The Photo-Novel: Stereotype as Surprise.
- Published in:
- History of Photography, 2013, v. 37, n. 2, p. 137, doi. 10.1080/03087298.2012.703407
- By:
- Publication type:
- Article
Works matching Antonioni, Michelangelo, 1912-2007
Results: 118
1
2
Blanchot and Ambiguity.
- Published in:
- CLCWeb: Comparative Literature & Culture: A Web Journal, 2010, v. 12, n. 4, p. 1, doi. 10.7771/1481-4374.1675
- By:
- Publication type:
- Article
3
Seeing Differently: From Antonionis Blow Up (1966) to Shezad Dawood's Make It Big (2005).
- Published in:
- Journal of Visual Culture, 2008, v. 7, n. 2, p. 181, doi. 10.1177/1470412908091937
- By:
- Publication type:
- Article
4
Nothing counts: shot and event in Werckmeister Harmonies.
- Published in:
- 2009
- By:
- Publication type:
- Essay
5
The Cinephilic Pleasures of DVD Commentary: Watching The Passenger (1975) with Jack Nicholson.
- Published in:
- Journal of Film & Video, 2014, v. 66, n. 1, p. 21, doi. 10.5406/jfilmvideo.66.1.0021
- By:
- Publication type:
- Article
6
Future Anterior: History and Speculation in the Work of Angela Bulloch.
- Published in:
- 2008
- By:
- Publication type:
- Essay
7
Filmic Architect or Architectural Filmmaker?: Examining the Relationship Between Space and Cinema in the Work of Michelangelo Antonioni.
- Published in:
- Film Matters, 2019, v. 10, n. 1, p. 96, doi. 10.1386/fm.10.1.96_1
- By:
- Publication type:
- Article
8
L'eclisse.
- Published in:
- 2016
- By:
- Publication type:
- Film/TV Criticism and Review
9
Michelangelo Antonioni: Interviews.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
10
The Architecture of Film Sound: The Construction of Sonic Space in Michelangelo Antonioni's The Passenger.
- Published in:
- Music, Sound & the Moving Image, 2023, v. 17, n. 1, p. 23, doi. 10.3828/msmi.2023.2
- By:
- Publication type:
- Article
11
What a time it was! An essay on Antonioni's L'eclisse.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 5, doi. 10.1386/st.3.1.5_1
- By:
- Publication type:
- Article
12
Some reflections on Antonioni, sound and the silence of La notte.
- Published in:
- Soundtrack, 2010, v. 3, n. 1, p. 11, doi. 10.1386/st.3.1.11_1
- By:
- Publication type:
- Article
13
Barthes and Antonioni in China: the muffling of criticism.
- Published in:
- Textual Practice, 2016, v. 30, n. 2, p. 267, doi. 10.1080/0950236X.2016.1129729
- By:
- Publication type:
- Article
14
Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni's L'eclisse.
- Published in:
- New Literary History, 2012, v. 43, n. 3, p. 477, doi. 10.1353/nlh.2012.0027
- By:
- Publication type:
- Article
15
Landscapes of deliquescence in Michelangelo Antonioni's Red Desert.
- Published in:
- 2003
- By:
- Publication type:
- Essay
16
A socio-cultural history of the machine metaphor.
- Published in:
- Review of Cognitive Linguistics, 2013, v. 11, n. 1, p. 145, doi. 10.1075/rcl.11.1.04gle
- By:
- Publication type:
- Article
17
Modish Artifice vs. Modern Art: Resnais's Last Year at Marienbad in Light of Antonioni's L'eclisse.
- Published in:
- Pennsylvania Literary Journal (2151-3066), 2014, v. 6, n. 1, p. 32
- By:
- Publication type:
- Article
18
LIBRARY TROLLS AND DATABASE ANIMALS: kenneth halliwell and joe orton's library book alterations.
- Published in:
- Angelaki: Journal of the Theoretical Humanities, 2018, v. 23, n. 1, p. 48, doi. 10.1080/0969725X.2018.1435374
- By:
- Publication type:
- Article
19
La mirada centrifugada: un cambio de paradigma en la concepción de horizonte estable en la representación cinematográfica.
- Published in:
- Goya (0017-2715), 2018, n. 365, p. 344
- By:
- Publication type:
- Article
20
REGARDING ANNA.
- Published in:
- New Review of Film & Television Studies, 2006, v. 4, n. 2, p. 107, doi. 10.1080/17400300600768422
- By:
- Publication type:
- Article
21
Animate Streets: Antonioni's Queer Spaces.
- Published in:
- 2018
- By:
- Publication type:
- Film/TV Criticism and Review
22
Heavy Weather: Michelangelo Antonioni, Tsai Ming-liang, and The Poetics of Environmental Sound.
- Published in:
- 2015
- By:
- Publication type:
- Film/TV Criticism and Review
23
A Review of “Michelangelo Red Antonioni Blue”.
- Published in:
- 2012
- By:
- Publication type:
- Book Review
24
Michelangelo Antonioni Interviews, edited by Bert Cardullo. Jackson: University Press of Mississippi, 2008.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
25
A Surface of Forgetting: The Object of History in Michaelangelo Antonioni's 'Blowup'
- Published in:
- Quarterly Review of Film & Video, 2000, v. 17, n. 3, p. 245, doi. 10.1080/10509200009361495
- By:
- Publication type:
- Article
26
ANTONIONI Y BERGMAN: un silencio EN LAS NUBES.
