Works by Marks, Laura U.
1
- Leonardo, 2006, v. 39, n. 1, p. 37, doi. 10.1162/002409406775452140
- Article
2
- Paragraph, 2015, v. 38, n. 1, p. 118, doi. 10.3366/para.2015.0150
- Article
3
- Paragraph, 2008, v. 31, n. 2, p. 123, doi. 10.3366/E0264833408000151
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4
- Afterimage, 2023, v. 50, n. 4, p. 167, doi. 10.1525/aft.2023.50.4.167
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5
- Afterimage, 2020, v. 47, n. 2, p. 46, doi. 10.1525/aft.2020.472009
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6
- 2012
- Arts/Entertainment Review
7
- Nordic Journal of Aesthetics, 2021, v. 30, n. 61/62, p. 134, doi. 10.7146/nja.v30i61-62.127891
- Article
8
- 2007
- Arts/Entertainment Review
15
- Screen, 1994, v. 35, n. 3, p. 244, doi. 10.1093/screen/35.3.244
- Article
16
- International Journal of Communication (19328036), 2017, v. 11, p. 3899
- Article
17
- Film-Philosophy, 2016, v. 20, n. 1, p. 24, doi. 10.3366/film.2016.0003
- Article
18
- Anthropologica, 2021, v. 63, n. 1, p. 1, doi. 10.18357/anthropologica6312021328
- Article
19
- 2011
- Arts/Entertainment Review
20
- Moving Image (15323978), 2004, v. 4, n. 1, p. 34, doi. 10.1353/mov.2004.0016
- Article
21
- Moving Image (15323978), 2004, v. 4, n. 1, p. ix, doi. 10.1353/mov.2004.0015
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22
- Cultural Studies Review, 2008, v. 14, n. 1, p. 99
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24
- Afterimage, 2000, v. 28, n. 1, p. 5, doi. 10.1525/aft.2000.28.1.5
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25
- Afterimage, 2000, v. 27, n. 4, p. 8, doi. 10.1525/aft.2000.27.4.8
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26
- Afterimage, 1999, v. 27, n. 2, p. 5, doi. 10.1525/aft.1999.27.2.5
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27
- Afterimage, 1998, v. 25, n. 4, p. 8, doi. 10.1525/aft.1998.25.4.8
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28
- 1997
- Arts/Entertainment Review
29
- Black Camera: The New Series, 2015, v. 6, n. 2, p. 112, doi. 10.2979/blackcamera.6.2.112
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30
- Animation (17468477), 2011, v. 6, n. 3, p. 307, doi. 10.1177/1746847711417930
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