Between Mobility and Stability: Earle Brown's Compositional Process.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 3/4, p. 409, doi. 10.1080/07494460701414405
- By:
- Publication type:
- Article
Works matching Aleatory music
Results: 42
1
2
Of Bushisms, Banjos, and 20th Century Music.
- Published in:
- 2008
- By:
- Publication type:
- Editorial
3
8: Rautavaara's Mature Style: A Synthesis of Influences (1985-1995).
- Published in:
- Acta Musicologica Fennica, 2019, n. 34, p. 237
- Publication type:
- Article
4
Protentions and Retentions of Xenakis and Cage: Nonhuman Actors, Genre and Time in Microsound.
- Published in:
- Contemporary Music Review, 2018, v. 37, n. 5/6, p. 606, doi. 10.1080/07494467.2018.1577639
- By:
- Publication type:
- Article
5
Sense Without Syntax: The Art of P. Inman and Thomas DeLio.
- Published in:
- 2015
- By:
- Publication type:
- Essay
6
Aspects of Zen Buddhism as an Analytical Context for John Cage's Chance Music.
- Published in:
- 2014
- By:
- Publication type:
- Essay
7
The Cabinet of Curiosities—The String Quartet in the USA after 1950.
- Published in:
- Contemporary Music Review, 2013, v. 32, n. 4, p. 341, doi. 10.1080/07494467.2013.809238
- By:
- Publication type:
- Article
8
John Cage in Separate Togetherness with Jazz.
- Published in:
- Contemporary Music Review, 2012, v. 31, n. 1, p. 63, doi. 10.1080/07494467.2012.712284
- By:
- Publication type:
- Article
9
Available Recollections.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 3/4, p. 371, doi. 10.1080/07494460701414314
- By:
- Publication type:
- Article
10
Earle Brown's 'Creative Ambiguity' and Ideas of Co-creatorship in Selected Works.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 3/4, p. 377, doi. 10.1080/07494460701414330
- By:
- Publication type:
- Article
11
Postmodern or Modern: A Different Approach to Darmstadt.
- Published in:
- Contemporary Music Review, 2007, v. 26, n. 1, p. 25, doi. 10.1080/07494460601069176
- By:
- Publication type:
- Article
12
Matsudaira Yoritsune's path from neoclassical to aleatory music.
- Published in:
- Contemporary Music Review, 1998, v. 17, n. 4, p. 5, doi. 10.1080/07494469800640241
- By:
- Publication type:
- Article
13
Forever Ephemeral: John Cage's ASLSP.
- Published in:
- Performance Research, 2012, v. 17, n. 5, p. 5, doi. 10.1080/13528165.2012.728429
- By:
- Publication type:
- Article
14
Open Sources: Words, Circuits and the Notation-Realization Relation in the Music of David Tudor.
- Published in:
- Leonardo Music Journal, 2004, v. 14, n. 1, p. 17, doi. 10.1162/0961121043067424
- By:
- Publication type:
- Article
15
David Tudor as Composer/Performer in Cage's Variations II.
- Published in:
- Leonardo Music Journal, 2004, v. 14, n. 1, p. 11, doi. 10.1162/0961121043067316
- By:
- Publication type:
- Article
16
Cage's Echoes of the Anechoic.
- Published in:
- Australian Humanities Review, 2022, n. 70, p. 75
- By:
- Publication type:
- Article
17
The Temporalist Harp: Henri Bergson and Twentieth-Century Musical Innovation.
- Published in:
- European Legacy, 2011, v. 16, n. 7, p. 953, doi. 10.1080/10848770.2011.626216
- By:
- Publication type:
- Article
18
ÇOCUKLARIN SOUNDPAINTING EĞİTİMİNDE KARŞILAŞILAN SORUNLAR VE ÇÖZÜM ÖNERİLERİ.
- Published in:
- Electronic Turkish Studies, 2017, v. 12, n. 14, p. 59, doi. 10.7827/TurkishStudies.11626
- By:
- Publication type:
- Article
19
Reassessing the Emergence of Indeterminate Music.
- Published in:
- British Postgraduate Musicology, 2007, v. 9, p. 4
- By:
- Publication type:
- Article
20
John Cage and the Question of Genre.
- Published in:
- 2013
- By:
- Publication type:
- Essay
21
Electronic Scores for Music: The Possibilities of Animated Notation.
- Published in:
- Computer Music Journal, 2017, v. 41, n. 3, p. 21, doi. 10.1162/COMJ_a_00427
- By:
- Publication type:
- Article
22
Aleatorism vs Computer.
- Published in:
- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2010, n. 1, p. 127
- By:
- Publication type:
- Article
23
Composing aleatoric music through interaction: a composition environment based on interaction with mobile technologies for public spaces.
