Found: 29
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Self-efficacy Related to Music Te chnology in Piano Learning and Music Theory.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2024, v. 15, n. 1, p. 15, doi. 10.47809/ICTMF.2024.01.02
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Virtual Reality as a Method to Overcome Music Performance Anxiety.
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- ICT in Muzical Field / Tehnologii Informatice si de Comunicatie in Domeniul Muzical, 2023, v. 14, n. 2, p. 57
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- Article
Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov, Series IX: Sciences of Human Kinetics, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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Primitivism in Early 20th Century French Music: Darius Milhaud's La création du monde.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, p. 233, doi. 10.31926/but.pa.2023.16.65.3.22
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An interdisciplinary approach of Synaesthesia, a brain process unifying the senses.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2023, v. 16, n. 1, p. 69, doi. 10.31926/but.pa.2023.16.65.1.7
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Music as Metaphor - A Therapeutic Approach.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, n. 2, p. 19, doi. 10.31926/but.pa.2022.15.64.2.2
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Reason and Time in the French Baroque: François Couperin's Leçons de ténèbres pour le mercredi saint (1714).
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2022, v. 15, p. 111, doi. 10.31926/but.pa.2022.15.64.3.12
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- Article
Indian perspectives in the works of Albert Roussel and Maurice Delage.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2021, v. 14, n. 2, p. 75, doi. 10.31926/but.pa.2021.14.63.2.8
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The role of the Conductor of children's choirs in the improvement of Interpersonal Communication through Music.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, p. 257, doi. 10.31926/but.pa.2020.13.62.3.28
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Developing choral skills at a young age through choral singing.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2020, v. 13, n. 2, p. 139, doi. 10.31926/but.pa.2020.13.62.2.15
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Documentary contributions from the newspapers around 1967-1970 concerning the musical life of Braşov.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, p. 287
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Connections between Music and Painting in Arnold Schoenberg's Works.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2018, v. 11, n. 2, p. 105
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Elements of modal composition in Alexandru Pascanu's Choral Festum Hibernum.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, p. 109
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Synaesthesia and artistic experimentation in Alexandr Scriabin's works.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2017, v. 10, n. 2, p. 95
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Developing musical creativity and empathy through group practices.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2016, v. 9, p. 271
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Bach, Mozart and Beethoven's music - philosophy lived in Cioran's view.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2015, v. 8, n. 2, p. 97
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NEW ETHNOMUSICOLOGICAL ANALYSIS TECHNIQUES.
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- Bulletin of the Transilvania University of Brasov. Series VIII: Performing Arts, 2014, v. 7, n. 1, p. 81
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THE EVOLUTION OF THE FRENCH CHANSON DURING THE RENAISSANCE: FROM THE PARISIAN CHANSON TO THE PLÉIADE CHANSONS, AND THE AIR DU COUR.
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- Studia Universitatis Babes-Bolyai, Musica, 2024, v. 69, p. 83, doi. 10.24193/subbmusica.2024.spiss1.05
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AT THE CROSSROADS BETWEEN OPERA AND ORATORIO: BIBLICAL THEMES AND 19TH CENTURY FRENCH OPERA.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, n. 2, p. 21, doi. 10.24193/subbmusica.2023.2.02
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THE EXOTICISM OF OLIVIER MESSIAEN.
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- Studia Universitatis Babes-Bolyai, Musica, 2023, v. 68, p. 39, doi. 10.24193/subbmusica.2023.spiss2.03
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INDIAN RHYTHMIC GESTURE AND TINTA IN FRENCH OPERAS OF THE SECOND HALF OF THE 19TH CENTURY AND EARLY 20 TH CENTURY.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, p. 33, doi. 10.24193/subbmusica.2022.spiss2.03
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COMPOSITIONAL PARTICULARITIES AND ASIAN INFLUENCES IN THE MUSICAL CONCEPTION AND WORKS OF JOHN CAGE.
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- Studia Universitatis Babes-Bolyai, Musica, 2022, v. 67, n. 1, p. 139, doi. 10.24193/subbmusica.2022.1.09
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INDIAN CULTURE AND MUSIC AS A SOURCE OF INSPIRATION FOR FRENCH OPERA COMPOSERS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 2, p. 99, doi. 10.24193/subbmusica.2021.2.08
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INFLUENCES OF CLASSICAL INDIAN MUSIC IN ALBERT ROUSSEL’S EVOCATIONS.
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- Studia Universitatis Babes-Bolyai, Musica, 2021, v. 66, n. 1, p. 125, doi. 10.24193/subbmusica.2021.1.09
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RUSTIC ENTERTAINMENT MATERIALIZATION OF THE ROMANIAN STYLISTIC MATRIX.
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- Bulletin of the Transilvania University of Brasov, Series VIII: Art & Sport, 2012, v. 5, n. (54) 1, p. 65
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EMOTIONAL RECOVERY FOR DYSPHONIC CHILDREN.
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- REVART: Specialized Review of Theory & Critique of Arts, 2014, n. 17, p. 67
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RECUPERAREA AFECTIVĂ A COPIILOR DISTONICI.
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- REVART: Specialized Review of Theory & Critique of Arts, 2013, n. 16, p. 83
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THE METAPHYSICAL PARADIGM OF THE MIORITIC THEME.
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- REVART: Specialized Review of Theory & Critique of Arts, 2011, n. 1, p. 75
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ANCESTRAL FOLKLORIC FEATURES WITH THERAPEUTIC ROLE.
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- REVART: Specialized Review of Theory & Critique of Arts, 2010, n. 2, p. 5
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