The misreading and rereading of African American filmmaker Oscar Micheaux : a critical review of Micheaux scholarship.
- Published in:
- Film History, 1995, v. 7, n. 4, p. 426
- By:
- Publication type:
- Article
Works matching American filmmakers
Results: 452
1
2
On Strike and On Film: Mexican American Families and Blacklisted Filmmakers in Cold War America.
- Published in:
- 2008
- By:
- Publication type:
- Book Review
3
Aldo Francia and Italian neorealism: A Latin American filmmaker and a creative affiliation.
- Published in:
- Journal of Italian Cinema & Media Studies, 2022, v. 10, n. 2, p. 333, doi. 10.1386/jicms_00130_1
- By:
- Publication type:
- Article
4
Moving out of the Background: Québec Women Filmmakers and the American Roads.
- Published in:
- [Inter]sections, 2024, n. 27, p. 78
- By:
- Publication type:
- Article
5
Hollywood's Italian American Filmmakers. Capra, Scorsese, Savoca, Coppola, and Tarantino.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
6
SECRETS AS SURFACES: PRAYERS IN MEMORY OF TWO AMERICAN FILMMAKERS.
- Published in:
- 2021
- By:
- Publication type:
- Obituary
7
Amerasia journal virtual interview: Ann Kaneko on Overstay.
- Published in:
- 1999
- Publication type:
- Interview
8
An Aspect of the American Culture Reflected in Martin Scorsese's Films.
- Published in:
- Miguk-sa Yongu, 2008, v. 27, p. 187
- By:
- Publication type:
- Article
9
JEAN NEGULESCO, UN PICTOR IGNORAT ÎN ROMÂNIA DE IERI ŞI DE ASTĂZI.
- Published in:
- Studii şi cercetări de istoria artei. Seria Artă plastică, 2013, v. 3, n. 47, p. 101
- By:
- Publication type:
- Article
10
Black on White: Film Noir and the Epistemology of Race in Recent African American Cinema.
- Published in:
- Journal of Social Philosophy, 2000, v. 31, n. 1, p. 82, doi. 10.1111/0047-2786.00033
- By:
- Publication type:
- Article
11
Final Resolutions: International Conference for a New Cinema: Montreal, Canada, June, 1974.
- Published in:
- Black Camera: The New Series, 2021, v. 13, n. 1, p. 418, doi. 10.2979/blackcamera.13.1.0418
- Publication type:
- Article
12
Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
13
Alegropolis: Wakanda and Black Panther 's Hall of Mirrors.
- Published in:
- Cambridge Journal of Postcolonial Literary Inquiry, 2020, v. 7, n. 2, p. 121, doi. 10.1017/pli.2019.41
- By:
- Publication type:
- Article
14
On Strike and on Film: Mexican American Families and Blacklisted Filmmakers in Cold War America.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
15
His Body of Work, the Work of His Body: The Chronicles of Christopher Lee, and Respect After Death.
- Published in:
- Amerasia Journal, 2020, v. 46, n. 2, p. 202, doi. 10.1080/00447471.2020.1866415
- By:
- Publication type:
- Article
16
Yellow visions: Review of the sixteenth annual San Francisco International Asian American Film....
- Published in:
- Amerasia Journal, 1999, v. 25, n. 2, p. 169, doi. 10.17953/amer.25.2.5474361x00h7u367
- By:
- Publication type:
- Article
17
DESTİNASYON VE ÜLKE TANITIM FİLMLERİNİN ORYANTALİZM AÇISINDAN İNCELENMESİ: TÜRKİYE ÖRNEĞİ.
- Published in:
- Erciyes Akademi, 2022, v. 36, n. 4, p. 1766, doi. 10.48070/erciyesakademi.1182102
- By:
- Publication type:
- Article
18
The End of Everything: Millennium Anxiety in Gregg Araki's Nowhere.
- Published in:
- Mise-en-Scène, 2022, v. 7, n. 1, p. 14
- By:
- Publication type:
- Article
19
Interpretive framework in Muktir Gaan (Song of Freedom, 1995): (Re)vision of history and gender by a popular documentary film on the Liberation War of Bangladesh.
- Published in:
- South Asian Popular Culture, 2019, v. 17, n. 3, p. 227, doi. 10.1080/14746689.2019.1665870
- By:
- Publication type:
- Article
20
On Strike and on Film: Mexican American Families and Blacklisted Filmmakers in Cold War America.
- Published in:
- 2009
- By:
- Publication type:
- Book Review
21
Private Life, Public Diplomacy: Tibor Hirsch and Documentary Filmmaking for the Cold War Usia.
- Published in:
- Historical Journal of Film, Radio & Television, 2020, v. 40, n. 2, p. 297, doi. 10.1080/01439685.2019.1664076
- By:
- Publication type:
- Article
22
Hollywood’s Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
23
Stagestruck Filmmaker: D.W. Griffith and the American theatre.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
24
Orientalismus ve filmovém snímku 47 róninů (2013).
- Published in:
- Far East / Dálný Východ, 2020, v. 10, n. 1, p. 48
- By:
- Publication type:
- Article
25
Poetics of Environmental Care in Contemporary Latin American Women Filmmakers: On Politics of Interdependence.
- Published in:
- Chasqui (01458973), 2024, v. 53, n. 2, p. 203
- By:
- Publication type:
- Article
26
REEL BLACK TALK: A SOURCEBOOK OF 50 AMERICAN FILMMAKERS (Book).
- Published in:
- 1998
- Publication type:
- Book Review
27
The War That Made Hollywood: How the Spanish-American War Saved the U.S. Film Industry.
- Published in:
- Journal of Military History, 2012, v. 76, n. 1, p. 69
- By:
- Publication type:
- Article
28
Spectrality in Pa negre / Black Bread (Villaronga 2010): Queer aesthetics and its politics of memory.