- Published in:
- PER MUSI: Revista Academica de Musica, 2020, p. 1, doi. 10.35699/2317-6377.2020.26077
- By:
- Publication type:
- Article
24
Introduction.
- Published in:
- Miedzy Oryginalem a Przekladem, 2018, v. 24, n. 3, p. 7, doi. 10.12797/MOaP.24.2018.41.00
- By:
- Publication type:
- Article
25
Engaging Piano Students With minimalism.
- Published in:
- American Music Teacher, 2012, v. 62, n. 2, p. 22
- By:
- Publication type:
- Article
26
Inventive Listening: The Aesthetics of Parataxis.
- Published in:
- International Review of the Aesthetics & Sociology of Music, 2014, v. 45, n. 1, p. 21
- By:
- Publication type:
- Article
27
PLAYING THE GAME WITH ALEATORICS AND NARRATIVITY: LINAIA-AGON BY IANNIS XENAKIS.
- Published in:
- New Sound: International Magazine for Music, 2016, n. 48, p. 109, doi. 10.5937/newso1648109j
- By:
- Publication type:
- Article
28
AN ANALYSIS OF THE VOCAL ENSEMBLES FROM THE OPERA "I PURITANI" BY VINCENZO BELLINI.
- Published in:
- Review of Artistic Education, 2018, v. 15, n. 1, p. 84, doi. 10.2478/RAE-2018-0009
- By:
- Publication type:
- Article
29
ADVOCATING THE POETICS OF SOUND IN THE CYCLE LES NUITS D'ÉTÉ BY HECTOR BERLIOZ.
- Published in:
- Review of Artistic Education, 2018, v. 15, n. 1, p. 59, doi. 10.2478/RAE-2018-0007
- By:
- Publication type:
- Article
30
ALEATORIC ELEMENTS IN TUDOR JARDA'S CHORAL WORKS.
- Published in:
- Musicology Papers, 2013, v. 28, p. 43
- By:
- Publication type:
- Article
31
Clare's Mutterings, Murmurings, and Ramblings: the Sounds of Health.
- Published in:
- 2014
- By:
- Publication type:
- Essay
32
Musically Sublime: Indeterminacy, Infinity, Irresolvability, New York.
- Published in:
- 2011
- By:
- Publication type:
- Book Review
33
Towards a more sonically inclusive museum practice: a new definition of the 'sound object'.
- Published in:
- Science Museum Group Journal, 2017, n. 8, p. 250, doi. 10.15180/170805
- By:
- Publication type:
- Article
34
Musical Mobile as a Genre Genotype of New Music.
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2013, n. 14, p. 119
- By:
- Publication type:
- Article
35
СМИСЪЛЪТ НА МУЗИКАТА.
- Published in:
- Philosophical Alternatives Journal / Filosofski Alternativi, 2022, v. 31, n. 2, p. 103
- By:
- Publication type:
- Article
36
Parsimonious sequences of pitch-class sets: bipartition through inversion and its applications to music composition.
- Published in:
- Journal of Mathematics & Music, 2025, v. 19, n. 2, p. 108, doi. 10.1080/17459737.2024.2432901
- By:
- Publication type:
- Article
37
ENSAYO: NOTAS SOBRE JOHN CAGE Y LA LITERATURA.
- Published in:
- Ricercare, 2019, n. 11, p. 96, doi. 10.17230/ricercare.2019.11.5
- By:
- Publication type:
- Article
38
STANLEY CAVELL Y EL DEBATE SOBRE LA "NUEVA MÚSICA": RAZONES Y SINRAZONES DE UN DESENCUENTRO.
- Published in:
- Brocar: Cuadernos de Investigación Histórica, 2012, v. 36, p. 283
- By:
- Publication type:
- Article
39
Trans(a)l(e)atory Studies or the Translator as a Performer: Finnegans Wake by James Joyce in Polish Translation.
- Published in:
- Miedzy Oryginalem a Przekladem, 2018, v. 24, n. 3, p. 29, doi. 10.12797/MOaP.24.2018.41.02
- By:
- Publication type:
- Article
40
Statistical Form amongst the Darmstadt School.
- Published in:
- Music Analysis, 2014, v. 33, n. 3, p. 341, doi. 10.1111/musa.12037
- By:
- Publication type:
- Article
41
ASPECTE ANALITICE ÎN LUCRAREA RITUAL PENTRU SETEA PĂMÂNTULUI (RITUAL FOR THE THIRST OF THE EARTH) DE MYRIAM MARBÉ.
- Published in:
- REVART: Specialized Review of Theory & Critique of Arts, 2022, v. 40, n. 2, p. 13
- By:
- Publication type:
- Article
42
Impressionism in Ukrainian Music.
- Published in:
- Musicology of Lithuania / Lietuvos muzikologija, 2015, n. 16, p. 82
- By:
- Publication type:
- Article