. 10.1386/jafp.7.2.195_1
- By:
- Publication type:
- Article
37
Provocation in women's filmmaking: authorship and art cinema.
- Published in:
- 2024
- By:
- Publication type:
- Book Review
38
Reel Indigeneity: Ten Canoes and its chronotopical politics of Ab/Originality.
- Published in:
- 2014
- By:
- Publication type:
- Film/TV Criticism and Review
39
'An idleness bordering on the wacky': Paul Cox and the contradictions of an Australian art cinema.
- Published in:
- Continuum: Journal of Media & Cultural Studies, 2010, v. 24, n. 5, p. 653, doi. 10.1080/10304312.2010.505907
- By:
- Publication type:
- Article
40
'Poverty, prostitution, filthy tavernas': cinephilia and popular Greek film of the fifties.
- Published in:
- Byzantine & Modern Greek Studies, 2007, v. 31, n. 2, p. 213, doi. 10.1179/030701307X210411
- By:
- Publication type:
- Article
41
Disaffection-images: Bruno Dumont and the sullen atheists of art cinema.
- Published in:
- Screen, 2023, v. 64, n. 3, p. 306, doi. 10.1093/screen/hjad032
- By:
- Publication type:
- Article
42
Italian anti-colonial cinema: global liberation movements and the third-worldist films of the long '68.
- Published in:
- Screen, 2022, v. 63, n. 2, p. 139, doi. 10.1093/screen/hjac020
- By:
- Publication type:
- Article
43
High and low and in between.
- Published in:
- 2013
- By:
- Publication type:
- Essay
44
Becoming-minor in a sustainable Europe: the contemporary European art film and Aki Kaurismäki's Le Havre.
- Published in:
- 2013
- By:
- Publication type:
- Film/TV Criticism and Review
45
Ulrike Ottinger: the Autobiography of Art Cinema.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
46
Between the Young and the New: pop sensibilities and laconic style in Rudolf Thome's Rote Sonne.
- Published in:
- Screen, 2000, v. 41, n. 3, p. 257, doi. 10.1093/screen/41.3.257
- By:
- Publication type:
- Article
47
ART CINEMA AS INSTITUTION.
- Published in:
- Screen, 1981, v. 22, n. 1, p. 11, doi. 10.1093/screen/22.1.11
- By:
- Publication type:
- Article
48
Video: Technology and Practice.
- Published in:
- Screen, 1979, v. 20, n. 1, p. 109, doi. 10.1093/screen/20.1.109
- By:
- Publication type:
- Article
49
On Authorship.
- Published in:
- Screen, 1979, v. 20, n. 1, p. 35
- By:
- Publication type:
- Article
50
The relationship between reviewer judgments and motion picture success: re-analysis and extension.
- Published in:
- Journal of Cultural Economics, 2012, v. 36, n. 3, p. 249, doi. 10.1007/s10824-012-9172-8
- By:
- Publication type:
- Article