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Samuel Beckett, un écrivain de l'abstraction?. 2020 - 9 - varia.
- Published in:
- Revue des Lettres Modernes, 2020, n. 6, p. 335
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- Article
On Writing a Translator's Biography: Bringing Barbara Bray out of the Archives.
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- Journal of Beckett Studies (Edinburgh University Press), 2024, v. 33, n. 2, p. 181, doi. 10.3366/jobs.2024.0430
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- Article
Barbara Bray and Samuel Beckett as 'Translaborators': The Beckett – Duras – Bray Connection.
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- Journal of Beckett Studies (Edinburgh University Press), 2023, v. 32, n. 1, p. 12, doi. 10.3366/jobs.2023.0386
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- Article
Reading and Interpreting Variants in Come and Go, Va-et-vient and Kommen und Gehen.
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- Journal of Beckett Studies (Edinburgh University Press), 2015, v. 24, n. 1, p. 75, doi. 10.3366/jobs.2015.0121
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- Article
Eric Wessler, La Littérature face à elle-même: L'écriture spéculaire de Samuel Beckett. Amsterdam, New York: Rodopi, coll. 'Faux Titre', 2009. 461pp. €92/$124. ISBN: 9789042027220.
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- 2012
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- Publication type:
- Book Review
Heterolingualism and interpretation in Atonement: Traduttore, traditore?
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- Études Britanniques Contemporaines, 2018, n. 55, p. 1, doi. 10.4000/ebc.5237
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- Article
"Scarcely Disfigured": Beckett's Surrealist Translations.
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- Modernism/Modernity, 2011, v. 18, n. 4, p. 739, doi. 10.1353/mod.2011.0107
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- Article
Beckett performed in the context of the globalization of contemporary performance: Robert Wilson's Endspiel and Tania Bruguera's Endgame.
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- Francosphères, 2020, v. 9, n. 1, p. 71, doi. 10.3828/franc.2020.6
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- Article
TOWARDS AN ETHICS OF WITNESS, OR THE STORY AND HISTORY OF 'UNE MINUSCULE DÉTRESSE' IN ANNIE ERNAUX'S L'ÉVÉNEMENT AND NANCY HUSTON'S INTRUMENTS DES TÉNEBRES.
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- French Studies, 2008, v. 62, n. 3, p. 301, doi. 10.1093/fs/knn027
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- Article