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PRELIMINARY DIAGNOSTIC SURVEY OF DETERIORATED PAINT LAYERS AT THE MARITIME STATION OF ROCHA DO CONDE DE ÓBIDOS, LISBON: A MULTIANALYTICAL RESEARCH.
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- International Journal of Conservation Science, 2023, v. 14, n. 3, p. 1249, doi. 10.36868/IJCS.2023.03.31
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ANTÓNIO CARNEIRO'S PAINTING COLLECTION FROM THE MUNICIPALITY OF OPORTO. STUDY AND CONSERVATION IN THE 150<sup>th</sup> ANNIVERSARY OF THE PAINTER'S BIRTH.
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- International Journal of Conservation Science, 2023, v. 14, n. 3, p. 1221, doi. 10.36868/IJCS.2023.03.29
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- Article
EDVARD MUNCH'S COLLECTION OF DRAWING MATERIALS: CRAYON CHARACTERIZATION.
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- International Journal of Conservation Science, 2022, v. 13, p. 1665
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- Article
EXPLORATORY ANALYTICAL STUDY OF A 20TH CENTURY PORTUGUESE MURAL PAINTING BY JULIO RESENDE (1917-2011).
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- International Journal of Conservation Science, 2020, v. 11, n. 3, p. 627
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- Article
Characterization of two pairs of 16th century Nanbam folding screens by Raman, EDXRF and FTIR spectroscopies.
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- Journal of Raman Spectroscopy, 2010, v. 41, n. 11, p. 1510, doi. 10.1002/jrs.2652
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On the Use of the Unusual Green Pigment Brochantite (Cu4(SO4)(OH)6) in the 16th-Century Portuguese-Flemish Paintings Attributed to The Master Frei Carlos Workshop.
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- Microscopy & Microanalysis, 2015, v. 21, n. 2, p. 518, doi. 10.1017/S1431927615000094
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Images in transformation: The color and its change in a group of Portuguese paintings from the second half of the 16th century.
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- Color Research & Application, 2022, v. 47, n. 6, p. 1358, doi. 10.1002/col.22809
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Paint, Colour, and Style: The Contribution of Minerals to the Palette of the Descent from the Cross, Attributed to the Portuguese Painter Francisco João (act. 1558–1595).
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- Minerals (2075-163X), 2023, v. 13, n. 9, p. 1182, doi. 10.3390/min13091182
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Em busca do retrato original de Afonso de Albuquerque – novas revelações na Galeria dos Vice-Reis de Goa.
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- Conservar Património, 2024, v. 46, p. 43, doi. 10.14568/cp28800
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An Artist's Sketchbook: the former altarpiece of Goa Cathedral (India) attributed to the painter Garcia Fernandes - iconographic and stylistic influences and underdrawing study.
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- Conservar Património, 2020, n. 34, p. 73, doi. 10.14568/cp2018068
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- Article
The Matter from Which an Orange Colour Is Made: On the Arsenic Pigment Used in a Portuguese Mannerist Painting.
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- Heritage (2571-9408), 2022, v. 5, n. 3, p. 2646, doi. 10.3390/heritage5030138
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The Power of Combining MA-XRF, Infrared Reflectography and Digital Microscopy to Unveil the Production of the 16th Century Illuminated Charter of Évora: What May Be Hidden under a Painted Surface ?
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- Heritage (2571-9408), 2022, v. 5, n. 1, p. 286, doi. 10.3390/heritage5010015
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- Article
On the Two Working Palettes of Almada Negreiros at DN Building in Lisbon (1939–1940): First Analytical Approach and Insight on the Use of Cd Based Pigments.
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- Heritage (2571-9408), 2021, v. 4, n. 4, p. 4578, doi. 10.3390/heritage4040252
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A Multi-Analytical Study of Egyptian Funerary Artifacts from Three Portuguese Museum Collections.
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- Heritage (2571-9408), 2021, v. 4, n. 4, p. 2973, doi. 10.3390/heritage4040166
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Charcoal or black stone? Reconstructions as a tool to study the behaviour of dry underdrawing materials within the paint structure of sixteenth century panel paintings.
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- Heritage Science, 2022, v. 10, n. 1, p. 1, doi. 10.1186/s40494-022-00649-x
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Annunciation or Adoration? The workshop practice and the hesitations of a Portuguese mannerist painter revealed by infrared reflectography.
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- Archaeological & Anthropological Sciences, 2023, v. 15, n. 4, p. 1, doi. 10.1007/s12520-023-01757-w
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