Amelia/The Eighteenth-Century Novel: the Idea of the Gentleman/The Reluctant Naturalism of Amelia.Published in:1986By:Irwin, MichaelPublication type:Book Review
FEMALE CHANGELESSNESS; OR, WHAT DO WOMEN WANT?Published in:1987By:Spacks, Patricia MeyerPublication type:Literary Criticism
BOOTH'S PROGRESS AND THE RESOLUTION OF AMELIA.Published in:1984By:Mulford, CarlaPublication type:Literary Criticism
"Willing Victims"? Disavowed Consent and Formal Deviance in Fielding's Amelia.Published in:2017By:Wright, Nicole M.Publication type:Literary Criticism
Henry Fielding and Tom D'Urfey: A Missed Allusion.Published in:Notes & Queries, 2022, v. 69, n. 3, p. 242, doi. 10.1093/notesj/gjac069By:New, MelvynPublication type:Article
"What's in a Name?": Barton Booth, Billy Booth and Some Theatrical Roots in Fielding's Amelia.Published in:2023By:Castro Santana, AnaclaraPublication type:Book Review
Last Words: The Conclusions of Amelia and Sir Charles Grandison.Published in:Philological Quarterly, 2022, v. 101, n. 4, p. 259By:NEW, MELVYNPublication type:Article
The two Amelias: Henry Fielding and Elizabeth Justice.Published in:ELH, 1995, v. 62, n. 2, p. 313, doi. 10.1353/elh.1995.0014By:Kraft, ElizabethPublication type:Article