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Cinematic Rehearsals of Phenomenology: On the Ontic-Ontological Schema and Heideggerian Film Theory.
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- Film-Philosophy, 2024, v. 28, n. 1, p. 79, doi. 10.3366/film.2024.0256
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Historicizing Perception: Film Theory, Neuroscience, and the Philosophy of Mind.
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- Discourse: Journal for Theoretical Studies in Media & Culture, 2018, v. 40, n. 1, p. 83, doi. 10.13110/discourse.40.1.0083
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Towards a Phenomenology of Cinematic Mood: Boredom and the Affect of Time in Antonioni's L'eclisse.
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- New Literary History, 2012, v. 43, n. 3, p. 477, doi. 10.1353/nlh.2012.0027
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- Article