- Published in:
- Studies in Spanish & Latin American Cinemas, 2021, v. 18, n. 3, p. 317, doi. 10.1386/slac_00058_1
- By:
- Publication type:
- Article
29
Wakanda rising: Black Panther and commodity production in the Disney universe.
- Published in:
- Image & Text, 2019, n. 33, p. 1, doi. 10.17159/2617-3255/2018/n33a3
- By:
- Publication type:
- Article
30
An interview with Felipe Guerrero (Colombian Centro Sperimentale di Cinema alumni) and the privilege of studying at the CSC from 1996 to 1999.
- Published in:
- Journal of Italian Cinema & Media Studies, 2024, v. 12, n. 2, p. 247, doi. 10.1386/jicms_00221_7
- By:
- Publication type:
- Article
31
"Bring about the change we want to see": Ram Devineni and the media spectacle of Priya's Shakti.
- Published in:
- Feminist Media Studies, 2023, v. 23, n. 7, p. 3239, doi. 10.1080/14680777.2022.2108480
- By:
- Publication type:
- Article
32
Children, boundaries, and border-crossings in Latin American and Latinx films.
- Published in:
- Journal of International & Intercultural Communication, 2024, v. 17, n. 2, p. 123, doi. 10.1080/17513057.2024.2330411
- By:
- Publication type:
- Article
33
Fulfilling his debt to civilization: American filmmaker Harold Marvin Shaw, British wartime propaganda, and the anti-Bolshevik The Land of Mystery, 1914–1920.
- Published in:
- Early Popular Visual Culture, 2024, v. 22, n. 1, p. 10, doi. 10.1080/17460654.2024.2319891
- By:
- Publication type:
- Article
34
Contemplating imperialism: early film reenactments of the South African War.
- Published in:
- Early Popular Visual Culture, 2023, v. 21, n. 3, p. 368, doi. 10.1080/17460654.2022.2157301
- By:
- Publication type:
- Article
35
Framing Two Enemies in Mass Media: A Content Analysis of U.S. Government Influence in American Film during World War II.
- Published in:
- American Journalism, 2008, v. 25, n. 1, p. 55, doi. 10.1080/08821127.2008.10678092
- By:
- Publication type:
- Article
36
STAGESTRUCK FILMMAKER: D. W. GRIFFITH AND THE AMERICAN THEATRE.
- Published in:
- 2010
- By:
- Publication type:
- Book Review
37
INDIVIDUAL AGENCY AND THE STUDIO SYSTEM: DON SIEGEL, MONTAGE, AND WARNER BROS.
- Published in:
- Film & History (03603695), 2016, v. 46, n. 2, p. 4, doi. 10.1353/flm.2016.a643288
- By:
- Publication type:
- Article
38
Hollywood's Italian American Filmmakers: Capra, Scorsese, Savoca, Coppola, and Tarantino.
- Published in:
- 2013
- By:
- Publication type:
- Book Review
39
Oliver Stone as Cinematic Historian (Part II).
- Published in:
- Film & History (03603695), 1998, v. 28, n. 3/4, p. 4, doi. 10.1353/flm.1998.a395863
- By:
- Publication type:
- Article
40
Stagestruck Filmmaker: D. W. Griffith and the American Theatre.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
41
On Strike and on Film: Mexican American Families and Blacklisted Filmmakers in Cold War America.
- Published in:
- 2007
- By:
- Publication type:
- Book Review
42
KEN JACOBS: A PERVERSÃO DOS ARQUIVOS E AS FIGURAS QUE OBSERVAM OS ESPECTADORES.
- Published in:
- Esferas, 2019, n. 16, p. 60
- By:
- Publication type:
- Article
43
Latinoamérica filmada.
- Published in:
- Escritura e Imagen, 2024, v. 20, p. 387, doi. 10.5209/esim.97672
- By:
- Publication type:
- Article
44
Representación del periodista en las newspaper films de Samuel Fuller: La voz de la primera plana (1952), Corredor sin retorno (1963) y Tinikling ou ‘La madonne et le dragon’ (1990).
- Published in:
- Doxa Comunicación, 2024, n. 39, p. 383, doi. 10.31921/doxacom.n39a2132
- By:
- Publication type:
- Article
45
FROM THE BENCH TO THE SCREEN: THE WOMAN JUDGE IN FILM.
- Published in:
- Cleveland State Law Review, 2012, v. 60, n. 3, p. 681
- By:
- Publication type:
- Article
46
Filming Manhole Covers in Chile.
- Published in:
- American Diplomacy, 2020, p. 42
- By:
- Publication type:
- Article
47
Me quitaron de en medio. Trad.
- Published in:
- EU-topías: A Journal on Interculturality, Communication & European Studies, 2024, v. 28, p. 125, doi. 10.7203/eutopias.28.30115
- By:
- Publication type:
- Article
48
David Lynch y la reimaginación del Hollywood clásico. Un viaje en el tiempo por una Carretera perdida llamada Mulholland Drive.
- Published in:
- EU-topías: A Journal on Interculturality, Communication & European Studies, 2022, v. 23, p. 23, doi. 10.7203/eutopias.23.23652
- By:
- Publication type:
- Article
49
Not Your Model Minority: The Art and Activism of Renee Tajima-Peña.
- Published in:
- Feminist Media Histories, 2024, v. 10, n. 2/3, p. 126, doi. 10.1525/fmh.2024.10.2-3.126
- By:
- Publication type:
- Article
50
Reflections on Maya Deren's Forgotten Film, The Very Eye of Night.
- Published in:
- Dance Chronicle, 2009, v. 32, n. 3, p. 412, doi. 10.1080/01472520903276750
- By:
- Publication type:
- Article