- Published in:
- Metapolitica, 2007, v. 11, n. 55, p. 36
- By:
- Publication type:
- Article
27
Michelangelo Antonioni and Atom Egoyan: Contaminating identities.
- Published in:
- Journal of Italian Cinema & Media Studies, 2016, v. 4, n. 1, p. 51, doi. 10.1386/jicms.4.1.51_1
- By:
- Publication type:
- Article
28
Italian film-makers in China and changing cultural perceptions: Comparing Chung Kuo - China (Michelangelo Antonioni, 1972) and La stella che non c'è/The Missing Star (Gianni Amelio, 2006).
- Published in:
- Journal of Italian Cinema & Media Studies, 2014, v. 2, n. 1, p. 41, doi. 10.1386/jicms.2.1.41_1
- By:
- Publication type:
- Article
29
China's reception of Michelangelo Antonioni's Chung Kuo.
- Published in:
- Journal of Italian Cinema & Media Studies, 2014, v. 2, n. 1, p. 23, doi. 10.1386/jicms.2.1.23_1
- By:
- Publication type:
- Article
30
The Soundscape in Michelangelo Antonioni's Cinema.
- Published in:
- New Soundtrack, 2018, v. 8, n. 1, p. 1, doi. 10.3366/sound.2018.0113
- By:
- Publication type:
- Article
31
A Debate on Antonioni's L'edisse.
- Published in:
- Annali d'Italianistica, 2011, v. 29, p. 35
- By:
- Publication type:
- Article
32
“Blowing Up” the Frame: Revisiting Arlow's “Fantasy, Memory, and Reality Testing”.
- Published in:
- Psychoanalytic Quarterly, 2018, v. 87, n. 1, p. 149, doi. 10.1080/00332828.2018.1424450
- By:
- Publication type:
- Article
33
AVERAGE SHOT LENGTH IN THE POST-2000 ROMANIAN FILM. COMPARISON WITH OTHER MOVEMENTS IN EUROPEAN CINEMA.
- Published in:
- Concept (2248-3756), 2022, v. 24, n. 1, p. 245
- By:
- Publication type:
- Article
34
O sentido e a percepção discursiva da fotografia no contexto audiovisual contemporâneo.
- Published in:
- Actas de Diseño, 2019, n. 28, p. 41
- By:
- Publication type:
- Article
35
Intertextual Media Considerations on a Pair of Classics: "Blow-Up" and Blow-Up.
- Published in:
- Journal of Visual Literacy, 2006, v. 26, n. 2, p. 103, doi. 10.1080/23796529.2006.11674636
- By:
- Publication type:
- Article
36
BECOMING WOMAN: FROM ANTONIONI TO ANNE CARSON AND CINDY SHERMAN.
- Published in:
- 2010
- By:
- Publication type:
- Film/TV Criticism and Review
37
An interview with Siegfried Fruhauf on Blow-Up.
- Published in:
- 2020
- By:
- Publication type:
- Interview
38
Out of Body Experience.
- Published in:
- 2013
- By:
- Publication type:
- Essay
39
The Epic Frame.
- Published in:
- 2013
- By:
- Publication type:
- Essay
40
Antonioni and the Place of Modernity: A Tribute.
- Published in:
- 2008
- By:
- Publication type:
- Obituary
41
Cinematic Narcissism: Bertolucci's The Dreamers and post-neorealist love.
- Published in:
- Studies in European Cinema, 2012, v. 9, n. 2/3, p. 143, doi. 10.1386/seci.9.2-3.143_1
- By:
- Publication type:
- Article
42
My Italian Cinema.
- Published in:
- Italianist, 2011, v. 31, n. 2, p. 270, doi. 10.1179/026143411X13051090964776
- By:
- Publication type:
- Article
43
Becoming Giuliana: Antonioni's Red Desert and the Capitalist Social Machine.
- Published in:
- Deleuze & Guattari Studies, 2021, v. 15, n. 1, p. 91, doi. 10.3366/dlgs.2021.0423
- By:
- Publication type:
- Article
44
All’origine della sceneggiatura Verso una critica genetica del film L’eclisse (1962).
- Published in:
- Acta Universitatis Lodziensis. Folia Litteraria Polonica, 2022, v. 64, n. 1, p. 594, doi. 10.18778/1505-9057.64.22
- By:
- Publication type:
- Article
45
The Woman as a Misfit in Michelangelo Antonioni's Tetralogy.
- Published in:
- Caietele Echinox, 2017, v. 32, p. 283, doi. 10.24193/cechinox.2017.32.24
- By:
- Publication type:
- Article
46
Editorial.
- Published in:
- Photographies, 2014, v. 7, n. 1, p. 1, doi. 10.1080/17540763.2014.897035
- By:
- Publication type:
- Article
47
The Lady Vanishes: Antonioni’s L’Eclisse and photography.
- Published in:
- Photographies, 2014, v. 7, n. 1, p. 85, doi. 10.1080/17540763.2014.896275
- By:
- Publication type:
- Article
48
Adaptation, translation and indeterminacy in Michelangelo Antonioni's Blow-Up: Towards a third space of representation.
- Published in:
- Journal of Adaptation in Film & Performance, 2020, v. 13, n. 1, p. 7, doi. 10.1386/jafp_00009_1
- By:
- Publication type:
- Article
49
Freud and the Two Michelangelos.
- Published in:
- Psychoanalytic Inquiry, 2024, v. 44, n. 4, p. 358, doi. 10.1080/07351690.2024.2345572
- By:
- Publication type:
- Article
50
Antonioni: Centenary Essays.
- Published in:
- 2013
- By:
- Publication type:
- Book Review