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SCIENTIFIC VIRTUAL REALITY AS A RESEARCH TOOL IN PREHISTORIC ARCHAEOLOGY: THE CASE OF ATXURRA CAVE (NORTHERN SPAIN).
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- Virtual Archaeology Review, 2024, v. 15, n. 31, p. 1, doi. 10.4995/var.2024.20976
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MAKING A DIFFERENCE: PALAEOLITHIC ICONOGRAPHY AS A TRAIT OF IDENTITY IN THE IBERIAN PENINSULA.
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- Oxford Journal of Archaeology, 2023, v. 42, n. 4, p. 282, doi. 10.1111/ojoa.12281
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Unravelling the skills and motivations of Magdalenian artists in the depths of Atxurra Cave (Northern Spain).
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- Scientific Reports, 2023, v. 13, n. 1, p. 1, doi. 10.1038/s41598-023-44520-w
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FROM THE CAVE TO THE VIRTUAL MUSEUM: ACCESSIBILITY AND DEMOCRATISATION OF FRANCO-CANTABRIAN PALAEOLITHIC ART.
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- Virtual Archaeology Review, 2023, p. 54, doi. 10.4995/var.2023.17684
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Filling the Void: Rock-art Continuity Over the Pleistocene–Holocene Boundary in Eastern Iberia.
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- Cambridge Archaeological Journal, 2022, v. 32, n. 4, p. 661, doi. 10.1017/S0959774322000105
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'THE QUOTIDIAN OF THE SYMBOLIC'. ICONOGRAPHIC CHANGES BETWEEN DECORATED OBJECTS IN CANTABRIAN MAGDALENIAN PORTABLE ART. A MULTIVARIATE STATISTICAL APPROACH.
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- Oxford Journal of Archaeology, 2022, v. 41, n. 1, p. 2, doi. 10.1111/ojoa.12237
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To be or not to be: reassessing the origins of portable art in the Cantabrian Region (Northern Spain)
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- Archaeological & Anthropological Sciences, 2022, v. 14, n. 1, p. 1, doi. 10.1007/s12520-021-01488-w
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- Article
The conquest of the dark spaces: An experimental approach to lighting systems in Paleolithic caves.
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- PLoS ONE, 2021, v. 16, n. 6, p. 1, doi. 10.1371/journal.pone.0250497
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Redefining shared symbolic networks during the Gravettian in Western Europe: New data from the rock art findings in Aitzbitarte caves (Northern Spain).
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- PLoS ONE, 2020, v. 15, n. 10, p. 1, doi. 10.1371/journal.pone.0240481
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Motion and Gesture: Analysing Artistic Skills in Palaeolithic Art.
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- Journal of Archaeological Method & Theory, 2020, v. 27, n. 3, p. 561, doi. 10.1007/s10816-020-09476-5
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From cave geomorphology to Palaeolithic human behaviour: speleogenesis, palaeoenvironmental changes and archaeological insight in the Atxurra‐Armiña cave (northern Iberian Peninsula).
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- Journal of Quaternary Science, 2020, v. 35, n. 6, p. 841, doi. 10.1002/jqs.3225
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- Article
Another bone in the wall: towards a characterisation of the objects placed in wall fissures at Isturitz cave (Pyrénées-Atlantiques, France).
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- Archaeological & Anthropological Sciences, 2019, v. 11, n. 12, p. 6875, doi. 10.1007/s12520-019-00948-8
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- Article
LA 'GALERÍA DE LOS BISONTES': UN NUEVO SECTOR DECORADO EN LA CUEVA DE ALKERDI (URDAZUBI/URDAX, NAVARRA).
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- Zephyrus, 2015, v. 75, p. 17, doi. 10.14201/zephyrus2015751739
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- Article
Defining Magdalenian cultural groups in Franco-Cantabria by the formal analysis of portable artworks.
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- Antiquity, 2014, v. 88, n. 339, p. 64, doi. 10.1017/S0003598X00050225
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Back to the point: new datings for La Peña de Candamo cave art (Asturias).
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- Zephyrus, 2014, v. 73, p. 4
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BACK TO THE POINT: NEW DATINGS FOR LA PEÑA DE CANDAMO CAVE ART (ASTURIAS).
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- Zephyrus, 2014, v. 73, p. 67, doi. 10.14201/zephyrus2014736781
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- Article
LA CUEVA DE LA GRIEGA (PEDRAZA, SEGOVIA, ESPAÑA) EN LA ENCRUCIJADA IBÉRICA: NUEVOS ANÁLISIS DEL ARTE PARIETAL PALEOLÍTICO A TRAVÉS DEL ANÁLISIS FACTORIAL DE CORRESPONDENCIAS.
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- Espacio, Tiempo y Forma: Serie I, Prehistoria y Arqueología, 2012, n. 5, p. 527, doi. 10.5944/etfi.5.5358
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NUEVAS INVESTIGACIONES EN LA CUEVA DE LA GRIEGA (PEDRAZA, SEGOVIA, ESPAÑA). APORTACIONES DE LAS GEOTECNOLOGÍAS AL ESTUDIO DEL ARTE PALEOLÍTICO.
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- Espacio, Tiempo y Forma: Serie I, Prehistoria y Arqueología, 2012, n. 5, p. 543, doi. 10.5944/etfi.5.5359
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- Article